{"title":"Effect Modules","description":"","products":[{"product_id":"echophon","title":"Echophon","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePitch Shifting Echo with smooth Time Modulation, Tempo Sync, saturating Feedback and a unique Pitch Shifting algorithm inspired by the Springer Tempophon and lovingly engineered by DSP Guru Tom Erbe of soundhack. \u003c\/span\u003e\u003cspan\u003e\"...the most inspiring module of the year.\" -Electronic Musician.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9625982917,"sku":"MAKE-NOISE-ECHOPHON","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/mn-echophon-1-whiteknobs-ctrlmod.png?v=1610481857"},{"product_id":"make-noise-erbe-verb","title":"Erbe-Verb Black","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control. Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found. Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":48443939356990,"sku":"MAKE-NOISE-ERBE-VERB-BLACK","price":489.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/make-noise-erbe-verb-black-and-gold-ctrl-mod.png?v=1705513811"},{"product_id":"moddemix","title":"modDemix","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe modDemix features 2 identical direct-coupled balanced modulator circuits that may be used together or independently for Ring Modulation, VCA, Mixer, Signal Multiplication, Voltage Controlled Polarization, Attenuation and more.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Black","offer_id":48454150324542,"sku":"MAKE-NOISE-MODDEMIX","price":140.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":48454150357310,"sku":"MAKE-NOISE-MODDEMIX-BLACK","price":140.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/make-noise-moddemix-black-ctrl-mod.png?v=1705599267"},{"product_id":"wogglebug","title":"Wogglebug","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \"WoggleBug\" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the \"smooth\" and \"stepped\" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 \"Source of Uncertainty,\" expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9996364229,"sku":"MAKE-NOISE-WOGGLEBUG","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-wogglebug-ctrl.png?v=1571272189"},{"product_id":"tiptop-audio-z-dsp-mk2","title":"Z-DSP","description":"The Z-DSP is an open-source, cartridge-based, digital sound processing and generating platform for your modular synthesizer. The Z-DSP has a stereo DSP processor with 24-bit sampling, 15khz of bandwidth, smooth voltage controlled parameters, and has the ability to be programmed - all in a Eurorack format. While the Z-DSP cannot compete with the processing power found on personal computers, it does provide direct control of the DSP hardware and has a unique set of features aimed at the manipulation of digital effects. With the Z-DSP, digital audio can be bent, stretched, deformed, and distorted by interacting with your modules; something personal computers just can't do.\u003cbr\u003e\u003cbr\u003eThe Z-DSP interface includes VC digital parameters, VC Mix\/Dry, manual and sequential program switching, and a pair of VC feedback loop paths with exposed patch points that let you insert the rest of your modular into the DSP process. The Z-DSP lets you go far beyond ordinary processing, breaking the rules and allowing you to patch right into the heart of the DSP chip through the clock input, allowing for some digital madness and creative sound design.","brand":"Tiptop Audio","offers":[{"title":"Black","offer_id":44111359902014,"sku":"TIPTOP-AUDIO-Z-DSP-BLACK","price":542.0,"currency_code":"USD","in_stock":false},{"title":"White","offer_id":44111359967550,"sku":"TIPTOP-AUDIO-Z-DSP-WHITE","price":542.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptopaudiozdspblackctrl-mod.png?v=1669838038"},{"product_id":"tiptop-audio-z-dsp-cartridge-dragonfly-delay-mkii","title":"Z-DSP Cartridge - Dragonfly Delay MKII","description":"Dragonfly MKII is a set of eight voltage-controlled, time-based delay effects for the Z-DSP. MKII features advanced delay programs with added filters and additional taps spicing up the original set of Dragonfly programs.\u003cbr\u003e\u003cbr\u003eWith up to 1000ms of delay time and feedback control on each program, the Dragonfly MKII is perfect for deep, stereophonic, spacey washes of sound covering all delay effect duties within a modular and more.\u003cbr\u003e\u003cbr\u003eThe external feedback loop on the Z-DSP let you feedback through other modules like filters, VCAs or just about any other module to further process the Dragonfly repeats. Hook up a Z3000 for a variable clock of the DSP processor chip to mess up the algorithm’s processing speed, shifting from clear digital repeats to grungy lo-fi warbles, this is where binary DSP bits meet up with the organic analog circuity of the Z-DSP.\u003cbr\u003e\u003cbr\u003eThe Dragonfly Delay contains the following algorithms:\u003cbr\u003e– Mono in Stereo out L\/R Tap: Two taps on a mono delay time.\u003cbr\u003e– Mono in Stereo out Lowpass + Feedback: Two delay taps with LPF in feedback.\u003cbr\u003e– Mono in Stereo out Highpass + Feedback: Two delay taps with HPF in feedback.\u003cbr\u003e– Mono in Stereo out Right Ratio: Selector for ratio of Right delay time to Left.\u003cbr\u003e– Mono in Stereo out Ping Pong: Two tap delay from Left to Right with LPF.\u003cbr\u003e– Stereo in Stereo out L\/R Delay: Independent delay lines on Left and Right.\u003cbr\u003e– Stereo in Stereo out Highpass + Feedback: Two delay lines with HPF in feedback.\u003cbr\u003e– Stereo in Stereo out Lowpass + Feedback: Tow delay lines with LPF in feedback.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10523344517,"sku":"TIPTOP-AUDIO-Z-DSP-DRAGONFLY-DELAY-MKII","price":64.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-zdsp-dragonfly-delay-mkii-ctrlmod.png?v=1574355818"},{"product_id":"tiptop-audip-z-dsp-cartridge-halls-of-valhalla","title":"Z-DSP Cartridge - Halls of Valhalla","description":"\u003cmeta charset=\"utf-8\"\u003eThe Halls of Valhalla is a reverb cartridge for the Tiptop Audio Z-DSP. The cartridge contains 8 original reverb algorithms, custom designed for the Z-DSP and the Eurorack environment. Voltage control over reverb decay, tone, and modulation allows the user to create reverbs ranging from small rooms to large halls to near-infinite decays.\u003cbr\u003e\u003cbr\u003eThe Halls of Valhalla brings the artifacts of fixed point digital signal processing to the forefront, resulting in a thickness and warmth that evokes the classic digital gear of the 1970s through the early 1990s. The goal of the algorithms is not to evoke physical environments, but rather to create unreal spaces that range from subtle to bombastic, from light to dark, with a lushness that turns simple input sounds into rich orchestral washes. The Halls of Valhalla brings the Valhalla DSP aesthetics into the hardware world: Minimalist interface, Maximalist sound.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10523416197,"sku":"","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-audio-zdsp-halls-of-valhalla-ctrlmod.png?v=1574355820"},{"product_id":"tiptop-audio-z-dsp-cartridge-grain-de-folie","title":"Z-DSP Cartridge - Grain de Folie","description":"Granular Synthesis uses small slices of sounds (grains) to compose new sounds from existing material. By combining multiple grains of differing lengths, amplitude, pitch, and speed, new sounds are created which are often very different from the original sound recorded in. Xenakis claims to have invented the technique and, indeed, his “Analogique A-B”, composed of tiny tape splices of pure tones, is credited as the first piece of granular music back in 1959.