{"title":"Sound Sources \u0026 Generators","description":"","products":[{"product_id":"make-noise-dpo","title":"DPO","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA dual Voltage Controlled Oscillator designed for generating complex waveforms. Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9625882949,"sku":"MAKE-NOISE-DPO","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/mn-dpo-1-whiteknobs-ctrlmod.png?v=1610481912"},{"product_id":"vcob","title":"VCOb","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe VCOb is an voltage-controlled analog oscillator based around a classic triangle core VCO. It is similar to the uLFO, but with some improvements. The range of the VCOb is one of the widest in the analog modular world. And like all triangle cores the real fun is in the FM. \u003cbr\u003e\u003cbr\u003eSince we're starting with a triangle core it's easy to produce a real Sine wave output. There is also a Saw and Pulse outputs. The Pulse will almost become fully positive or negative with the pot, and will go all the way open and closed with CV. \u003cbr\u003e\u003cbr\u003eThe VCOb offers FM in both the Linear And Exponential varieties. There is only one input, unlike the uLFO. and the FM set to full in Expo mode this will act as a second 1V\/Oct input for things like transposing.\u003cbr\u003e\u003cbr\u003eThe tracking is all analog and will give 4-6 octaves, depending on how picky you are. It is very stable and they do track together very well.\u003c\/p\u003e","brand":"bubblesound","offers":[{"title":"Default Title","offer_id":9993684805,"sku":"BBS-VCOB","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/bbs-vcob-1-black-ctrl.png?v=1571272188"},{"product_id":"sto","title":"STO","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain. The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9995076293,"sku":"MAKE-NOISE-STO","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-sto-ctrlmod.png?v=1621261558"},{"product_id":"teleplexer","title":"Teleplexer","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Teleplexer is a telegraph style multiplexer (signal router) that applies the fast, physically immediate techniques of telegraphy to playing the modular synthesizer. The user patches any number of control sources leaving the destination end of patch cables un-connected. Destinations are patched to the outputs of the Teleplexer. Touching the tip of any patch cable carrying a source signal to the surface of the Teleplexer creates a momentary connection. The user determines the destination(s) and polarity of signal by touching the patch cable to any one of the 14 metal plates.\u003c\/p\u003e\n\u003cp\u003eAs the building blocks of synthesis are a by-product of communications technologies, why not look to telegraphy for inspiration? The speed and agility telegraph operators displayed relaying life-altering messages across the world was staggering toward some form of future musical genius.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9995262725,"sku":"","price":115.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-teleplexer-ctrl_eaebc7cf-1543-4311-a294-559f8b7f3387.png?v=1571272189"},{"product_id":"telharmonic","title":"tELHARMONIC","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer module named for the music hall considered by some to be the location of the first electronic music concerts. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesizer.\u003c\/p\u003e\n\u003cp\u003eThe tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9995485445,"sku":"MAKE-NOISE-TELHARMONIC","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-telharmonic-ctrl.png?v=1585082680"},{"product_id":"wogglebug","title":"Wogglebug","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \"WoggleBug\" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the \"smooth\" and \"stepped\" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 \"Source of Uncertainty,\" expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9996364229,"sku":"MAKE-NOISE-WOGGLEBUG","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-wogglebug-ctrl.png?v=1571272189"},{"product_id":"alm-busy-circuits-akemies-castle","title":"Akemie's Castle","description":"Akemie’s Castle is a dual voltage controlled oscillator with authentic 4 Operator digital FM using ‘new-old-stock’ Yamaha IC’s for audio signal generation.\u003cbr\u003e\u003cbr\u003eEach of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.\u003cbr\u003e\u003cbr\u003eOscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":10041744197,"sku":"ALM-AKEMIES-CASTLE","price":680.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-akemie_scastle-ctrl.png?v=1571272192"},{"product_id":"denum","title":"Denum","description":"The Denum module is essentially a bounds\/bounce oscillator. It has the “triangle core” circuitry used in many oscillators, but it adds a correlated bounds modulation, according to the concept (see below). Here, bounds and bounce are each given equal treatment, with separate linear and exponential controls and inputs. In addition, this module has a fully featured bi-polar VCA with complimentary inputs, to get you quickly going sending “bb-objets” out the left and right channels.\u003cbr\u003e\u003cbr\u003eDenum is an 8HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit.\u003cbr\u003e\u003cbr\u003eLooking at the front panel of Denum, note that inputs are marked by copper fill. There are three main sections: bounce, bounds, and the VCA. Bounce is above bounds to emphasize the numerator\/denominator relationship of the two. Each of the two has exactly the same inputs and knobs. The “basis” knob sets the base rate or position for bounds. There is a linear control input, marked by a a caret. Linear modulation is an alternative input for pre-enveloped audio, since it has no attenuverter. However, the exponential control input is tied to an attenuverter, marked by a characteristic bow-tie. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counter-clockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply.\u003cbr\u003e\u003cbr\u003eBetween the bounds and bounce areas, there is a range switch. When in middle position, Denum runs at a standard audio rate. Pointing downward is a low audio rate, and pointing upwards is a definite CV, lowest rate.\u003cbr\u003e\u003cbr\u003eThe triangle output speaks the position of the waveform in voltage, and square expresses the frequency in terms of negative and positive 10 volts.\u003cbr\u003e\u003cbr\u003eThe triangle output is bussed into the left and right audio inputs of the VCA, at bottom. Either can be swapped out for external audio energies, via the “left, right signal inserts”. The “left, right VCA inputs” are for controlling the amplitude of the signals, with either a linear or exponential mapping. If the left input is greater than right, sound goes out the “left out”. If right is greater than left, sound goes out the “right out”. The voltage amount of difference maps to loudness in these channels. The “linear, expo switch” chooses linear when cocked up, as marked by a caret, and exponential when cocked down, as marked by a rounded form. There is an optional mute when the switch is in the middle.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10111863173,"sku":"","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-denum-ctrlmod.png?v=1571272198"},{"product_id":"dunst","title":"Dunst","description":"The Dunst module generates Dust and Noise by two different methods. Noise is defined as white noise with a continuous spectrum and a totally non-tonal nature. Dust, however, is better thought of outside Fourier techniques, as little crackles, bursts of noise, pulses of uneven rhythm. Dunst permutes on the bounds\/bounce concepts of other Mobenthey modules, by calculating Dust with a ramp with arbitrary sample-and-hold for its bounds- based on an efficient digital technique for Dust. The Noise section uses transistor noise (quantum) as its basis, comparing it against a modular reference to achieve stochastic events, converging on the sound of Dust. In addition, this module has a fully featured bi-polar VCA with complimentary inputs, to get you quickly going sending “dust-objets” out the left and right channels. \u003cbr\u003e\u003cbr\u003eDunst is an 8HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit. Looking at the front panel of Denum, note that inputs are marked by copper fill. There are three main sections: BDUSOU, BNOICE, and the VCA. BDUSOU is the analog dust calculator, and BNOICE is the quantum sourced generator. Each of the two has exactly the same inputs, outputs and knobs. The “basis” knob sets the base rate of dust, from sparse to dense. The FM control input is tied to an attenuverter, marked by a characteristic bow-tie. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counterclockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply. \u003cbr\u003e\u003cbr\u003eBDUSOU has two outputs: a ramp, and a pulse. Ramp, marked by triangular articulations on the cartouche, is the actual waveform used to generate Dust. It looks like a sawtooth, with completely random bounds. Pulse, marked by rectilinear articulations, speaks to the zero-crossing “tooth” of Dust, with a short pulse from zero to ten volts. \u003cbr\u003e\u003cbr\u003eBNOICE has two outputs: pulse and hiss. Pulse is similar to the pulse of BDUSOU: a brief spike from zero to ten volts, with varying densities. Hiss, is the raw quantum-sourced white noise. Hiss is bussed into the left and right audio inputs of the VCA, at bottom. Either can be swapped out for external audio energies, via the “left, right signal inserts”. The “left, right VCA inputs” are for controlling the amplitude of the signals, with either a linear or exponential mapping. If the left input is greater than right, sound goes out the “left out”. If right is “Sitting at the round metal cofee table, on the deck of my beach house, I cannot tel whether it wil come inland or stay hovering over the waters; I know it is a storm cloud because of the lightning, extending to space and salt, exchanging energies.” Ieaskul F. Mobenthey --- DunstManual --- Page 2 greater than left, sound goes out the “right out”. The voltage amount of difference maps to loudness in these channels. The “linear, expo switch” chooses linear when cocked up, as marked by a caret, and exponential when cocked down, as marked by a rounded form. There is an optional mute when the switch is in the middle. \u003cbr\u003e\u003cbr\u003eBDUSOU\/BNOICE\u003cbr\u003e\u003cbr\u003eWhy are the modules called that? This module flirts with BOUNDS\/BOUNCE, so I rearranged this text, until it suggested DUST and NOISE. BDUSOU uses contingent boundaries, both negative and positive, for its sawtooth, to calculate dust with a stochastic distribution of bursts, flirts, and spaces. What is DUST, if you asked James McCartney, in his computer music program, Supercollider? It's a sort of random, but with particles, so how do you know it's vanilla-chaos or hyper-chaos? How many powers of random do you want? It could be bursts of completely harsh noise followed by minutes of silence. This module, however, does not follow the extreme path; instead it follows the middle road, set forth by McCartney, of a usable timing pulse for random, rain-like events. By modulating BOUNDS, it does not go into the hyper-chaos available with BOUNCE generators. That is left to its FM input, which strictly modulates its bounce, or slope speed. On completing the first run of Mobenthey modules, I initiated prototyping this fifth module. It is a new thrust on this platform and also in Tocante to bring forth various assets of zener noise that I have explored in my oldest instruments, such as Nabra. That synthesizer contained a Dust module, which simply generates trigger pulses at random intervals below the haptic rate. Nabra also contained a Noise module, which acted as an audio generator with VCA inputs. It