Creel Pone V/A "Música Nueva Latinoamericana" CP130-131 Double CDr
Covering a wide range of music by southern & central-american composers (executed at area studios ranging from “Above-Board” institutions like the CLAEM - Instituto T. di Tella, CICMAT, and Studio de Fonologia de la Universidad Nacionál in Buenos Aires & the Isvin Sao Paolo to “Private” setups in Guatemala & Argentina, but also at European studios such as the “Centre Americain” in Paris & the G.M.E.B. in Bourges.
The first, second, and fourth volumes exclusively feature Electro-Acoustic work ranging from Cesar Bolaños’ 1964 “Intensidad y Altura” (scrabbly / witchy echo-addled percussive events & whispered texts run through a maze of tape-speed effects) to Conrado Silva’s 1976 “Equus” (dark, noisy, scream-oriented vocal drone extrapolations on par w/ Andre Almuro’s work - quite powerful & mysterious) with the third (included here for continuity’s sake) offering three (rather Kagel-esque) “Instrumental” compositions, “Grabado en Vivo” from a distant vantage, coming across as acoustic stagings) of the same languages & disciplines used to execute the tape works.
Inarguably the best collection of Uruguayan tape music you’re bound to come across, replicated with all original-era indicators intact (not a shred of cultural revisionism at work) - the Creel Pone train continues on in its global voyage.
Creel Pone treatment of four LPs, privately released (on the Tacuabé label) in Uruguay in the mid-to-late 70s, “Música Nueva Latinamericana 1 • Cuatro Composiciones Electroacusticas • Bazan / Bolaños...
is back-ordered. We will ship it separately in 10 to 15 days.