\u003cbr\u003e\u003cbr\u003eIn the context of the Z-DSP, a block of memory is set to hold digital samples for playback: the Z-DSP has one second of memory for the audio used in processing. From this audio buffer, the grains will be sampled and modified for playback with the number of grains determining how dense the overall output sounds. These programs have 3, 4 or 6 grains for playback. Each grain plays from a random point in the audio buffer and have an independent envelope controlling their duration. The envelope time is the “grain size” parameter in many of the programs.\u003cbr\u003e\u003cbr\u003eThe French phrase for the cartridge is “Grain de Folie”, which could be translated as “seeds of madness”, but in French “grain” also translates to “grain” and “madness” evokes the strange disassembling\/reassembling granular process. Also, “avoir un grain de folie” is a typically expression to describe people behaving in a non-conventional way, thus a fitting play on words that quite nicely describes the unpredictable nature of this set of algorithms.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10582104645,"sku":"TTA-Z-DSP-GRAIN","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-zdsp-grain-de-folie-ctrlmod.png?v=1574355819"},{"product_id":"tiptop-audio-z-dsp-cartridge-time-fabric","title":"Z-DSP Cartridge - Time Fabric","description":"“It fucks with the fabric of time!” Tony Visconti describing pitch shifting to Brain Eno and David Bowie in 1976. That not so subtle description does quite neatly sum up what the Pitch Shift programs on the “Time Fabric” card can do!\u003cbr\u003e\u003cbr\u003ePitch shifting in the Z-DSP uses a technique called “rotating tape head” delay lines named after pioneering tape based experiments in Germany in the 1960s. The tape heads move at speeds independent of the tape playback path and two heads are crossfaded to make a continuous output capable of beautiful pitched delay effects, harmonization, and smooth reverbs.\u003cbr\u003e\u003cbr\u003eThese pitch shifting algorithms are much like the earliest digital pitch shifters released. Sounds similar to the eventide H910, AMS 15-80 (with pitch board) and Publison DHM 89 can be achieved. These programs are intended more for pure effects rather than the complex, multiple harmony lines later devices and plugins became known for producing. Chords can easily be made from single VCOs using the “Interval” programs on the card, though.\u003cbr\u003e\u003cbr\u003eUsing a Z3000 to clock the Z-DSP, complete chaos from the delay lines and pitch shifting emerges, creating great and unexpected new sounds. Modulating the stereo pair of analog VC-Feedbacks animated the times and distance of the pitch shift opening up these algorithms for additional control from CV and audio signal alike. of menu pages.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10582231237,"sku":"TTA-Z-DSP-TIME-FABRIC","price":64.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-zdsp-time-fabric-ctrlmod.png?v=1574355824"},{"product_id":"tiptop-audio-z-dsp-cartridge-clocked-delays","title":"Z-DSP Cartridge - Clocked Delays","description":"Clocked Delays are a collection of eight stereo delay programs that let you sync the delay time of the Z-DSP to an external clock input.\u003cbr\u003e\u003cbr\u003eWith a quick set up, the clock input easily and exactly synchronizes the delay repeats to external rhythms generated by the Trigger Riot, Circadian Rhythms, or other clock sources. A Divide parameter is included with each program to switch between different divisions of the stereo ratios, creating a spatial audio clock divider which automatically matches the repeats to a beat. Feeding the clock input odd clock divisions from a module like the Trigger Riot has the interesting effect of moving the repeats in relation to the beat.\u003cbr\u003e\u003cbr\u003eWhen it comes to their sound, some of the programs feature a pristine classic delay lines, while other programs insert a colored band-pass, low-pass or high-pass filter into the feedback loop, imparting a beautiful harmonic transition to the repeats as they feedback through the filter and slowly decay away. Using the Z- DSP’s analog feedback path adds an additional voltage-controlled stereo feedback which can slightly drift the repeats out of their tight sync to the incoming clock, due to the DSP chip latency, and also extend the delay tail intensity up to self-oscillation. Controlling the Z-DSP’s DSP chip speed externally via the Clock jack can even devolve everything into glitchy out-of-sync binary chaos.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":19053126405,"sku":"","price":64.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-zdsp-clocked-delays-ctrlmod.png?v=1574355817"},{"product_id":"tiptop-audio-z-dsp-cartridge-chorus","title":"Z-DSP Cartridge - Chorus","description":"Chorus effects for the Z-DSP thicken incoming sound and create animation within the sound’s harmonic structure. In addition, they provide an excellent tool for mono to stereo processing of any incoming sound, or even a whole mix, producing a stereo widening effect.\u003cbr\u003e\u003cbr\u003eThe card contains eight digital algorithms inspired by a set of the most classic analog chorus effect ever made, hardware like the Dimension D, Solina String Ensemble, and other very rare devices. True to the modular spirit, the control parameters offer a wide range from subtle and smooth to fast LFO modulation and sea sick wobbles, with a lot of sweet spots in between.\u003cbr\u003e\u003cbr\u003eUsing the Z-DSP’s own stereo analog feedback path to apply feedback to the effects results in beautiful, lush, and organic animated drones. Using those feedback inputs as an additional 2 input channels of direct injection into the DSP chip, the Z-DSP can take up to 4 external sources for generating impressive stereo drones with a classic chorus touch. The end result is a great tool for the design of atmospheric sounds completely contained in the modular environment.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":19053209733,"sku":"TTA-Z-DSP-CHORUS","price":64.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-zdsp-chorus-ctrlmod.png?v=1574355816"},{"product_id":"tiptop-audio-z-dsp-cartridge-spring-waves","title":"Z-DSP Cartridge - Spring Waves","description":"Spring Waves brings a set of physical behavior modeling algorithms to the Z-DSP. It dives deep into experimental digital sound design techniques known as waveguide synthesis, which was first developed in 1998 by Julius O. Smith III of Stanford University by building off of Karplus-Strong synthesis. In addition, there are two spring models and space synthesis: making real Newtonian physics calculations at sample rate.\u003cbr\u003e\u003cbr\u003eThe principle behind these algorithms is a mathematical feedback formula excited by external signals which self-oscillate as a damped tone. The type and harmonic content of the external signals these algorithms can react to is extremely wide and so are the tones that they can impart to a sound.