also took control voltages as a modulation for crackle; its sound could change from smooth white noise to something more like a dusty record. \u003cbr\u003e\u003cbr\u003eDust and Noise operate in two compellingly different manners. Dust “computes” its randomness by sampling a stochastic waveform to mark an arbitrary voltage, then decays to zero to repeat again. Noting that this is an arbitrary bounds modulation, the bounce of the module is free for control by input voltage, thus varying the speed or concentration of dust particles. This circuit is a variation bounds-bounce regime established in the previous modules. \u003cbr\u003e\u003cbr\u003eUnlike Dust, Noise uses a zener diode or other suitably noisy silicon source, amplifying the natural noise of indecisive electrons. It modulates crackle by a comparison of that noise and an arbitrary input voltage; near zero, it is pure noise, but crossings of a farther bias voltage become more event-like, approaching the sound of Dust. \u003cbr\u003e\u003cbr\u003eSince both circuits achieve different flavors of the same basic goal, I decided to combine them into a single module. The name is simply an amalgam- Dust with Noise makes Dunst. The next step is checking a name on Google. Finding, of course, Kirsten Dunst as the primary placeholder, I also see the German definition of the word is a sort of haze or fog; a good omen. Digging deeper, I find the extended German meaning, in Jagersprache1 , is a shotgun with very fine particle size, for hunting small birds. In fact, that is exactly what the Dunst module does, generate bursts of small shots in a random distribution, to trigger the song-squeaking death of birds. \u003cbr\u003e\u003cbr\u003eSo that is the current state of Mobenthey, having completed a run, I add a new and dusty module, tied into the previous modules by the bounds-bounce concept. The new module breaks from the previous modules by focusing on stochastic dust instead of modulated waveforms. It demonstrates the paradox wave, Ieaskul's goal, not by infinite regression but by the indeterminate nature of silicon components themselves- noise.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10111953029,"sku":"","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-dunst-ctrlmod.png?v=1571272198"},{"product_id":"fourses","title":"Fourses","description":"The Fourses module consists of four bounds\/bounce oscillators, stacked on top of each other so that their bounds are mutual. Imagine four bouncy balls in a greased perspex tube only wide enough to permit them to travel along it. They bounce off of each other in the tube, and generate intricate but inter-related chaotic outputs. Each bouncy ball has the requisite basis and attenuverter knobs, and bounds inserts, control input, and \u003cbr\u003etriangular output.\u003cbr\u003e\u003cbr\u003eFourses is a 12HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit.\u003cbr\u003e\u003cbr\u003eLooking at the front panel of Fourses, note that inputs are marked by copper fill. The four operators are exactly the same in appearance. The bounds of any operator are dictated by the ones immediately above and below, except for the very top and bottom operators; the top upper bound is set to eight volts, and the bottom lower bound to negative eight volts. The bounds of any operator, however, have inserts that you can use to manually \u003cbr\u003eset a boundary to whatever voltage you wish. This may introduce Ieaskul's masthead, the paradox wave, that comes about when a lower bound is greater than an upper bound, causing the oscillator to go into hyper oscillation since it cannot rest in any stable zone.\u003cbr\u003e\u003cbr\u003eConnected to the bounds inserts area, there is a rate knob that acts in a special, Fourses-like way: knob in middle causes the up- and down- slopes to be equally fast, and the operator will bounce easily; turn the knob clockwise and it will have a very slow down-slope and a fast up-slope, counter-clockwise is the opposite. The philosophical reasons for such a knob came about when testing the original fourses; control of slope symmetry is just as important as, or perhaps more important than, control of frequency in Fourses. The control input, with associated attenuverter also controls frequency and symmetry in the same way. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counter-clockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply. The “position out” can hardly be called “triangle out” anymore, but it is the same electronically as would a triangle output- a reading of the current position of each bouncy ball. \u003cbr\u003e\u003cbr\u003eFor each operator there is a range switch. When in middle position, the operator runs at a standard audio rate. Pointing downward is a low audio rate, and pointing upwards is a definite CV, lowest rate.\u003cbr\u003e\u003cbr\u003eHistory of Fourses\u003cbr\u003e\u003cbr\u003eFourses was originally released by Ciat-Lonbarde in kit format, around the time of the Bush-years. It had two of the “greased perspex tube” formations, plus some interstitial circuitry called the “intersexon”. Ieaskul is considering putting out an expansion module to create this intersexon between two Fourses modules, but you could probably cook up a recipe that would be very similar with stock Eurorack sample-and-hold modules; \u003cbr\u003esimply trigger a sample of one Fourses by another Fourses, and make these step-like signals available again for modulation. The thing that is hard for a Eurorack system to mimic, is how the intersexon used current mirrors on the outputs; outputs thus would mix in a unique, non-ohmic melange of competing current sources.\u003cbr\u003e\u003cbr\u003eEurorack, and the modular philosophy in general, does not condone modulation by current vector, only preferring outputs to be voltage in series with a 10k resistor. Actually current mixing could be an interesting route to explore for modulator-masters, but it is a subtle region. It was only brought about because the Fourses was a touchable instrument, having about 156 brass nodes sticking up out of a wooden case, that could be patched by both wire or flesh, or even a living worm. It was part of a general exploration of mixing signals to use current as one source of output electrons. \u003cbr\u003e\u003cbr\u003eAnother inspiration was the circuit-bending movement, and the use of innards of circuits, exposed to musical touch. Thus, Fourses was an instrument designed to be bent, and it did this by bringing the interior, “soft-like” parts of each oscillator out. The two most important would be called the “capacitor tank,” and the “hysteresis node,” which correspond directly to the bounce\/bounds dialectic as well as that of the triangle\/square. You see any triangle oscillator has an accumulator of analog slope, using a capacitor to make angled segments; and a bounds tester, comparing against a fixed (or not so fixed) measure. Since the capacitor tank deals mostly in current anyway, this was a good tip-off to make current-nodes in the overall design.\u003cbr\u003e\u003cbr\u003eIn bringing back the Fourses, ten years later, all these touch-operable features were explored in numerous prototype paper-circuits, and they worked as in the original. However, the Fourses modular does not include such extended touch-features, because it is a redundancy on top of the central concept; Fourses itself is a modeling of a sort of inter-related touch web, by having each oscillator “touch” the other. It is a morphic resonance to put a “touch” oscillator inside a “touch” case, but perhaps the use of the Fourses primitive as source of chaos could be distilled down into a small form factor with complete voltage control and range switches, to interface and scramble all sorts of other modules with its manifold outputs. \u003cbr\u003e\u003cbr\u003ePerhaps in the future we could bring back the touch-Fourses, but Ieaskul is confident that fitting it into the Eurorack standard is a happy compromise to bring its unique sounds and gestures to “Europe”.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10112012421,"sku":"","price":333.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-fourses-ctrlmod.png?v=1571272198"},{"product_id":"z3000-smart-vco-mk2","title":"Z3000 Smart VCO MK2","description":"\u003cp\u003eThe Z3000 MK2 is an analog voltage controlled oscillator with a built-in digital pulse counter. It displays constant pitch data at a refresh rate of one update per second in three different modes. Each mode can be accessed using the Mode Switch. This unique feature puts the Z3000 MK2 into a class of its own as a VCO, bringing new capabilities of complex sound synthesis to the analog realm. In addition, it simplifies the setup of multi-oscillator voices by allowing pitch intervals to be set by sight.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10113398213,"sku":"","price":255.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-z3000-ctrlmod.png?v=1571272204"},{"product_id":"quantum-rainbow-2","title":"Quantum Rainbow 2","description":"This new revision of the Quantum Rainbow features all of your favorites from the original plus two new noise outputs to expand the palate even further.\u003cbr\u003e\u003cbr\u003eKnown as one of the best voiced noise sources to date, the Quantum Rainbow is a surplus of true randomness. Unlike digital noise which will only ever be pseudo random at best, analog noise is the only real source of natural random fluctuations. This is because analog noise is the actual sound of real electron behavior, as they break though a semiconductor junction. The QR uses a reverse biased transistor as the source of this amazing phenomenon.\u003cbr\u003e\u003cbr\u003eInteresting fact - studies have been performed in order to prove that the power of thought is linked to statistical phenomena via the means of controlling random electron behavior. \u003cbr\u003e\u003cbr\u003eCan you control your modular synth with your mind??\u003cbr\u003e\u003cbr\u003eSpecial attention was paid when voicing the seven colors of noise in order to provide the most pleasing and accurate colored noise pallet - that only a true analog noise source can deliver.\u003cbr\u003e\u003cbr\u003eNoise is great!\u003cbr\u003e\u003cbr\u003eWe heard your suggestions and eliminated the extra outputs per color in order to slim the width to a manageable 4HP.","brand":"Steady State Fate (SSF)","offers":[{"title":"Default Title","offer_id":10221482309,"sku":"SSF-QR2","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ssf_qr2black_1_ctrlmod.png?v=1574354724"},{"product_id":"nano-rand-silver-faceplate","title":"Nano Rand v2","description":"Nano Rand v2 is a reissue of our classic micro random module. It features a sample and hold, noise source, and random voltage generator in 4HP. It takes inspiration from and improves upon the analog concept of a random voltage module; moving forward in leaps and bounds into the digital domain. \u003cbr\u003e\u003cbr\u003eAt its' core is an 8 bit microcontroller which allows for an extremely versatile, and more importantly, musical type of random. Containing four random voltage algorithms that include random stepped voltages, random LFO waveforms and frequencies, random frequency audio rate square waves, and a combination of all algorithms, Nano Rand creates a signal that would otherwise take a multitude of modules to produce. On top of the fluctuating random voltage output, it is also capable of producing the most musical random gate output in the Eurorack format. When externally clocked, Nano Rand generates random gate outputs that are musically related to the incoming clock signal. It chooses between eighth, sixteenth, quarter and many other rhythmic divisions, creating unique evolving rhythms.","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":11025481541,"sku":"QU-BIT-NANO-RAND-V2","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/qubit-nano-black2-ctrlmod.png?v=1584999388"},{"product_id":"mutable-instruments-rings","title":"Rings","description":"\u003cp\u003eRings brings physical modeling synthesis to your Eurorack system, from a more modular angle than Braids’ models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system.\u003c\/p\u003e\n\u003cbr\u003eThree families of vibrating structures are simulated by the module, with CV control over their parameters:\u003cbr\u003e\u003cbr\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStrings, membranes and tubes as modeled by Elements’ resonator section (modal synthesis).\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStrings coupled together and vibrating in sympathy, with controllable intervals between them.\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan style=\"line-height: 1.5;\"\u003eStrings with a variable amount of inharmonicity.\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eRings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":16274496901,"sku":"MUTABLE-RINGS","price":359.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/mutable-rings-ctrlmod.png?v=1571272291"},{"product_id":"alm-busy-circuits-akemies-taiko-2","title":"Akemie's Taiko","description":"\u003cp\u003e‘Akemie’s Taiko’ is an authentic complete FM synthesis based drum voice created using original Yamaha IC’s. It builds on the same technology used in the mighty Akemie’s Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms \u0026amp; feedback. This gives a massive range of unique sounds.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional ‘frequency ramps’ can be enabled for additional audio effects.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":25441689801,"sku":"ALM-AKEMIES-TAIKO","price":370.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-akemiestaiko-1-ctrl.png?v=1571272354"},{"product_id":"data-white","title":"DATA Silver","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eUse the DATA’s scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA’s dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform’s frequency “note mode” to effortlessly make dyads (two note chords). Use the DATA’s clock program as a master clock or to divide or multiply an incoming clock signal, sending two different clock outs to gate modules directly or as control to sequencers.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA’s firmware and as Mordax\u003cspan\u003e \u003c\/span\u003econtinues to refine and create new programs.\u003cbr\u003e\u003cbr\u003eNEW in Firmware V01.01.00:\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 Channel Oscilloscope: XY Scope (Lissajous curves) and Minimal Display Mode\u003c\/li\u003e\n\u003cli\u003eDual Waveform Generator: Wavefolding Mode\u003c\/li\u003e\n\u003cli\u003eQuad Clock Source with Clock Division, Multiplication \u0026amp; Offset: Clock upgraded from 2ch to 4ch clock output, new core, more div\/mult values\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mordax","offers":[{"title":"Default Title","offer_id":28862548690,"sku":"MORDAX-DATA-SILVER","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/mordax-data-silver-1-ctrlmod.png?v=1605878932"},{"product_id":"instruo-troika","title":"Troika","description":"Troika is a set of 3 all analogue voltage controlled oscillators in a single module.\u003cbr\u003eThey can be used individually or summed using the built in mixer.\u003cbr\u003eEach of the voices generates the classic waveforms and uses a unique control set of\u003cbr\u003eswitches and crossfaders for analogue crossfading between wave shapes.\u003cbr\u003eBetween the three voices, crossfading between any combination of classic wave shapes\u003cbr\u003ecan be achieved. The third voice also has PWM capabilities.","brand":"Instruo","offers":[{"title":"Default Title","offer_id":29839439122,"sku":"INSTRUO-TROIKA","price":645.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/instruo-troika-1-ctrlmod.png?v=1574355493"},{"product_id":"expert-sleepers-disting-mk4","title":"Disting MK4","description":"\u003cp\u003eThe disting is a many-in-1 multifunction module, offering a variety of CV and audio processes, including a selection of oscillators (LFOs\/VCOs). All algorithms have two high-precision inputs and outputs, and a third control input, exposed on a front panel knob and a CV input.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe disting is also a sample (WAV) file and MIDI file player, with a variety of options for sample triggering, playback speed etc.\u003cbr\u003e\u003cbr\u003eThe disting mk4 was introduced at the NAMM show in January 2017. The main differences compared to the disting mk3 are:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDot matrix screen, capable of showing text and numeric values\u003c\/li\u003e\n\u003cli\u003eMicro SD card slot accessible on the front panel\u003c\/li\u003e\n\u003cli\u003eCompatibility with the Select Bus protocol\u003c\/li\u003e\n\u003cli\u003eAn internal precision clock allowing new algorithms such as a tuner, and pitch and frequency references\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Expert Sleepers","offers":[{"title":"Default Title","offer_id":31865304978,"sku":"ES-DISTING-MK4","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/expertsleepers-distingmk4-2-ctrlmod.png?v=1574352151"},{"product_id":"hexinverter-electronique-vcno","title":"VCNO","description":"\u003cp\u003eVCNO is a noise oscillator, capable of producing full spectrum white noise. But that’s where its similarity to other noise generators stops. VCNO can be used like a VCO – you can modulate the pitch over CV and use its multiple outputs simultaneously, each with a distinct sonic character. Its method of generating noise is similar to that used in early computer sound chips, except it has been implemented here using discrete logic, without the use of software or microcontrollers.\u003c\/p\u003e","brand":"Hexinverter Électronique","offers":[{"title":"Default Title","offer_id":33560874322,"sku":"HEXINVERTER-VCNO-BLACK","price":159.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/hexinvertervcnoblackctrl-mod.png?v=1653410216"},{"product_id":"erica-synths-pico-rnd","title":"Pico RND","description":"Erica Pico RND is combined LFO\/random source module.\u003cbr\u003e\u003cbr\u003eIt generates sine LFO waves, white noise, S\u0026amp;H CV and some interesting stuff – random triggers and pulse wave with random duty circle; basically, everything, you need, to bring some uncertainty in your modular setup.\u003cbr\u003e\u003cbr\u003eWith Pico Series we challenged ourselves – can we make ANY superior functionality synth module 3HP wide and affordable? Yes, we can.","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":38038728402,"sku":"ERICA-PICO-RND","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica_picornd_1_ctrlmod.png?v=1574354479"},{"product_id":"erica-synths-pico-voice","title":"Pico Voice","description":"\u003cp\u003eErica Pico Voice is amazingly versatile sound source just in 3HP. It features 8 sound generation algorithms: Karplus Strong, Chords, Wavetable, TB303 bassline emulation, PWM, Supersaw, Wavefold and Harmonic saturation, with three adjustable parameters per algorithm and CV control over one user defined parameter. Despite the small size, Pico Voice sounds bigger than it is!\u003cbr\u003e\u003cbr\u003eWith Pico Series we challenged ourselves – can we make ANY superior functionality synth module 3HP wide and affordable? Yes, we can.\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":38607123090,"sku":"ERICA-PICO-VOICE","price":149.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica_picovoice_1_ctrlmod.png?v=1592948142"},{"product_id":"tall-dog-ubraids-se-black","title":"uBraids SE (Black)","description":"\u003cp\u003eµBraids SE (aka uBraids SE or microBraids SE) is a voltage-controlled digital oscillator\/sound source in 8HP with a wide range of creative and useful sound generation algorithms (aka models).\u003c\/p\u003e\n\u003cp\u003eThis re-engineered Eurorack module updates and simplifies the classic Mutable Instruments Braids design with a custom brilliant orange LED display module protected by a clear acrylic lens, a low-profile rotary encoder, and an added attenuverter.\u003c\/p\u003e\n\u003cp\u003eThis redesigned µBraids SE (Special Edition) is a new revision of µBraids that updates and simplifies the component layout and has a new panel design. It utilizes a custom miniature segmented LED module, eliminating the need for a 2nd microprocessor and its supporting circuitry. µBraids SE remains fully compatible with future upstream Braids firmware upgrades and any other alternate firmwares that are compliant with the standard Braids design.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eIncluded Parts\u003c\/strong\u003e\u003cbr\u003eµBraids SE includes a standard 16-pin to 10-pin Eurorack power cable and two sets of mounting screws for racks\/enclosures with either M2.5 or M3 threads.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHistory\u003c\/strong\u003e\u003cbr\u003eThe original Braids was designed by Olivier Gillet of Mutable Instruments under a CC BY-SA 3.0 license. Braids is a macro-oscillator with multiple intricate digital synthesis algorithms. Each algorithm is controlled by two continuously variable parameters, both of which are voltage controllable. It is available as a 16HP Eurorack module. (Source)\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe original microBraids (aka µBraids) is a full-functionality adaptation of Braidsdesigned by Magpie Modular and Neutron Sound and is available only as a bare PCB (printed circuit board). It is 8HP (exactly half the original width) and features an OLED display driven by a 2nd processor. Nothing else has been altered component-wise so any future firmware upgrades or alternate firmware such as Bees-in-the-Trees will work fine. (Source)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAttributions\u003c\/strong\u003e\u003cbr\u003eDesigned by Michael \u0026amp; Daniel Gilbert of Tall Dog Electronics in Western Massachusetts\u003cbr\u003eBased on the microBraids (aka µBraids) module designed by Magpie Modular and Neutron Sound\u003cbr\u003eBased on the Braids module designed by Olivier Gillet of Mutable Instruments\u003cbr\u003eManufactured by CircuitHub via Worthington Assembly in South Deerfield, Massachusetts\u003cbr\u003eLicensed under the Creative Commons Attribution-ShareAlike 4.0 International Public License\u003cbr\u003eSource materials are available on \u003ca href=\"http:\/\/github.com\/loglow\/uBraids_SE\"\u003eGitHub\u003c\/a\u003e\u003c\/p\u003e","brand":"Tall Dog","offers":[{"title":"Default Title","offer_id":1052142993426,"sku":"TALL-DOG-BRAIDS-BLACK","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/talldog-ubraidsv2-1-black-ctrlmod.png?v=1574355515"},{"product_id":"erica-synths-graphic-vco","title":"Graphic VCO","description":"The Graphic VCO allows you to draw your own waveforms, arrange them in wavetables and wavetable banks, morph between two selected waves and alter the resulting wave in advanced ways (FXes) – apply FM, phase distortion, ring modulation, wavefold\/wavewrap, bitcrush. \u003cbr\u003e\u003cbr\u003eWaves, wavetables, FXes and other settings can be saved and recalled from the memory instantly. The module has two outputs – the main output and the output with configurable suboscillator.\u003cbr\u003e\u003cbr\u003eTo have the module functionality up to date, we recommend you time by time check announcements about firmware updates for the Graphic VCO on www.ericasynths.lv or on our social media. You can update the firmware of the module via miniUSB cable. More detailed instructions of the firmware update can be found in User Manual.","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":6910243373115,"sku":"ERICA-GRAPHIC-VCO","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-graphicvco-front-ctrlmod.png?v=1574352831"},{"product_id":"industrial-music-electronics-piston-honda-mkiii","title":"Piston Honda MK III","description":"This fully modernized version of the beloved Piston Honda design presents a fully-featured wavetable oscillator with all of the character and none of the compromises.