\u003cbr\u003e\u003cbr\u003eThe card contains six Karplus-Strong and two spring models. When fed with an external pulse or bursts of noise they self-oscillate, creating synthetic sounds similar to glass, springs, bells, and a variety of string tones. When structured sounds like high pitched FM tones, drones, drum sounds, and vocals pass through they get a harmonized-type effect, frequently with unexpected results. This card is anything but standard as it takes the natural “springy” artifacts of digital audio, and, instead of fighting to eliminate it, actually makes use of it as a new source of sound inside the modular.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":19053375429,"sku":"TIPTOP-AUDIO-Z-DSP-SPRING-WAVES","price":89.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-zdsp-spring-waves-ctrlmod.png?v=1574355823"},{"product_id":"tiptop-audio-z-dsp-cartridge-shimmer","title":"Z-DSP Cartridge - Shimmer","description":"combine lush reverberation with multiple voices of pitch shifting, to create ethereal pads, rich chordal textures, dissonant clouds of sound, and a variety of other sounds that are perfect for electronic music. The algorithms are customized to work with the Tiptop Audio Z-DSP.\u003cbr\u003e\u003cbr\u003eThere are 6 reverb algorithms in the Z-DSP Shimmer cart, arranged in order of complexity:\u003cbr\u003e\u003cbr\u003eFast Shimmer: A modulated reverb that quickly decays away into an endlessly pitch shifting tail. The shift interval can be set between +\/- 12 semitones. Perfect for that classic “octave up” shimmer sound.\u003cbr\u003e\u003cbr\u003eSlow Shimmer: Similar to Fast Shimmer, but with a much slower attack.\u003cbr\u003e\u003cbr\u003eDual Shimmer: Two pitch shifted voices, embedded within a larger modulated reverb network, shifting the reverb decay in both positive and negative directions. Try slowly sweeping the Shift control in this mode for ridiculously cinematic sounds.\u003cbr\u003e\u003cbr\u003eTriple Shimmer: Two pitch shifted voices embedded within the reverb decay network, plus a third voice external to the network. This allows the user to have a reverb with +12 and -12 semitones of feedback, plus a stable +7 semitones voice without feedback.\u003cbr\u003e\u003cbr\u003eQuad Shimmer: Four pitch shifted voices feeding into a lush modulated reverb. This allows for a variety of dissonant and consonant chordal textures, with the max Shift setting corresponding to a rich major chord.\u003cbr\u003e\u003cbr\u003eClusterVerb: Four pitch shifted voices embedded within the feedback network of a modulated reverb. The result quickly becomes dissonant or metallic. Perfect for insta-Ligeti, or Penderecki In A Box™.\u003cbr\u003e\u003cbr\u003eIn addition, the Z-DSP Shimmer cart features 2 special effects algorithms:\u003cbr\u003e\u003cbr\u003eQuad Detune: 4 short pitch shifted delays, feeding back on each other. A variety of chorus, detuned, and dissonant effects can be obtained through this mode. Turn up the Feedback for maximum fun.\u003cbr\u003e\u003cbr\u003ePitchEcho: A single pitch shifting voice, combined with a tape echo emulation = sound mangling joy. Turn up the feedback for barberpole self oscillation, and sweep the decay time for all sorts of swoopy glitches.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":19463635653,"sku":"TTA-SHIMMER","price":79.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-zdsp-shimmer-ctrlmod.png?v=1574355822"},{"product_id":"xaoc-devices-kamieniec","title":"Kamieniec","description":"Kamieniec is an analog signal processing module directly inspired by a range of classic phaser effect units from 1970s that helped to define entire musical genres. Most of these classic devices contained a fairly small number of phase shifting stages, but made up for that lack with tons of character! However, what was initially intended for guitars is not necessarily sufficient for synthesizers. Therefore, our intention is to preserve the classic sound as we transport it to a new tonal space while prioritizing flexible modular usability.\u003cbr\u003e\u003cbr\u003eJust like many of the famous OTA-based phasers of the 1970s, Kamieniec sports four tunable stages. However, we’ve included two additional fixed stages so as to increase the number of notches, and ultimately offer two versions of the mixed signal (that may be used as a stereo pair) at the two outputs of the unit. While the general topology is similar to a certain very classic phaser pedal, the circuitry has been redesigned with modern components and low noise opamps to bring down the noise floor, improve the bandwidth, and offer a wider range of tuning. The feedback control can be set extremely deep, which results in a very high resonance that is capable of self-oscillation. This produces a unique sound otherwise unreachable for typical phasers, that can vary from subtle and creamy to utterly brutal and grinding. On top of that we’ve included switchable feedback paths, individual stage group outputs, CV inputs, built-in LFO, and daisy chaining ability to provide a comprehensive integration with a modular synthesizer system.\u003cbr\u003e\u003cbr\u003eUnlike any other phaser module, multiple Kamieniec units can be chained together to achieve a more radical response with many notches. The general idea of chaining is to pass along the phase shifted signal to subsequent units before it is mixed with the original version in the last unit of the chain. This approach has a very different effect than plain cascading (connecting multiple phaser units in series), because a long chain of allpass sections yields a dense and uniform pattern of multiple notches, exactly like in a long phaser.","brand":"XAOC Devices","offers":[{"title":"Default Title","offer_id":27975428489,"sku":"XAOC-KAM","price":324.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/xaoc-kamieniec-1-ctrlmod.png?v=1574353251"},{"product_id":"expert-sleepers-disting-mk4","title":"Disting MK4","description":"\u003cp\u003eThe disting is a many-in-1 multifunction module, offering a variety of CV and audio processes, including a selection of oscillators (LFOs\/VCOs). All algorithms have two high-precision inputs and outputs, and a third control input, exposed on a front panel knob and a CV input.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe disting is also a sample (WAV) file and MIDI file player, with a variety of options for sample triggering, playback speed etc.\u003cbr\u003e\u003cbr\u003eThe disting mk4 was introduced at the NAMM show in January 2017. The main differences compared to the disting mk3 are:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDot matrix screen, capable of showing text and numeric values\u003c\/li\u003e\n\u003cli\u003eMicro SD card slot accessible on the front panel\u003c\/li\u003e\n\u003cli\u003eCompatibility with the Select Bus protocol\u003c\/li\u003e\n\u003cli\u003eAn internal precision clock allowing new algorithms such as a tuner, and pitch and frequency references\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Expert Sleepers","offers":[{"title":"Default Title","offer_id":31865304978,"sku":"ES-DISTING-MK4","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/expertsleepers-distingmk4-2-ctrlmod.png?v=1574352151"},{"product_id":"erica-synths-pico-dsp-1","title":"Pico DSP","description":"Erica Pico DSP is a small brother of our recognized Black Hole DSP module. It features 8 custom effects with two adjustable parameters and CV control over the first parameter.