\u003cbr\u003e\u003cbr\u003eEach of the two onboard oscillators can select from the internal bank of 512 waveforms, arranged as an 8x8x8 cube with full CV control over each axis. The factory waveform set includes a diverse collection of smooth, noisy, harmonic, and intense sounds, provided by Industrial Music Electronics and several tried and proven modular synthesizer artists. Whether you are recalling the sounds of yesteryear or soundtracking the future, there’s something in the wave set for you. Conveniently upload your own custom waveforms into the Piston Honda using WAVE files on a Micro SD card. No more hex editing, USB programmer, or expander board. \u003cbr\u003e\u003cbr\u003eEach oscillator has full frequency controls, a thru-zero FM input, and a dedicated unison detune oscillator for a total of 4. The single set of wavetable controls can be quickly activated for each oscillator, to set different waveforms on each without interrupting the moment. The graphic display eliminates any ambiguity in waveform selection. Enable the external input mode to drive an external signal to be shaped through the selected wavetable, with voltage-controlled gain.\u003cbr\u003e\u003cbr\u003eThe CV inputs give instant access to the various parameters of the Piston Honda, faster than your hands can move the controls. They accept positive or negative voltages, all the way up to 10 volts with a sampling rate high enough for meaningful audio-rate modulation. The response of each input has been carefully tweaked for the best action with common CV sources. They retain enough resolution and range for meaningful response to the full range of voltages that your modular can produce.\u003cbr\u003e\u003cbr\u003eThe Industrial Music Electronics Mark III platform brings the latest digital conveniences to modular synthesizer technique, expediting the patching and performance process while introducing the most powerful storage and recall facilities to extend the modular method to new frontiers. A graphic display immediately shows the current waveform, its frequency, note number, and a small tuning indicator. It also provides access to a simple menu to set deeper parameters and manage the memory.\u003cbr\u003e\u003cbr\u003eThe preset manager can control every knob or slider on the panel from a single control voltage, storing 8 slots of data. It can also ignore the frequency settings when changing presets, becoming an advanced multistage, multidimensonal timbral modulator. Switch the preset manager into Morph mode and you can smoothly transition between entire presets as if they were just another wavetable. A random preset generator is available on menu demand or in response to trigger input.","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":7261314318395,"sku":"IME-PISTON-III","price":525.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/harvestman-ph3-1-ctrlmod.png?v=1569213395"},{"product_id":"instruo-tsl-v2","title":"Ts-L v2 Analogue VC Oscillator","description":"\u003cp\u003eThe Instruō Tš-L is a fully analogue voltage controlled oscillator with a plethora of features in a very small footprint.\u003cbr\u003e\u003cbr\u003eIts triangle core circuitry allows for extremely consistent waveforms over a wide frequency range. The triangle foundation is used to generate its sine waveform which holds consistent shape and amplitude across the Tš-L’s wide range. The outputs consist of simultaneous Square\/Sub, Triangle, and Sine waveforms, with additional voltage controllable wavefolder and complex PWM waveshaper.\u003cbr\u003e\u003cbr\u003eTš-L includes every feature needed to powerfully perform as a rich, ultra compact audio source, as well as functioning equally as a versatile modulation source.\u003c\/p\u003e\n\u003cp\u003eVersion 2 features an LFO switch next to the coarse tune pot. This lets you use it as a sub-audio rate modulation source more easily than before. \u003cbr\u003e\u003cbr\u003eThe module also now lets you access the square wave fundamental waveform with the new 3-way toggle switch that replaces the old 2-way switch to toggle between sub 1 and 2.\u003c\/p\u003e","brand":"Instruo","offers":[{"title":"Default Title","offer_id":16073218359355,"sku":"INSTRUO-TS-L-V2","price":315.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/instruo-tsl-v2-1-ctrlmod.png?v=1598376032"},{"product_id":"qu-bit-electronix-scanned","title":"Scanned","description":"Scanned is an organic wavetable oscillator. It uses an unexplored technique known as Scanned Synthesis to animate wavetables that are created in real-time. This synthesis method was conceived by the father of computer music, Max Mathews, as the next paradigm in digital oscillators, and until now, has never been implemented on hardware.\u003cbr\u003e\u003cbr\u003eThe wavetables are dynamically generated from a set of \"objects\" tied together on a virtual string. These objects have physical properties including Mass, Stiffness, and Damping which affect the way that the string moves through space and time. Unlike physical modeling, however, this algorithm is a means of creating new electronic sounds, not replicating acoustic instruments. To animate the waveform, the objects are morphed into the currently selected hammer shape and then released. This excitation of the sound generates evolving timbral landscapes that contain harmonic movement without external modulation. The hammer section also determines whether Scanned is a free-running oscillator, or a triggered sound source allowing it to function as a complete voice without additional filters or VCAs.","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":16164551721019,"sku":"QU-BIT-SCANNED","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/qubit-scanned-1-ctrlmod.png?v=1574354856"},{"product_id":"instruo-cs-l","title":"Cs-L","description":"Cš-L is a dual voltage controlled oscillator.\u003cbr\u003e\u003cbr\u003eIt takes the modern approach of dual primary oscillators and expands upon them.\u003cbr\u003e\u003cbr\u003eEach oscillator sports its own wavefolder, PWM output and wide range of classic waveforms.\u003cbr\u003e\u003cbr\u003eA four-quadrant multiplier stage allows for ring modulation as well as rectified and positive only amplitude modulation.\u003cbr\u003e\u003cbr\u003eEach oscillator uses a different core (top sawtooth core, bottom triangle core) giving the best of both worlds. \u003cbr\u003e\u003cbr\u003eA versatile, definable routing modulation bus allows for CV control over a huge range of cross modulation without even needing to insert a patch cable.\u003cbr\u003e\u003cbr\u003eComplex oscillators traditionally comprise of two VCOs used to generate complex waveforms. The classic configuration uses an arrangement of modulator -\u0026gt; carrier. Use of wavefolders enhance the timbre complexity to a ‘final’ output.\u003cbr\u003e\u003cbr\u003eThe Cš-L takes this tried and tested configuration, but blurs the lines of which voice is the carrier and which is the modulator. They can be either or both simultaneously!\u003cbr\u003e\u003cbr\u003eEach Oscillator has it’s own unique characteristics and perks, down their core circuits.\u003cbr\u003e\u003cbr\u003eThere is a wavefolder per oscillator, giving the Cš-L two entirely separate ‘final’ outputs.\u003cbr\u003e\u003cbr\u003eOscillator A (Top) is a sawtooth core VCO which produces sine, triangle, sawtooth and pulse outputs.\u003cbr\u003e\u003cbr\u003eThe pulse is a classic variable duty cycle waveform.\u003cbr\u003e\u003cbr\u003eThe LFO button will insert a negative DC offset to the oscillator’s frequency control. This reduces the range into LFO territories. \u003cbr\u003e\u003cbr\u003eThe SYNC input hard syncs the oscillator’s waveforms which allows for classic hard sync tones when running at audio rate. In LFO mode the sync input can be used to force waveform resets. Very useful when clocking LFO patterns.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eOscillator B (Bottom) is a triangle core VCO. It has a slightly different set of waveforms to A: sine, triangle, square\/sub and a double pulse with variable centre pulse width.\u003cbr\u003e\u003cbr\u003eThe SUB output can generate a square wave at the oscillator’s fundamental frequency, 1 octave below, or 2 octaves below. The button switches the octave and illuminates to identify the current sub state.\u003cbr\u003e\u003cbr\u003eThe SYNC input for Oscillator B is a soft sync control which inverts the triangle core’s charge direction on an impulse. This allows for unison tuning with other voices with frequency locking precision.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eThe SYNC button will choose internal soft syncing of oscillator B to oscillator A, or hard sync of oscillator A to oscillator B. Note that with A hard sync’d to B, the SUB square output is used as the clocking signal which means changing octaves can be used to immediately affect sync ratios.\u003cbr\u003e\u003cbr\u003e \u003cbr\u003e\u003cbr\u003eThe LINK button activates a cross normalisation between the oscillators allowing for a single control voltage signals to be used at either 1V\/OCT input to control both voices in parallel.\u003cbr\u003e\u003cbr\u003eThe MULTIPLY output uses the sine waves of both oscillators normalised to the corresponding input jacks. The button alters the affect of the signal inserted at oscillator A’s input. It selects between RING, AM and RECT. \u003cbr\u003e\u003cbr\u003eRING is full 4-quadrant amplitude modulation, more commonly referred to as ring modulation.\u003cbr\u003e\u003cbr\u003eAM removes any negative voltage in the modulator signal, allowing only positive voltages to control the carrier amplitude.\u003cbr\u003e\u003cbr\u003eRECT rectifies any negative voltage, inverting it to positive. \u003cbr\u003e\u003cbr\u003eEach amplitude modulation type has it’s own distinct sonic character with differing makeups of sideband frequencies.\u003cbr\u003e\u003cbr\u003eThe multiplier section can be used with any signals allowing for implementations entirely isolated from the Cš-L’s voices if desired.\u003cbr\u003e\u003cbr\u003eThe INDEX control utilises two internal VCA’s used to control the amplitudes of branches of each oscillators’ sine wave.\u003cbr\u003e\u003cbr\u003eThese modulation signals can be routed internally to the opposite oscillator’s FM input, wavefold CV input, wavefold symmetry input, or PWM CV control.\u003cbr\u003e\u003cbr\u003eThe INDEX pot (and attenuvertable CV input) controls the depth of both oscillators’ sine waves simultaneously for use as a complex cross modulation bus.\u003cbr\u003e\u003cbr\u003eThe WAVEFOLD faders control the amplitude of each oscillators’ sine waves via exponential response VCAs. \u003cbr\u003e\u003cbr\u003eThese can be ‘struck’ with external envelopes and pulses for classic west coast plucked sounds.\u003cbr\u003e\u003cbr\u003eThe fader full left will silence the FINAL output. Centred, it will raise the amplitude to a sine wave and beyond that it will fold.\u003cbr\u003e\u003cbr\u003eWhen not receiving from the modulation bus, the wavefolder symmetry controls receive a DC reference voltage that can be used to bias the sine waves before hitting the wavefolders. \u003cbr\u003e\u003cbr\u003eEnabling the modulation bus to the symmetry control will effectively sum a scaled\/inverted version of the opposite oscillator’s sine wave with the primary’s, before the wavefolder. This can also be used to mix any external signal with either of the oscillators’, pre wavefolder.\u003cbr\u003e\u003cbr\u003eThe results are rich and bell-like but without the clangorous a-tonality of FM\u003cbr\u003e\u003cbr\u003eWith very minimal patching, results can be extremely rich and… complex!","brand":"Instruo","offers":[{"title":"Default Title","offer_id":16756845281339,"sku":"INSTRUO-CS-L","price":645.