\u003cbr\u003e\u003cbr\u003eWith Pico Series we challenged ourselves – can we make ANY superior functionality synth module 3HP wide and affordable? Yes, we can.","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":38038492946,"sku":"ERICA-PICO-DSP","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica_picodsp_1_ctrlmod.png?v=1574354468"},{"product_id":"4ms-tapographic-delay","title":"Tapographic Delay","description":"The Tapographic Delay is a complex multi-tap delay in the Eurorack format with a unique interface designed for live performance. It excels at transforming the simplest audio (a drone, a percussive sound) into complex rhythmic structures, meshes of organic textures, lush harmonic mille feuilles, liquid and resonant effects.\u003cbr\u003e\u003cbr\u003eHave you ever got tired of the monotonous repetitions that your standard delay pedal\/module produced? Have you ever wished for a more complex rhythmic structure than just decaying repetition? If yes, you have come to the right place: the Tapographic Delay is an advanced effect that lets you handle repetition in a completely novel way. It is to a traditional delay what a full rhythmic sequencer (with pattern recall, velocity control, tactile input) is to a simple clock. With the TD, you interactively define the rhythm that the repetitions will follow: a velocity-sensitive sensor allows you to record, edit, modify, and sequence your own arrangements of delays. In a sense, the TD is the converse of the classic Frippertronics sound-on-sound setup popularized by Robert Fripp in the 70's: you don't play the guitar, you play the tape loop!\u003cbr\u003e\u003cbr\u003eThe Tapographic Delay is an expressive experimental instrument meant to be played in real-time, rather than a set-and-forget end-of-chain effect. Interact with it! Experiment! Push it to its limits!","brand":"4ms","offers":[{"title":"Default Title","offer_id":113173823506,"sku":"4MS-TAP-DELAY","price":415.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-tapographicdelay-1-ctrlmod.png?v=1574355209"},{"product_id":"tallin","title":"Tallin","description":"\u003cp\u003eTallin is a dual voltage controlled amplifier (VCA) with overdrive, offering some unusual control features and a range of attractive tonal characteristics. Each of the two identical channels offers two simultaneously available inputs for voltage control over signal attenuation or gain, with linear and exponential response to CV. Volume control knobs offer manual gain settings ranging from fully closed (-80dB) up to +18dB. A color LED indicator displays output signal levels. A soft-clip circuit avoids harsh clipping distortion, while a switchable overdrive circuit offers two carefully crafted distortion responses, simulating the sound of classic tube amplifiers. \u003cbr\u003e\u003cbr\u003eSince both CV inputs are simultaneously active, they can be jointly exploited within patches featuring more complex volume control that otherwise would require using two traditional VCAs in series. As the signal path is DC-coupled, Tallin can also be used for handling the control voltages.\u003cbr\u003e\u003cbr\u003eMODULE OVERVIEW\u003cbr\u003e\u003cbr\u003eTallin consists of two completely independent but functionally identical channels, A and B. Each channel is built around a “modern vintage” discrete VCA core with a matched transistor pair and multiple feedback topology. This gives Tallin a specific character not present in other VCAs that use mathematically precise and sonically pure integrated gain cell VCA chips.\u003cbr\u003e\u003cbr\u003eWith Tallin, we opted for a discrete core, to provide a thick and charming sound that reflects Xaoc’s tonal idiosyncrasy. The signal inputs accept Eurorack signal levels (typically 10Vpp, but capable of handling up to 20Vpp). They can also accept normal studio level (+4dBu) signals which can be amplified to the modular levels, thanks to the gain reserve of up to +18dB. The knobs control the attenuation or gain by scaling the corresponding control voltages. Thus, in a MIN position, they fully silence the channel, regardless of whatever control voltage is applied to the VCA. Turning a knob up will gradually open the VCA, offering a significant boost when above the 12 o’clock position (depending on the control voltage patched in). There are two CV inputs in each channel, respectively featuring an exponential and linear control response. Both controls are available simultaneously, and they jointly determine the gain of the VCA. A CV of 0V at either jack will close the VCA entirely, however both jacks are internally normalized to a constant voltage, so it is possible to use both, just one, or—for manual control only—neither. It is convenient to think of each channel of Tallin as consisting of two VCAs in series (exponential followed by linear), even though the internal implementation is a single circuit. Both CV inputs are optimized for voltages up to 8V, however they can handle envelopes as hot as 10V, or as low as 5V (although the VCA may not open fully in such a case). The internal normalization of both CV inputs is set to 8V. Tallin’s response to combined CV and manual settings is discussed in next section. Each channel of Tallin features a 3-position DRIVE switch that selects between the non distorted linear operation (switch in middle position), a symmetric overdrive yielding mostly 3rd harmonic distortion (switch in up position), or a non-symmetric overdrive yielding mostly 2nd harmonic distortion (switch in down position). See ”Overdrive Operation” for more details. The amplified signals are available at the output jacks. Signals that would exceed 18Vpp are subject to internal soft clipping to avoid harsh distortions due to the limited dynamic range (20Vpp) of Tallin’s operational amplifiers.\u003cbr\u003e\u003cbr\u003eThe multi-color LEDs indicate output signal levels in four stages, from silence to the normal 10Vpp level (gradually lit green), exceeding it (by changing to yellow), and finally, reaching very hot levels (by turning orange), and engaging the soft clipping circuit (by turning red).\u003cbr\u003e\u003cbr\u003eOPERATING THE VOLUME CONTROL\u003cbr\u003e\u003cbr\u003eThe volume knobs are scaled so that the central position yields 0dB, or 100% of original amplitude, provided there is either nothing patched to the CV inputs, or there is a control voltage of 8V. Turning the knob past the central position will engage a boost allowing the amplification of quiet signals up to modular levels. Keep in mind that if the input is a modular level signal you should expect soft clipping to engage quickly and provide a heavy distortion by the end of the knob’s travel.\u003cbr\u003e\u003cbr\u003eThe EXPO input offers an exponential control of the output amplitude, which means the amplitude will decrease rapidly as the voltage approaches zero. Since human sensitivity to sound intensity is nearly exponential, this exponential input yields a natural sounding loudness decrease when using CV sources that change linearly in time. Since there is a significant variety of envelope amplitudes in eurorack, the sensitivity of this input can be adjusted to adapt to the provided control source by using the knob. It is optimally suited to 8V envelopes in the central (12 o’clock) position, and should be turned down to the 10 o’clock position when using a 10V envelope. Using 10V envelopes without turning down the knob will result in a severely compressed response, that delivers a thick, and somewhat unnatural, sound which can be creatively abused if that’s your preference. For 5V envelopes, the output will be very quiet. This can be compensated with the BOOST range of the knob, however you may be unable to reach overdrive levels in this case.