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/instruo-CSL-1-ctrlmod.png?v=1574352006"},{"product_id":"alm-busy-circuits-mco","title":"MCO","description":"The ‘MCO’ is a compact digital oscillator. It features a main ‘morphing’ wavetable output, an additional copy of this output with overlaid variable pulse width segments (ala Alpha Juno style saw wave PWM) and a sub square wave output an octave down to the main output. The waveform and pulse segment width can be modulated both directly and with voltage control. The pulse segment distribution can also be voltage controlled via the ‘type’ input.\u003cbr\u003e\u003cbr\u003eExpect an early 90s slightly crunchy digital type sound (ala Ensoniq, Kawaii KX synths) rather than something striving for perfect analog emulation.","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":18766641791035,"sku":"ALM-MCO","price":169.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-mco-1-ctrlmod.png?v=1574353845"},{"product_id":"data-black","title":"DATA Black","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cbr\u003eThe DATA is a digital platform for testing, measurement, and signal generation in Eurorack modular synthesis systems. It is a modular tool kit, with functions applicable to any system and style.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eUse the DATA’s scope to view the interactions between your control voltages and audio signals, allowing you to master your modules by understanding their voltage ranges, control shapes, and parameter responses. Use the DATA’s dual waveform generator to dial in a precisely scaled LFO for CV control, or use the waveform’s frequency “note mode” to effortlessly make dyads (two note chords). Use the DATA’s clock program as a master clock or to divide or multiply an incoming clock signal, sending two different clock outs to gate modules directly or as control to sequencers.\u003cspan\u003e \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003eThe possibilities of the DATA are basically unlimited; with the included microSD you can update the DATA’s firmware and as Mordax\u003cspan\u003e \u003c\/span\u003econtinues to refine and create new programs.\u003cbr\u003e\u003cbr\u003eNEW in Firmware V01.01.00:\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e4 Channel Oscilloscope: XY Scope (Lissajous curves) and Minimal Display Mode\u003c\/li\u003e\n\u003cli\u003eDual Waveform Generator: Wavefolding Mode\u003c\/li\u003e\n\u003cli\u003eQuad Clock Source with Clock Division, Multiplication \u0026amp; Offset: Clock upgraded from 2ch to 4ch clock output, new core, more div\/mult values\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mordax","offers":[{"title":"Default Title","offer_id":19150567899190,"sku":"MORDAX-DATA-BLACK","price":395.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/mordax-data-black-1-ctrlmod.png?v=1605878913"},{"product_id":"industrial-music-electronics-hertz-donut-mk3","title":"Hertz Donut MKIII","description":"The long-awaited Hertz Donut mk3 from Industrial Music Electronics (fka The Harvestman) is a multi-operator digital oscillator for eurorack modular synthesizers. Fixated on both FM synthesis and phase distortion synthesis, this behemoth executes thru-zero frequency modulation with the utmost precision (and an unhealthy dose of turpitude).\u003cbr\u003e\u003cbr\u003eThe Hertz Donut mk3 is inflicted with four sliders that collectively constitute a sophisticated patch matrix for expedient editing of only the most crucial parameters. To exploit, simply select a source using one of the adjacent buttons and move the corresponding slider to set the amount related to each destination. Once selected, the OLED screen will display values relevant to that particular parameter. Possible destinations include the main operator frequency, subservient operator frequencies, and two sound modification algorithms. This schema gets particularly heinous when combined with the Master Modulation Control, aptly designated as MOD, which determines the overall modulation amount.\u003cbr\u003e\u003cbr\u003eLike it's sister module, the Piston Honda mk3, Hertz Donut mk3 sports a sophisticated preset management system capable of storing a total of 8 panel states for easy recall. A corresponding morph mode allows for seamless transitions between panel states, opening the gates to inherently singular sounds not advisable with conventional synthesizers. Of course, this feature can be submitted to full voltage control to make things even more demented.","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":19180707020854,"sku":"IME-HERTZ-III","price":525.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/IME-hertzdonut-1.1-ctrlmod.png?v=1574352864"},{"product_id":"trident","title":"Trident","description":"The latest brainchild of synth pioneer Dave Rossum, TRIDENT is a 100% analog, triple oscillator module that opens up a universe of dynamic timbral textures.\u003cbr\u003e\u003cbr\u003eAt its most basic level, TRIDENT is three precision audio VCOs, each sporting a unique variety of control voltage inputs. \u003cbr\u003e\u003cbr\u003eThe main or “Carrier\" oscillator provides its three waveforms simultaneously. The two Modulation Oscillators each have a single output and a waveform selector. The Modulation Oscillators also have a voltage controlled Symmetry parameter which varies the duty cycle of the triangle wave output from sawtooth to triangle back to time reversed sawtooth, and also varies the sawtooth output to have an upward or downward kink in the middle, as well as controlling pulse width when the pulse waveform is selected. \u003cbr\u003e\u003cbr\u003eAnd while each oscillator can be used independently if desired, it’s when they’re combined into a synchronous ensemble that the real sonic magic happens.\u003cbr\u003e\u003cbr\u003eThat magic is what we call \"Zing\" modulation. Each of the Modulation Oscillators can modulate each of the Carrier outputs in an amount controlled by the Zing parameter. Zing modulation is mathematically akin to ring modulation, but due to the synchronization of the oscillators (when an oscillator’s Sync button on), the aharmonic sum and difference sidetones of ring modulation transform into complex but purely harmonic overtone spectra, which vary dynamically and dramatically with the frequency and waveshape modulations of the modulation oscillators. Each change in the Modulation Oscillator parameters - Frequency, Symmetry, Waveshape, Zing, and (in the case of Modulation Oscillator 2) Phase - will have a different effect on the timbre of each of the three Carrier waveshape outputs.\u003cbr\u003e\u003cbr\u003eWhen the modulation oscillators are set to track the carrier oscillator, the waveshape will remain constant as the carrier frequency changes. In this case the overtone structure is determined by the settings and CV modulations of the modulation oscillators. If instead the modulation oscillators do not track the carrier, some of the overtone structure will vary relative to the carrier frequency.\u003cbr\u003e\u003cbr\u003eWhat all this means is that whether musicians take advantage of TRIDENT's unique synchronous modulation capabilities (which they, of course, should), or just treat it as three superb, wide-range analog oscillators, TRIDENT offers a vast variety of dramatic sonic textures.\u003cbr\u003e\u003cbr\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Default Title","offer_id":19295060787254,"sku":"ROSSUM-TRIDENT","price":899.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/rossum-trident-front-ctrlmod.png?v=1574355479"},{"product_id":"chord-v2","title":"Chord v2","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003ePolyphony is back!\u003c\/p\u003e\n\u003cp\u003eChord v2 is a plug and play solution for bringing musical polyphony to your system. It contains four oscillator voices, a multitude of waveforms, and intelligent tuning functionality. This new version features an expanded sonic palette and feature set in half the size of the\u003cbr\u003eoriginal.\u003c\/p\u003e\n\u003cp\u003eIt features three primary modes of operation: Chord, Free Running, and Unison. These three modes allow the oscillators to be tuned as diatonic chords, run independently of each other, or be tuned to the same internal frequency for external v\/oct sequencing through independent CV inputs.\u003c\/p\u003e\n\u003cp\u003eThe timbral possibilities of the Chord v2 bring its polyphonic tones to life. The module ships with eight banks of waveforms encompassing traditional shapes, vocal synthesis, organ emulation, and chiptune sounds. You can also load custom wavetables using the SD card slot on the front panel.\u003c\/p\u003e\n\u003cp\u003eFrom harmonic drones to Switched On Bach, the Chord v2 is an unparalleled addition to any Eurorack modular.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":19523319529526,"sku":"QU-BIT-CHORD-V2","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/qubit-chord-1-ctrlmod.png?v=1574351908"},{"product_id":"rossum-electro-music-panharmonium","title":"Panharmonium","description":"\u003cp\u003e\u003cstrong\u003ePanharmonium: Mutating Spectral Resynthesizer\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003eFrom Rossum Electro-Music Software Architect Bob Bliss (creator of E-mu’s famed “EOS” Emulator Operating System) comes the Panharmonium, a unique music and sound design tool that analyzes the spectral content of any audio signal and uses that analysis to drive a bank of from 1 to 33 oscillators. Depending on various control settings, Panharmonium can accurately reproduce the input spectrum in real time or modify it in a multitude of wildly creative ways. All with an interface whose immediacy encourages performance and interaction.\u003cbr\u003e\u003cbr\u003ePanharmonium input can be anything from a single oscillator to an entire mix (including vocals). From dense, swirling pads and drones that evolve with the input’s changing spectrum, to clock-syncable spectral arpeggiation, to as-yet unnamed harmonic effects, Panharmonium opens up an entirely new world of sonic possibilities.\u003cbr\u003e\u003cbr\u003eAdditionally, Panharmonium can take a snapshot of an instantaneous spectrum and use that as a complex harmonic oscillator, which can then be modified and modulated by all of Panharmonium’s other controls. \u003cbr\u003e\u003cbr\u003ePanharmonium accomplishes its magic though a combination of functional submodules.\u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Default Title","offer_id":19909147721782,"sku":"ROSSUM-PANHARMONIUM","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/Rossum-Panharmonium_2d885309-be4a-4dd8-882f-65d898aed42f.png?v=1590689470"},{"product_id":"4ms-spherical-wavetable-navigator","title":"Spherical Wavetable Navigator (SWN)","description":"\u003cp\u003eThe Spherical Wavetable Navigator (SWN) is a six channel synthesizer that makes it easy to create slowly morphing drones, polyphonic melodies, evolving sequences, and rich textures. The SWN features six wavetable oscillators with independent pitch, level, and waveform controls. Six LFOs can be used as modulation sources and\/or envelopes, making it easy to add motion to your patch. Each channel is a full voice and can be “played” using the top row of buttons, the internal LFOs, or note-change detection on the 1V\/oct jacks. The SWN ships with 12 three-dimensional (spherical) wavetables, and an easy interface allows you to record and edit your own custom wavetables from live audio. Free software called SphereEdit allows you to use a Mac, Windows, or Linux computer to create, edit, and convert .wav files into Spherical wavetables to be transferred to the SWN.\u003c\/p\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":19963893710902,"sku":"4MS-SWN","price":599.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-swn-1-ctrlmod.png?v=1574355002"},{"product_id":"erica-synths-pico-noise","title":"Pico Noise","description":"\u003cp\u003eErica Pico Noise is a versatile noise and percussion sounds source. It consists of white a noise generator, a resonant VCF to generate various colors of the noise – from extremely dark ones to high pitched resonant sweeps and a VCA\/decay envelope generator combination to create range of percussion sounds to emulate hi-hats, cymbals and even sine tone-based percussion, when the resonance is full up.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":20353919352886,"sku":"ERICA-PICO-NOISE","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-pico-noise-ctrlmod.png?v=1574354476"},{"product_id":"zpo","title":"ZPO Zero Point Oscillator","description":"\u003cp\u003e\u003cstrong\u003eZero Point Oscillator (ZPO)\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe Zero Point Oscillator is not your typical analog VCO or even your standard Thru-Zero FM VCO for that matter.\u003cbr\u003e\u003cbr\u003eThe core of the ZPO was developed through countless hours of experimentation involving Through-Zero modulation techniques. \u003cbr\u003e\u003cbr\u003eThrough-Zero FM is a form of frequency modulation that produces much deeper and useful FM tones than a typical VCO can accomplish.\u003cbr\u003e\u003cbr\u003eNew techniques have been discovered that not only improve the performance of TZFM, but also grant additional benefits as will be explained.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eThe Fusion of Frequency and Amplitude Modulation:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe ZPO's modulation section is a hybrid involving both TZFM (frequency modulation) and TZAM (amplitude modulation). Coupling these two techniques substantially expands the performance and tonal shaping possibilities, beyond traditional TZFM. The results are more stable and balanced across the modulation bandwidth and both TZFM and TZAM can function together or independently, and anywhere in between. \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow Thru-Zero (TZ) FM works on the ZPO:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhile typical VCO frequency modulation works by increasing the oscillator frequency as the modulation source goes positive and decreasing the frequency while going negative, TZFM works by rectifying (ie flipping) the negative polarity portion of the modulation source into the positive region. You can read up on “Full Wave Rectification” to help visualize this concept. This keeps the modulation source voltage 100% positive and effectively doubles the rate of modulation.\u003cbr\u003e\u003cbr\u003eTo fully realize the TZFM sound, the carrier VCO must also reverse direction of oscillation to simulate the requirement of going 'backwards in time' – this is merely a mathematical conundrum as it is quite analogous to simply reversing the wave-form’s polarity.\u003cbr\u003e\u003cbr\u003eThere have been many techniques for accomplishing this aspect of TZFM, including various VCO core types, and direction-switching techniques.\u003cbr\u003e\u003cbr\u003eThe ZPO utilizes a new technique involving a tuned TZ Amplifier to accomplish this task. When applying audio rate modulation, the effect is indistinguishable from traditional TZFM with a number of added benefits, including but not limited to, more increased modulation stability, wider range of usable modulation rates, and a much broader range of tonal possibilities using the Zero Point Control.\u003cbr\u003e\u003cbr\u003eWhen the TZ-MOD switch is in the active, LIN, EXP or ALL position, The applied modulation is routed to both the signal rectifier into the VCO core and the Zero Point TZ Amplifier.\u003cbr\u003e\u003cbr\u003eThe Zero Point control will then offset the balance of polarity reversal, producing an auditory change in the tonal balance of the TZ modulated waveform: \u003cbr\u003e\u003cbr\u003eTZFM will be fully balanced when Zero Point Control is centered (ie Zero Point = 0 Volts) and will be offset as the ZP control position is altered. , The TZ Amplitude modulation depth will decrease in intensity as the control approaches the +\/- extremes and cease altogether at those extremes.\u003cbr\u003e\u003cbr\u003eThe effect is dependent upon choice of modulation waveform, output waveform and depth (attenuation) of modulation, but overall similar to a combination of Phase Modulation and PWM and is essentially a built in Dynamic Depth Control.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDynamic Depth of TZFM on the ZPO:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eDynamic depth implies that the modulation source amount be varied over time. This is desired on TZ VCOs because it produces a more natural FM effect when synthesizing metallic and bell-type sounds, for instance, and more expressive modulation in general.\u003cbr\u003e\u003cbr\u003eTraditional TZ VCO's would include a CV Input VCA for the FM input, so that an envelope can be applied to modulate the FM depth.\u003cbr\u003e\u003cbr\u003eSince the ZPO's TZFM technique utilizes a TZ VCA, this function is actually already built into the ZPO's Zero Point Control and can be modulated with an Envelope or VCO\/LFO via the ZERO-P (Zero Point CV) input.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWAVE SHAPING\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThree wave-shaping outputs are provided and described below:\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWAVE A and WAVE B:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIn addition to the 8 direct waveform outputs on the ZPO, two more variable wave-shape outputs are provided on either side of the module. These outputs with associated Control and CV inputs are independent but identical feature-wise.\u003cbr\u003e\u003cbr\u003eThe controls smoothly fade from Pulse to Saw to Triangle to inverted Sine. Therefore, various hybrid wave shapes can be achieved by setting the WAVE controls in between the standard wave settings on the WAVE controls.\u003cbr\u003e\u003cbr\u003eThe two WAVE outputs can be used separately or together in pseudo stereo operation.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhy Inverted SINE?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThrough development of the ZPO and in use, we found that the crossover from TRI to SINE on the WAVE A\/B outputs was a bit underwhelming in itself and when creating even more complex wave-shapes using the MORPH control (described below). Simply stated, Inverted SINE produces more interesting subtractive wave-shapes and vibrato\/tremolo effects when mixed with the other wave forms.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eMORPH:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eMORPH is the focal point of the wave-shaping functions of the ZPO and works in conjunction with the WAVE A\/B controls.\u003cbr\u003e\u003cbr\u003eMorph offers a finer and wider control over waveform mixing and allows any of the wave shapes selected by WAVE A\/B to be morphed together in various degrees. \u003cbr\u003e\u003cbr\u003eThis will have a major effect on harmonic content as a wide variety of atypical wave shapes can be created. \u003cbr\u003e\u003cbr\u003eAs mentioned, the Inverted SINE allows for even more wave-shaping possibilities since the inversion will subtract various levels of the fundamental from whichever wave shape it is being mixed with via MORPH.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eModulating WAVE A\/B and MORPH:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThe CV inputs for WAVE A\/B and MORPH allow dynamic automated control over the wave-shaping parameters. While slower modulation applied to these inputs produce more subtle interpolation effects, audio rate modulation can also be utilized for an even greater degree of animated and non-standard wave shaping. \u003cbr\u003e\u003cbr\u003eWhen combined with the FM and AM functionality, the ZPO is capable of creating a truly staggering variety of tones, all within a single VCO. We recommend pairing the ZPO with a stable VCO\/LFO or even a second ZPO for a truly unique complex oscillator experience.\u003c\/p\u003e","brand":"Steady State Fate (SSF)","offers":[{"title":"Default Title","offer_id":30730747838518,"sku":"SSF-ZPO","price":419.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ssf_ZTO_2_ctrlmod.png?v=1571857112"},{"product_id":"xaoc-devices-odessa","title":"Odessa - Digital Additive Oscillator","description":"\u003cp\u003eXaoc flagship digital oscillator module, implementing the principle of additive synthesis controlled by a set of carefully tailored macro parameters\u003c\/p\u003e\n\u003cp\u003eto harness thousands of sinusoidal partials that altogether form the resulting sound. The series of harmonics can be squeezed or spread apart, tilted, and pruned by a comb-like frequency response, resulting in a variety of unearthly sounds.\u003cbr\u003e\u003cbr\u003eAdditive synthesis engine — 2500 harmonic partials generated — Straightforward user interface — Through-zero linear FM — Detuneable clusters of up to 5 voices — Expandable with Lipsk and another planned expander for individual voice pitch control\u003c\/p\u003e\n\u003cp\u003eOdessa is an additive oscillator, which means the output signal is synthesized by adding a multitude (up to 2560) of sinusoidal components (harmonic partials). By manipulating their parameters it is possible to obtain a very broad range of unearthly sounds, but also the classic saw, square and pure sine.\u003c\/p\u003e\n\u003cp\u003eOdessa offers a set of controls that allow to shape the spectrum by deciding on how many partials are produced, and how they are distributed in frequency and amplitude, which is illustrated by a spectrum analyzer with 12 multi-color LEDs. The series of harmonics can be squeezed or spread apart, tilted, and pruned by a comb-like frequency response, resulting in a huge variety of spectra. Animating the comb response yields radical effects similar to flanging and phasing.\u003c\/p\u003e\n\u003cp\u003eAll partials are frequency related to the common fundamental controlled by a V\/oct input. Additionally, the signal can be frequency modulated by exponential and linear\u003cbr\u003e(through zero) manner. Also, up to 5 detuned voices can be spread apart for a fat and dense cluster, or a powerful chord.\u003c\/p\u003e","brand":"XAOC Devices","offers":[{"title":"Default Title","offer_id":30875476885558,"sku":"XAOC-ODESSA","price":639.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/odessa-1-ctrlmod.png?v=1574881163"},{"product_id":"hel-odessa-expander","title":"Hel (Odessa Expander)","description":"\u003cp\u003eHel is a simple, universal expander for polyphonic oscillator modules from Xaoc Devices, such as Odessa. It allows to freely control up to five voices of polyphony via in- dividual Volt\/octave inputs.\u003c\/p\u003e","brand":"XAOC Devices","offers":[{"title":"Default Title","offer_id":31114848337974,"sku":"XAOC-HEL","price":104.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/hel-1-ctrlmod.png?v=1574881419"},{"product_id":"surface-pre-order","title":"Surface","description":"Surface is a multi-timbral physical modeling voice. Its output ranges from plucked strings and marimbas, all the way to FM drums. \u003cbr\u003e\u003cbr\u003eEach model features stereo outputs and up to eight unique voices that can be active at a time.","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":31667488587830,"sku":"QU-BIT-SURFACE","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/insta-surface-1.png?v=1580318013"},{"product_id":"industrial-music-electronics-kermit-mk3","title":"Kermit Mk3 — Supermodulator","description":"\u003cp\u003eKermit is a 4-channel, programmable, tempo-synchronized supermodulator with morphing wavetable generator and internal modulation matrix. Four channels operate as LFOs, audio rate oscillators (with 1v\/octave response on two channels), 1-shot envelopes, random voltage generators, or sample-and-holds, all responding to manual control, external control voltages, or synchronization to the module’s master tap tempo clock, with every parameter storable as presets. External CV inputs and an internal modulation matrix provide most synthesis control and voice functions in a self-contained, programmable package. Designed for maximum patching power in small systems, Kermit has an extremely high functionality-per-HP factor and fast, recallable operation dependable in live performance.