\u003cbr\u003e\u003cbr\u003eThe LINEAR input offers linear control, which means the output amplitude will scale proportionally to the CV. If you have an exponential envelope, it’s a good idea to use this input, because it will result in signal amplitude that follows the envelope, decaying towards zero with a natural exponential tail. Envelopes with amplitude different from 8V can be easily used here, requiring only a small adjustment of the knob to compensate.\u003cbr\u003e\u003cbr\u003eOVERDRIVE OPERATION\u003cbr\u003e\u003cbr\u003eThe overdrive circuit in Tallin offers two distinctive distortion characteristics switchable via the DRIVE toggles. The upper, SYMMETRIC position activates a bi-polar parabolic distortion curve that equally amplifies and squashes both peaks of the waveform, yielding a spectrum dominated by 3rd order harmonic overtone. The resulting slightly brightened sound is modeled after an overdriven push-pull power amplifier. The lower ASYMMETRIC position of the switch activates a distortion curve that is more concave in one direction while it is convex in the opposite direction, yielding a spectrum dominated by 2nd order harmonic overtone. The resulting mellow and warm sound is modeled after a classic single-ended tube amplifier.\u003c\/p\u003e","brand":"XAOC Devices","offers":[{"title":"Default Title","offer_id":317232447506,"sku":"XAOC-TALLIN","price":209.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/xaoc-tallin-1-ctrl.png?v=1574355205"},{"product_id":"expert-sleepers-general-cv","title":"General CV","description":"The General CV is a combination of a powerful General MIDI synthesizer, a multi-channel CV-to-MIDI converter, and a host processor capable of generating huge amounts of MIDI data, either in response to control voltages (CVs) or entirely algorithmically.\u003cbr\u003e\u003cbr\u003eThe module's software provides a layer of control over the synthesizer allowing you to create sounds far beyond the familiar (cheesy, even) sounds of General MIDI with which you might be familiar. 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The sonic results put the Mod Delay effects in a category of their own.\u003cbr\u003e\u003cbr\u003eEach program adds different processing like diffusion, chorus, panning and other modulation to the basic mono or dual delay line structure. The two Modulator programs are intended for use with external CV—opening up vast modulation possibilities of the modular synthesizer. Each card comes loaded with 8 presets.\u003cbr\u003e\u003cbr\u003eHydra is the multi-armed DSP creature tapping its tentacles into a buffered delay line and creating a range of multi-tap delay rhythmic and spatial effects. The Spread parameter sweeping through rhythmic variations allowing some of the programs bridge the gap between single delays and reverbs by using diffusion while others use taps to create rhythmic patterns.\u003cbr\u003e\u003cbr\u003eThe basic Hydra algorithm sums the inputs to mono and writes the signal to a single delay line. Multiple output taps are taken from the delay line and spread across the stereo outputs. Each program adds additional features like panning, filtering, pitch shifting and\/or diffusion to create a unique Z-DSP Hydra experience. The last two programs add external Clock input for more precise sync to the beat.\u003cbr\u003e\u003cbr\u003eSpirals is a pitch and multi-tap delay card for the Z-DSP. This card uses numerous multi-tap delay techniques in combination with dual pitch shifters to create a wide range of harmonizing choruses, echo and harmonic reverb sounds. Programs on this card derive from the complex algorithms found on high-end studio effects processors, which, while powerful, have a complex editing process. On the Z-DSP all of the power of the internal code is controlled by three simple adjustments for sculpting the sound—making the experience more about performance and live tweaking rather than navigating through dozens of menu pages.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":12719214133307,"sku":"","price":89.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-timedomainbundle-1-ctrlmod.png?v=1574355823"},{"product_id":"erica-synths-black-hole-dsp2","title":"Black Hole DSP2","description":"\u003cp\u003eBlack Hole DSP2 comes with 24 custom effects, developed by Erica Synths teamrider KODEK in collaboration with creator of Spin CAD software Gary Worsham. It comes with analogue Dry\/Wet crossfade, 3 parameters per effect \u0026amp; a distinct Crush feature that radically reduces sampling rate to 1kHz. Useful feature for live performances – all three parameters can be saved with the effect and they are recalled instantly with selecting the effect.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":13107105792059,"sku":"ERICA-BLACK-HOLE-DSP2","price":319.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-synths-black-hole-dsp-2-ctrl-mod.png?v=1646761459"},{"product_id":"bastl-instruments-dark-matter","title":"Dark Matter","description":"\u003cp\u003eBast Instruments and Casper Electronics are proud to present the newest member of our modular family. Meet Dark Matter, a high energy sound processor and signal generator that unleashes the crazy raw power of audio feedback into your eurorack system.  It’s inspired by “no input” mixer feedback techniques that explore the complex natural behaviours of amplifier circuits pushed beyond their limits. Dark Matter brings this behavior to the modular synth, adds voltage control to everything, tons of patching options and a big ol’ bag of tricks for making feedback a truly \"playable\" effect.\u003c\/p\u003e","brand":"Bastl Instruments","offers":[{"title":"Default Title","offer_id":19147607572534,"sku":"BASTL-DARK-MATTER","price":346.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/casper-darkmatter-1-ctrlmod.png?v=1574352042"},{"product_id":"erica-synths-plasma-drive","title":"Plasma Drive","description":"Plasma Drive is the Erica Fusion Series module developed in collaboration with Gamechanger Audio.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGamechanger Audio (www.gamechangeraudio.com) is Latvian company committed to exploring the uncharted territories of music electronics and creating devices that provide real value while stretching the imagination of both musicians and engineers. In their Plasma Pedal they managed to combine Tesla coil with a lots of Rock and Roll and the result is one of the worlds heaviest sounds with plenty of unique features and the potential to become the new standard of distortion. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimilar as Plasma Pedal, Plasma Drive gives you a new and previously unexplored method of achieving signal clipping. Instead of using LED circuits, transistors or vacuum tubes to produce overdrive, the Plasma Drive boosts audio signal to 3000V and transforms it into a series of continuous high-voltage discharges in a xenon-filled tube. In essence – you are playing a lightning bolt of electricity, and the electrical discharges produced by your instrument are instantly converted back into an analogue audio signal, producing a quick, responsive, and extremely heavy distortion with tons of unique character! \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe eurorack module Plasma Drive brings sounds of the Plasma Pedal to the next level. As per eurorack standards we added CV control over distortion level and dry\/wet mix, as well as octave up and 1 and 2 octaves down tracking oscillators that add even more harmonics to the original signal. Tracking oscillators can be switched on\/off manually or via trigger signals. The Plasma Drive module is powered via conventional eurorack PSU ribbon cable and the power consumption is around 150mA.","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":19559297122358,"sku":"ERICA-PLASMA-DRIVE","price":379.