\u003cbr\u003e\u003cbr\u003eThe module has a 16-bit DAC to accurately render subtle changes of voltage at extremely low frequencies. The audio oscillator mode is best suited for bass frequencies and has a fuzzy, aggressive character known from the previous version of Kermit. The waveform “character” processing further degenerates the quality of the signal along three axes of resolution all the way down to 8 bits\/32 samples similar to the Konami SCC sound processing chip.. The tap tempo facility features an input jack and a manual button, and sets the global tempo of the module that individual channels can multiply or divide. The tempo is shown on the OLED display in BPM. The relevant units (hertz, seconds, volts, etc) or selected waveform of each channel are contextually shown on the display as the user programs the module.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cb\u003eLIST OF OPERATING MODES PER CHANNEL:\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eLFO (1 volt\/octave)\u003c\/li\u003e\n\u003cli\u003eLFO (with reset)\u003c\/li\u003e\n\u003cli\u003eTap tempo LFO\u003c\/li\u003e\n\u003cli\u003eAudio oscillator\u003c\/li\u003e\n\u003cli\u003eAudio oscillator (unison)\u003c\/li\u003e\n\u003cli\u003eCode scan\u003c\/li\u003e\n\u003cli\u003e1-shot envelope\u003c\/li\u003e\n\u003cli\u003eGated repeat envelope\u003c\/li\u003e\n\u003cli\u003eTap tempo envelope\u003c\/li\u003e\n\u003cli\u003eSmooth random\u003c\/li\u003e\n\u003cli\u003eStepped random\u003c\/li\u003e\n\u003cli\u003eTap tempo stepped random\u003c\/li\u003e\n\u003cli\u003eSample-and-hold\u003c\/li\u003e\n\u003cli\u003eTrack-and-hold\u003c\/li\u003e\n\u003cli\u003eTap Tempo sample-and-hold\u003c\/li\u003e\n\u003cli\u003eChannel copy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e Three parameters on each channel can be modulated: frequency, amplitude, or waveform. Both external CV input and internal cross modulation affect these parameters by holding down buttons and turning the destination knobs. For example: assign the output of channel B to morph the waveform of Channel A by holding the Channel B button while turning the Channel A Waveform knob. All channels have manual control of frequency (coarse and fine), phase, waveform bank, waveform morph, and amplitude. Channels A and B have full controls, C and D have single knob controls with deep parameters accessible by button hold combinations. The OLED display unambiguously displays the intensity of modulation setting in progress as well as the total catalog of all currently programmed modulation assignments.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKermit has a microSD card slot for loading custom waveforms, like its big brother Piston Honda. The SD card accepts one .WAV file in WaveEdit format (free software editor) containing 64 waveforms, also compatible with several other Eurorack modules. When loaded into Kermit, the waveforms are organized into 8 banks of 8 waveforms each. Each oscillator can select any of the 8 banks, and the 8 constituent waves can be smoothly morphed from one to another.\u003cbr\u003e\u003cbr\u003eThe Mark III morphing preset manager is in full effect on Kermit. The discrete preset mode quickly and reliably recalls all parameters in response to triggers or CV, accessing the true power of the module as detailed, carefully programmed settings are effortlessly loaded and changed. The morphing mode causes delightfully unexpected variations of the basis preset.\u003cbr\u003e\u003cbr\u003eInsert a master clock signal and you’re ready to go. Kermit is a bottomless provider of rhythmically coherent modulation voltages.\u003c\/p\u003e","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":31684061331510,"sku":"IME-KERMIT-MK3","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/IME-kermit3-1-ctrlmod.png?v=1583523311"},{"product_id":"future-sound-systems-osc2-recombination-engine","title":"OSC2 Recombination Engine","description":"The Recombination Engine from Future Sound Systems is a triple analogue voltage-controlled oscillator Eurorack module with a focus on a novel wave-splicing technique. The Recombination method can produce new, harmonically rich timbres. Each oscillator is built around a new generation CEM 3340 VCO chip to ensure ultimate tracking and linearity across the frequency spectrum, as per necessary for several features of the Recombination technique. The OSC2 employs its three VCOs in a master \/ positive-slave \/ negative-slave arrangement – the output of which is found at the Glue section. The Scissor section can be used as a master oscillator, which, in the Recombination technique, is used to switch between the Positive and Negative DNA oscillators, dependent on the positive or negative state of the Scissor square-wave. Sinusoidal, triangle and ramp waveforms can be mixed at each DNA VCO through SSI2164-based VCA sections, the mixed outputs of which are switched between at the Glue section in accordance to the Scissor.\u003cbr\u003e\u003cbr\u003eThe VCOs of the OSC2 also allow for switchable linear or exponential FM and offer very wide frequency ranges between Coarse and Fine tune controls. Both DNA oscillators' VCA sections are accessible through the Mix Outputs, with the level controls operating in a similar fashion to those found on our Cyclical Engine VCO module. At 12 o'clock, each waveform is modulated at full-scale by the applicable positive or negative state of the Scissor VCO's square-wave. At 5 o'clock,each waveform flows through its VCA at full scale. Meanwhile, each waveform is available pre-VCA at the Raw Outputs.\u003cbr\u003e\u003cbr\u003eAs part of the Scissor section, three modulation busses can be switched on and off. PW Skew ties the pulsewidth modulation bus of the Scissor VCO to the frequency busses of the DNA VCOs. This means that, if the positive region of the Scissor VCO's square-wave is elongated as the pulsewidth is increased, the frequency of the Positive DNA VCO is decreased, so that the positive portion of the Glue waveform becomes \"stretched out\". The opposite happens to the negative portion of the Glue waveform in this instance, so becomes condensed. This effect is particularly useful for creating formant-type timbres at the Glue output.\u003cbr\u003e\u003cbr\u003eCV Lock between the three VCOs ties the exponential frequency bus of the Scissor oscillator to the two DNA VCOs. This is especially useful when using the OSC2 as a standard triple oscillator stack, as found in classic subtractive synthesizers. Sync Lock resets the Positive DNA to the positive portion of the Scissor VCO's square-wave, and resets the Negative DNA to the Scissor's negative portion. There is also a switch in the Scissor section to shift the entirety of the OSC2 between low and audible frequency ranges.","brand":"Future Sound Systems","offers":[{"title":"Default Title","offer_id":31964576579638,"sku":"FSS-OSC2","price":574.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/fss-recombengine-1-ctrlmod.png?v=1586525865"},{"product_id":"rnd-step","title":"DivKid\/SSF RND STEP","description":"RND STEP is a high performance, 3 channel sample and hold module, comprising of 6 unique sample and hold circuits in just 4HP. \u003cbr\u003e\u003cbr\u003eEach channel features two internal analogue pink noise generators, and two sample and hold circuits split across unipolar and bipolar outputs.The unipolar output always samples its own noise source for a stepped random voltage between 0-5V. The bipolar output by default samples it’s own noise source (for -5V to +5V stepped random). However, you can override that connection with the sample input. This allows for sampling external audio or CV signals, and it can sample voltages anywhere between -10V and +10V with the sample input.\u003cbr\u003e\u003cbr\u003eRND STEP will operate at slow trigger rates with highly extended hold times, ensuring it holds the voltage with minimal droop, but it will also operate up through audio rates for destructive downsampling FX for audio. When triggered at audio rates RND STEP outputs downsampled and clocked noise tones from the internal pink noise generators. These can then be used for modulation, percussion or sound FX.\u003cbr\u003e\u003cbr\u003eTrigger input 1 will normalise across all 3 channels, meaning a single trigger can give 6 unique random voltages, of which 3 are bipolar and 3 are unipolar. The combination of both ensures you have the right voltages in the correct ranges for the sources you wish to modulate.\u003cbr\u003e\u003cbr\u003eRND STEP is a collaboration between Steady State Fate and DivKid.","brand":"Steady State Fate (SSF)","offers":[{"title":"Default Title","offer_id":32356989435958,"sku":"DIVKID-RND-STEP","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/RNDSTEP-1-ctrlmod.png?v=1592098720"},{"product_id":"frap-tools-brenso","title":"Brenso - Complex Oscillator","description":"\u003cp\u003ebrenso \/ˈbreːnso\/ adj. [slang portmanteau word created from the Italian adjectives breve ‘short’ and intenso ‘intense,’ probably around the early 2000s in the area of Bologna; pronounced with the long, closed e instead of the expected open ɛ, as typical of the Northern Italian regions] — This adjective may have originally referred to events or experiences that were particularly powerful despite their short duration. Soon its meaning broadened, indicating anything (objects or even thoughts) that feature great content in proportion to the size. For example, nowadays, a thick lasagna or a massive live performance can be equally ‘brense.’\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eBRENSO is Frap Tools’ primary analog source of articulated waveforms whose degree of entanglement can be precisely set by the musician.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eIts concept developed from a reflection on the very meaning of the word ‘complex,’ which comes from the Latin verb plector, literally meaning ‘to weave.’ The purpose of BRENSO is to update the usual approach to ‘complex oscillator’ by offering many threads to be woven together, rather than a pre-defined weft of controls and waveforms: this to improve clarity, manageability, and to provide more sonic options to the artist.\u003cbr\u003e\u003cbr\u003eBRENSO consists of three sections: two for the sound generation (yellow and green), and one for sound processing (white and red).\u003cbr\u003e\u003cbr\u003eThe generation sections allow control over the two triangle-core oscillators, which can be modulated and synced both internally and externally. The Frequency Modulation can be any combination of exponential and\/or linear through-zero.\u003cbr\u003e\u003cbr\u003eThe processing section is composed of a Timbre Modulation section (white) and a final stage of Amplitude Modulation (red). The Timbre Modulation contains two parallel waveshapers with a PWM circuit, which are mixed with a crossfader and processed by a wavefolder. The wavefolder has symmetry control and can be pinged through a dedicated clock input with a shapeable, nonlinear behavior.\u003cbr\u003e\u003cbr\u003eA four-quadrant multiplier further modulates the timbre-modulated sound with the green oscillator’s sine wave: it can perform Amplitude Modulation or Ring Modulation, and a crossfader defines the balance between the modulated and unmodulated signal.