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-plasma-drive-ctrlmod.png?v=1574354573"},{"product_id":"rossum-electro-music-panharmonium","title":"Panharmonium","description":"\u003cp\u003e\u003cstrong\u003ePanharmonium: Mutating Spectral Resynthesizer\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eFrom Rossum Electro-Music Software Architect Bob Bliss (creator of E-mu’s famed “EOS” Emulator Operating System) comes the Panharmonium, a unique music and sound design tool that analyzes the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.\u003cbr\u003e\u003cbr\u003ePanharmonium input can be anything from a single oscillator to an entire mix (including vocals). 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Thirdly, apart from feedback send-return loop, it has built-in feedback effects – delay, various filters, etc; feedback amount and effect parameters can be controlled manually and via CV, making the module an experimental instrument on its own.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":20354254405686,"sku":"ERICA-SYNTHS-BLACK-SPRING-REVERB","price":279.65,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-black-spring-reverb-ctrlmod.png?v=1574351759"},{"product_id":"erica-synths-black-stereo-delay","title":"Black Stereo Delay","description":"\u003cp\u003eErica Synths Black Stereo Delay is a hi-fi stereo delay with a lot of unique features, based on our custom DSP engine. 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With nothing plugged in each channel also has a normalised DC reference\u003cbr\u003evoltage at its output which can be scaled to give you full fader control over anything\u003cbr\u003efrom -\/+10V.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Instruo","offers":[{"title":"Default Title","offer_id":21030721585206,"sku":"INSTRUO-VINCA","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/instruo-vca-1-ctrlmod_d1bed49e-26d8-4fe8-896c-8daf27303866.png?v=1574355630"},{"product_id":"bastl-instruments-waver","title":"Waver","description":"\u003cstrong\u003eA wave folding drone mixer\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWaver is a fully analog, wave folding mixer and signal disruptor inspired by experimental mixing techniques and mind melting drones.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eI\/O\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWaver has 7 inputs for mixing and modulating multiple signals. On the output side, it has a shape output, and a pre-shaper mix output. All inputs and the mix out are DC coupled meaning that the waver can also function as a powerful CV mixer with built-in offset, inversion, modulation and feedback capabilities.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMix\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe mixing stage consists of A, B and C inputs with dedicated faders, and 2 bi–polar VCAs with attenuverting CV control. Add, subtract, wave. \u003cbr\u003eThis interface gives you total control over your signals but also invites you to find the unexpected sweet spots and surprising relationships that can emerge between them.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eShape\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMixed signals are then processed in the SHAPE section, its pallette relying on a wavefolder and square shaper. By employing threshold clipping and folding operations, waver expands your sound’s harmonic complexity and allows you to tweak patches up, down, squareways and beyond. Experiment with the dynamics of incoming sounds to explore their shaped behaviors. Find reflections and dead zones between your inputs – or just refresh your unused oscillators and give them a new voice. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBreak\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eLike all Casper x Bastl collaborations, Waver shines in the realm of feedback, distortion and general sonic mayhem. Whether you want to muzzle your sound, or make it snarl, the break control helps take you there. 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Both inputs are summed so you can use them at the same time as an input mixer.\u003cbr\u003e\u003cbr\u003eThe unit is designed to amplify up to x20 the input signal, allowing to amplify most of the music machines out there (Domestic line levels) as well as some guitars (Hum bucket-like pickups and so).","brand":"Befaco","offers":[{"title":"Default Title","offer_id":32589005193270,"sku":"BEFACO-INAMP","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-inout-1-ctrlmod.png?v=1596035543"},{"product_id":"befaco-spring-reverb","title":"Spring Reverb","description":"\u003cp\u003e\u003cstrong\u003e﻿Includes Reverb Tank\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eElectronically generated audio will usually sound starkly different to acoustically generated sound. This is more-often-than-not a desirable thing, but there are times when you might want to bring the “depth” of an acoustic environment back into your mix.\u003cbr\u003e\u003cbr\u003eThe obvious difference between acoustic and synthesised sounds is that acoustic instruments have resonators, and exist in reverberant spaces. One way to add depth to an electronic sound is to somehow simulate the characteristics of a space, and mix this with the original signal.\u003cbr\u003e\u003cbr\u003eReverberation can be defined as the sum of all the reflections created from an initial sound source within a space, at a point within that space, over time.\u003cbr\u003e\u003cbr\u003eTo simulate this effect we can pass a sound through a spring with two transducers at either end. As the sound propagates it will cause the spring to expand and contract, creating a series of reflections that are picked up by the transducers (along with the original sound). This creates a simulation of reverberation with (in the case of spring of the reverb) a characteristic and classic colour.\u003c\/p\u003e","brand":"Befaco","offers":[{"title":"Default Title","offer_id":32589059850294,"sku":"BEFACO-SPRING-REVERB","price":265.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-spring-1-ctrlmod.png?v=1596037496"},{"product_id":"klavis-flexshaper-voltage-modifier-waveshaper-distortion","title":"Flexshaper - VC Voltage Mapper and Waveshaper","description":"\u003cp\u003e\u003cstrong\u003e﻿This Module Requires +5v Power. Please ensure your power system can supply.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Flexshaper is a highly versatile module when it comes to modify evolving voltages in other directions and levels.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFive settings allow you to fold\/expand\/clip\/compress\/invert partially or completely any CV or audio signal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe module can act as an envelope-shaping tool, frequency multiplier, waveshaper, clipper, distortion, limiter, curve changer, and more.\u003cbr data-mce-fragment=\"1\"\u003eFive CV inputs offer limitless control over the placement of the voltage points for dynamic signal sculpting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBirth of the product\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe idea of the Flexshaper comes from a feature in the Oberheim® Matrix synthesizers called Tracking Generator.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis signal processor was part of the modulation matrix and meant to be virtually inserted between modulation sources and destinations in order to change the shape of the controlling signal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Flexshaper applies the same concept using the same 5 shaping points. \u003cbr data-mce-fragment=\"1\"\u003eHowever, it goes beyond Oberheim’s implementation on two main aspects:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eIt goes fast enough to process signals at full audio rate\u003c\/li\u003e\n\u003cli\u003eThe 5 points are dynamically adjustable (CV) in real-time\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr data-mce-fragment=\"1\"\u003eBesides, the Flexshaper can process adequately bipolar and unipolar Eurorack signals, even changing them one another.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Klavis","offers":[{"title":"Default Title","offer_id":32742972293174,"sku":"KLAVIS-FLEXSHAPER","price":156.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/klavis-flexshaper-1-ctrlmod.png?v=1599672386"},{"product_id":"erica-synths-dual-fx-multi-effects-processor","title":"Dual FX - Multi Effects Processor","description":"To add some space to your compositions and nuances in sound design Erica Synths Dual FX module brings you two identical sections of 8 custom effects with two adjustable and CV controllable parameters.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDual FX combines two Spin FV-1 chips in one module, each filled with eight custom effect programs with two adjustable and CV controlled parameters per effect and analogue dry\/wet circuit. All parameter settings can be saved with the effect and recalled instantly during the performance. Also the output of the first FX section is normalised to the second input so creating huge layers of effects is easy.","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":32749545324598,"sku":"ERICA-DUAL-FX","price":309.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ericia-dualfx-1-ctrlmod.png?v=1599846274"},{"product_id":"befaco-crush-delay-v3","title":"Crush Delay V3","description":"\u003cp\u003eCrush Delay v3 is a special Echo-Delay unit based on the PT2399 IC, which is able to offer 400ms of clean delay and up to 2 seconds of dirty repetitions, having a special talent to generate noisy-glitch textures.  This third version comes with some interesting new features like redesigned VCAs circuits, wider range for clean delay and reduced depth to make it skiff friendly.\u003c\/p\u003e","brand":"Befaco","offers":[{"title":"Default Title","offer_id":32804687970358,"sku":"BEFACO-CRUSH-DELAY-V3","price":295.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-crushdelay-1-ctrlmod.png?v=1601307353"},{"product_id":"erica-synths-dual-drive-black","title":"Dual Drive","description":"\u003cp\u003eFor extreme, distorted drums Dual Drive module is a must! The module features two identical overdrive sections with adjustable Gain and Drive level, each with three flavors of overdrive. CV control over Gain and Drive adds more expression, while built in limiter prevents output signal to run into undesired clipping. Furthermore, the output of the first section is normalled to the input of the second, so you automatically get extreme, versatile dual overdrive circuit. The module can be used in the stereo appliations as well and it's not limited for drums only - it will turn any sound source into roaring monster.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":32931492331574,"sku":"ERICA-DUAL-DRIVE-BLACK","price":211.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-dualdrive-1-ctrlmod.png?v=1604347350"},{"product_id":"xaoc-devices-sarajewo-analog-delay","title":"Sarajewo - Analog Delay","description":"\u003cstrong\u003e1984 Syncable Analog Delay Line\u003c\/strong\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSarajewo is an analog delay module based on old school (but newly manufactured) BBD (Bucket Brigade Delay) chips. It features three delay taps, an external clock input with various tempo sync factors, and a wide range of settings controllable via CV. It is based on high quality components with maximum effort put towards the highest sound quality possible, while still preserving the charm of the BBD technology. The module offers a clean and warm analog sound with tons of character and a comfortable user interface with a tap tempo button, signal level indicators, sync and CV inputs, four signal outputs, and an adjustable feedback filter.","brand":"XAOC Devices","offers":[{"title":"Default Title","offer_id":32944207953974,"sku":"XAOC-SARAJEWO","price":549.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/xaoc-sarajewo-1-ctrlmod.png?v=1604851019"},{"product_id":"after-later-audio-bog","title":"Bog","description":"\u003cp\u003eAn 8HP redesign of the Erica Synths Swamp module which was originally inspired by the famous Wiard Wogglebug module. Bog has moved the smooth range switch to the front panel and added an input for the S\u0026amp;H circuit (commonly called the Heart input).\u003c\/p\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":33066871488566,"sku":"AFTER-LATER-BOG","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/Bog-Product-Image.png?v=1612204547"},{"product_id":"random-source-haible-tau-the-pipe-phaser","title":"Haible Tau \"The Pipe\" Phaser","description":"Jürgen Haible's legendary redesign of the Tau \"The Pipe\" Phaser has now (and for the first time ever) been adapted to Eurorack format. The 2021 version is a new, skiff-friedly design. It includes some additions and modifications compared to the original Haible version like Extended CV control: -1V\/Oct and an attenuverting CV input.\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Random*Source","offers":[{"title":"Default Title","offer_id":39258048725046,"sku":"RANDOM-SOURCE-HAIBLE-TAU","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/rs-tau-1-ctrlmod.png?v=1617639776"},{"product_id":"befaco-a-b-c","title":"A*B+C","description":"\u003cp\u003eA*B+C is a dual, four-quadrant multiplier with VC Offset that can act as Dual Ring Modulator, Dual VCA and Four Channel Mixer.\u003c\/p\u003e\n\u003cp\u003eEach section can perform the analog multiplication of two signals (A and B) and add an offset (C).\u003c\/p\u003e","brand":"Befaco","offers":[{"title":"Default Title","offer_id":39364172054582,"sku":"BEFACO-A-B-C","price":175.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-a_b_c.png?v=1619202681"},{"product_id":"erica-synths-black-bbd-delay","title":"Black BBD Delay","description":"\u003cp\u003eThe Black BBD is one of kind analogues delay module - it features two BBD lines - short, 1024 stage, and long, 4096 stage, that work simultaneously, and you can smoothly fade between those two, thus creating distinct multitap effect. Furthermore, an advanced BBD clock noise cancellation circuit is implemented that reduces unwanted BBD noise without filtering higher frequencies of audio signal. Most of parameters are voltage controlled, which allows to integrate the module in complex modular setups.