\u003cbr\u003e\u003cbr\u003eThe Timbre section CV inputs are semi-normalled to a Timbre Modulation Bus, which is, in turn, semi-normalled to the green sine wave. Many other modulation destinations are semi-normalled to the other oscillator’s sine wave, with attenuverters and attenuators to guarantee precise control. All the semi-normalizations can be ‘broken’ anywhere throughout the signal routing according to the musician’s needs.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCoarse Frequency Lock\u003c\/strong\u003e\u003cbr\u003eNo more tuning issues during a performance!\u003cbr\u003e\u003cbr\u003eEvery oscillator has a button that locks its coarse frequency to the current value. From this moment on, every twist of the ‘Coarse’ knob will be ineffective (but The Fine knob is still available, from small adjustments on the fly!).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAnalog Thru-Zero Triangle Cores\u003c\/strong\u003e\u003cbr\u003eBRENSO’s oscillators are exceptionally stable and provide rich harmonic content. This happens thanks to the two thru-zero triangle cores, which guarantee the most playable behavior and the best response to audio-rate modulation.\u003cbr\u003e\u003cbr\u003eYou won’t need to find a sweet spot because BRENSO is calibrated to sound ‘as expected’ in any setting!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear and\/or Exponential FM\u003c\/strong\u003e\u003cbr\u003eMany controls allow for complex and detailed FM sound shaping. It is possible to set the amount of exponential and linear thru-zero FM independently per each oscillator and control their amount of ‘deviation’ through two separate knobs or CV inputs.\u003cbr\u003e\u003cbr\u003e(The green oscillator can also work at sub-audio rate, and can therefore become a super complex LFO!)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFour Expanded Modulation Buses\u003c\/strong\u003e\u003cbr\u003eBRENSO’s ‘complex’ signal path is expanded on the front panel and grouped in four ‘modulation buses’: two for modulating frequencies, one for modulating timbre and one for AM and RM.\u003cbr\u003e\u003cbr\u003eThe green oscillator is always the semi-normalled modulator, but any other source can be used.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOriginal Timbre Shaping Design\u003c\/strong\u003e\u003cbr\u003eThe timbre modulation section has been designed from scratch and offers a versatile blend of two wavefolders, a waveshaper, and a PWM circuit.\u003cbr\u003eA dedicated VCA controls the global amount of modulation to be sent to each modulation section, but the semi-normalization can be broken anytime.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePluckable Wavefolder\u003c\/strong\u003e\u003cbr\u003eWe designed from scratch an analog circuit that, when excited by an external trig, opens the wavefolder above its maximum level and then closes it down with a non-linear slope, whose length can be manually regulated.\u003cbr\u003eThis solution can generate percussive tones with a very organic decay.\u003c\/p\u003e","brand":"Frap Tools","offers":[{"title":"Default Title","offer_id":32385960935478,"sku":"FRAP-TOOLS-BRENSO","price":639.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/frap-brenso-1-ctrlmod.png?v=1592509372"},{"product_id":"erica-synths-pico-vco2","title":"Pico VCO2","description":"\u003cp\u003eErica Synths Pico VCO2 – powerful, full analogue VCO with great tracking over 8 octaves just in 3HP! Combine two of those, add some PWM and have a sound of real analogue beast!\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":32400643850294,"sku":"ERICA-PICO-VCO2","price":119.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-pico-vco2-1-ctrlmod.png?v=1592929327"},{"product_id":"future-sound-systems-tg2-gristleizer-vco","title":"TG2 Gristleizer Generator VCO","description":"The Gristleizer Generator has been designed to replicate the original functionality of the Gristleizer's oscillator section, but with many new additions. With a brand new design from Roy Gwinn, the TG2 Generator is far more stable than its predecessor, featuring 1V\/Oct tracking amongst other features. However, as with its original, the TG2 spans from low frequency ranges into the audible range, and makes for a killer bass oscillator as well as a fully featured LFO.\u003cbr\u003e\u003cbr\u003eThe core of the oscillator is based around a shape-variable ramp generator, with similar functionality to that found in the Korg MS Modulation Generators. Here, the Shape control takes the Ramp output from a descending sawtooth, through triangle, to an ascending sawtooth shape. This varying ramp waveform is then input to a wave-folder, which outputs both Fold and Pulse waveforms, based on how the Gain and Offset controls are set. Lastly, the original ramp waveform is fed into a comparator for the Clock output, the pulsewidth of which is variable using the Shape control.\u003cbr\u003e\u003cbr\u003eThe Gain and Offset of the TG2's wave-folder are both voltage controllable, as well as its Frequency via an attenuated control input and a 1V\/Oct control input. The TG2 can also be reset by external sources via the Sync input.","brand":"Future Sound Systems","offers":[{"title":"Default Title","offer_id":32609679835190,"sku":"FSS-TG2","price":269.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/fss-tg2-1-ctrlmod.png?v=1596474847"},{"product_id":"acid-rain-technology-chainsaw","title":"Chainsaw","description":"\u003cp\u003eChainsaw is a powerful digital oscillator designed to bring polyphony to your rack in a compact and playable interface. We were inspired by the super-saw; a mainstay of electronic music production, and a waveform rich with harmonics for filters and effects to chew on. Chainsaw features 3 voices of 7 waves, with individual pitch control per voice. All waves morph from super saw to super square for giant hollow basslines and more.\u003c\/p\u003e","brand":"Acid Rain Technology","offers":[{"title":"Default Title","offer_id":32619833163830,"sku":"ACID-RAIN-CHAINSAW","price":229.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/acid-chainsaw-1-ctrlmod.png?v=1596808301"},{"product_id":"1010music-waverazor","title":"Waverazor - Dual Oscillator","description":"\u003cp\u003eThe Waverazor Dual Oscillator is a result of a special collaboration between 1010music and MOK. It is the first hardware module to bring MOK’s patented wave-slicing​ oscillator design to Eurorack format. Waverazor’s novel approach to synthesis splices waveforms into twisted and aggressive new timbres. Featuring fresh sound generation techniques like Multi-Sync and Mutant AM, the Waverazor oscillator is perfect for biting leads, glitched-out basses, cinematic drones and everything in between.\u003cbr\u003e\u003cbr\u003eOne Waverazor Eurorack oscillator can contain up to 8 wave slices, creating a multi-segment “Frankenstein” waveform that produces extended harmonic content beyond any single wave shape. Each individual slice has independent control over wave pitch, volume, phase and DC offset, allowing a single oscillator to contain a multitude of timbral colors. Even the “Razor” itself can be adjusted, with parameters for its own slice frequency, step size multiplier and duty cycle.\u003cbr\u003e\u003cbr\u003eThe Waverazor Dual Oscillator module provides a central waveform display that allows you to visualize the output. There’s an audio input for slicing up any sound you like. Four endless knobs make it possible to morph multiple parameters at once, while the touch screen enables X\/Y performance controllers that allow you to manipulate the sound with the swipe of your finger. Top it all off with 20 modulation CV inputs for complete sonic insanity!\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIncluded In The Box:\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ea Waverazor Dual Oscillator Eurorack module\u003c\/li\u003e\n\u003cli\u003ea microSD card with Waverazor firmware and patch data loaded on it\u003c\/li\u003e\n\u003cli\u003ea Eurorack power cable\u003c\/li\u003e\n\u003cli\u003ea Waverazor Dual Oscillator Quick Start guide\u003c\/li\u003e\n\u003cli\u003ea MIDI Adapter\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"1010Music","offers":[{"title":"Default Title","offer_id":32726967844918,"sku":"1010-WAVERAZOR","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/1010-waverazor-1-ctrlmod.png?v=1599313462"},{"product_id":"erica-synths-bassline-synth-voice","title":"Bassline Synth Voice","description":"\u003cp\u003eErica Synths Bassline is fully analogue synth voice module for ultimate basslines and leads. It features AS3340 VCO with three waveforms, a filter inspired by Erica Synths Acidbox and unique features - transistor based suboscillator and two BBD lines that emulate VCO detune creating a sound of massive polysynth from one oscillator. Accent provides more expression to the bassline, by adding volume and opening the VCF slightly.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":32749499678774,"sku":"ERICA-BASSLINE","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ericia-bassline-1-ctrlmod.png?v=1599844877"},{"product_id":"befaco-even-vco","title":"Even VCO","description":"\u003cp\u003eThe EVEN VCO is an voltage controlled oscillator which offers stability even in the case of power supply fluctuations.\u003c\/p\u003e","brand":"Befaco","offers":[{"title":"Default Title","offer_id":32804685414454,"sku":"BEFACO-EVEN-VCO","price":245.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-evenvco-1-ctrlmod.png?v=1601307133"},{"product_id":"klavis-twin-waves-mk2","title":"Twin Waves Mk2 - Dual Oscillator","description":"\u003cp\u003eThis MKII evolution brings a redesigned layout, additional knobs for more hands-on fun and semi-modular cross-patching between sections.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the original features are present: a top selection of synthesis techniques, each with their key parameter directly at hand, enriched by a full set of complementary features.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMore than ever the Twin Waves is versatility at its best.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersion 1 vs. Version 2\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eWhat is kept and what is new?\u003cbr\u003e\u003cbr\u003eSame width (8hp)\u003cbr\u003eSame price\u003cbr\u003eAll TW v1 capabilities and features retained\u003cbr\u003eThree dedicated modulation gain pots\u003cbr\u003eSemi-modular cross-section patching\u003cbr\u003e\u003cbr\u003eWhereas the original Twin Waves required +\/-5V signals to benefit from full scale modulation, the new version requires less and has gain knobs for all 3 modulation inputs.\u003cbr\u003e\u003cbr\u003eThese gain knobs are even more beneficial given that a normalling of the outputs to the other section's modulation input(s) allows creative results without requiring extra patching.\u003cbr\u003e\u003cbr\u003eThis offers an easy and creative access to \"complex oscillator\" fun and cross modulation craziness..\u003cbr\u003e\u003cbr\u003eUsing the outputs does not break their normalling; this avoids using a \"multiple\" when the output signal should go both inside and outside the module.\u003cbr\u003e\u003cbr\u003eThe dedicated Square1 output of the first oscillator is normalled to the global sync\/clock input. This allows synchronizing the second oscillator both for audio and LFO\/random purposes.\u003c\/p\u003e","brand":"Klavis","offers":[{"title":"Black","offer_id":52011345838398,"sku":"KLAVIS-TWIN-WAVES-BLACK","price":292.0,"currency_code":"USD","in_stock":false},{"title":"White","offer_id":52011345871166,"sku":"KLAVIS-TWIN-WAVES","price":282.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/klavis-twinwaves2-1-ctrlmod.png?v=1603402897"}],"url":"https:\/\/www.ctrl-mod.com\/collections\/sound-sources-and-generators.oembed?page=7","provider":"Control","version":"1.0","type":"link"}