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":39365014782006,"sku":"ERICA-SYNTHS-BLACK-BBD-DELAY","price":274.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-black-bbd.png?v=1619793423"},{"product_id":"erica-synths-zen-delay","title":"Zen Delay","description":"\u003cp\u003eNinja Tune - an English independent record label based in London and Erica Synths have teamed up to create a custom dub delay effects unit - the Zen Delay.\u003c\/p\u003e\n\u003cp\u003eBringing together the best of the digital and analogue worlds, the Zen Delay is a BPM-synced stereo delay line, combining extreme feedback ranges for dub and experimental lo-fi effects with a multi-mode 24 dB synth filter and valve overdrive.\u003c\/p\u003e\n\u003cp\u003eCreated and manufactured by Erica Synths, the unit is housed in a metal case with Erica Synths’ signature bakelite knobs and a valve circuit for extra analogue warmth. While sonically versatile, it is incredibly easy to use — each function has a physical knob that you can play around with without diving into manuals or scrolling through menus on a tiny screen.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":39365446762550,"sku":"ERICA-SYNTHS-ZEN-DELAY","price":609.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-zen-delay.png?v=1619461538"},{"product_id":"cosmotronic-cosmix","title":"Cosmix - 8-Channel Stereo Mixer","description":"\u003cp\u003eCosmix is an 8-channel stereo mixer with a built in analog stereo dual band maximizer. \u003c\/p\u003e\n\u003cp\u003eIt has four mono channels and two stereo channels, the left inputs 5 and 7 are normalised to the right inputs 6 and 8 respectively. The four mono channels have panning and aux send controls. All channels are accommodated with a dedicated mute switch for live performance. The aux output can be routed to an external effect and the four small switches below the volume faders set whether the signal that is routed to the aux bus is pre or post fader. The master bus can optionally be fed into the stereo drive circuit.\u003c\/p\u003e\n\u003cp\u003eThis circuit is true stereo, and improves almost any sound source, with full bass and amazing spatial resolution. It works like a dual band maximizer, with separate faders for high and low frequencies. The analog overdrive circuit can be bypassed but we don’t recommend it as it sounds great and really glues the whole mix together nicely. Different tones can be created by playing around with the gain staging.\u003c\/p\u003e","brand":"Cosmotronic","offers":[{"title":"Default Title","offer_id":39400249196598,"sku":"COSMOTRONIC-COSMIX","price":329.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/cosmotronic-cosmix.png?v=1619800151"},{"product_id":"ssf-bii-electronics-triptych","title":"Triptych","description":"\u003cp\u003eIntroducing BII Electronics, a new maker of modular tools for music creation and sound destruction.\u003c\/p\u003e\n\u003cp\u003eFounded by musicians and friends Boys Noize and Baseck, BII is driven by a shared obsession with Eurorack-based processes, bringing ideas to reality through collaboration with the world's best specialist hardware manufacturers.\u003c\/p\u003e\n\u003cp\u003eTwo artists, with combined decades of sound design, music production, and live performance experience, joined by one innovator in engineering and manufacturing. This team of three's collective inspiration and individual insights are embodied in the form and function of every BII instrument. With this partnership in mind, it is fitting that BII's inaugural module carries the name \"TRIPTYCH.\"\u003c\/p\u003e\n\u003cp\u003eTRIPTYCH was imagined through hands-on practice -- the discovery of a unique chain of three devices generating sounds of incomparable timbral character, and an affinity for compact modules with an all-analogue signal path.\u003c\/p\u003e\n\u003cp\u003eAlready enthusiasts of the craftsmanship of New York-based hardware producer Steady State Fate, Boys Noize and Baseck invited SSF designer Andrew Morelli to collaborate on BII's first module. The newly formed trio's combined knowledge and uncompromising attention to detail resulted in a bespoke, completely integrated module that surpassed expectations: Distortion (3x), Flange\/Comb, and Filter, with all paths internally re-routable. TRIPTYCH was born. \u003c\/p\u003e\n\u003cp\u003eThree collaborators, three effects, and endless possibilities - we look forward to hearing what you discover as you unfold BII Electronic's TRIPTYCH.\u003c\/p\u003e\n\u003cp\u003eTriptych is a multi-tiered module consisting of a trio of internally re-routable effects with the addition of input and output voltage-controlled amplifiers. From distortion to karplus-strong and polyphonic resonance, Triptych is designed to be a unique sound shaping and transformation tool – from subtle to extreme via a fully analog signal path.\u003c\/p\u003e","brand":"Steady State Fate (SSF)","offers":[{"title":"Default Title","offer_id":39405798654006,"sku":"BII-SSF-TRIPTYCH","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ssf-triptych.png?v=1620757073"},{"product_id":"expert-sleepers-beatrix-analog-phaser","title":"Beatrix Analog Phaser","description":"Beatrix' is a phaser, offering voltage control over notch frequencies, effect depth and feedback (resonance). It also offers an unusual 'offset' control allowing you to sweep the filter notches without sweeping the resonant frequency.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFurther options are provided by the 'phase' switch (which disables the phasing sound and essentially turns the module into a resonant peak filter) and 'sum' switch (which inverts the filtered signal, giving a different flavour of phasing).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBeatrix will self-oscillate at high feedback if desired, though the front panel control is factory-trimmed to stop just short of self-oscillation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe module is 100% analogue, using discrete transistor OTAs.","brand":"Expert Sleepers","offers":[{"title":"Default Title","offer_id":39659645632566,"sku":"EXPERT-SLEEPERS-BEATRIX","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/expert-sleepers-beatrix-ctrl-mod.png?v=1628099947"},{"product_id":"bastl-buddy-four-channel-stereo-mixer","title":"Buddy - Four Channel Stereo Mixer","description":"\u003cp\u003eBuddy is a four-channel eurorack stereo mixer optimized for hybrid setups. Channels A and B are optimized for eurorack sources (either mono or stereo) with a slight boost (×2 \/ +6dB). Channels C and D are line-level pre-amps that can boost the signal up to ×10 \/ +20dB and feature stereo TRS jack inputs for directly connecting desktop units without further adaptors. All channels feature a clean boost via the high-quality, low-noise NE5532 op-amp (same as on the Dude), which delivers smooth overdrive - that can be used to overdrive clean stereo signals. Several Buddy mixers can be chained via jumper cables on the back to expand the number of channels without losing precious inputs.\u003c\/p\u003e","brand":"Bastl Instruments","offers":[{"title":"Default Title","offer_id":39692977930294,"sku":"BASTL-BUDDY","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/bastl-buddy-ctrl-mod.png?v=1631205762"}],"url":"https:\/\/www.ctrl-mod.com\/en-ca\/collections\/effects\/delay.oembed?page=3","provider":"Control","version":"1.0","type":"link"}