{"title":"Modulation Sources","description":"","products":[{"product_id":"4ms-pingable-envelope-generator-peg-1","title":"Pingable Envelope Generator (PEG)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Pingable Envelope Generator (PEG) from 4ms is a dual envelope generator whose envelope lengths are set by incoming clocks or \"pings\".\u003cbr\u003e\u003cbr\u003eThe PEG has full CV control of envelope shape, skew, and ping (clock) division\/multiplication, as well as a plethora of triggering and cycling options (AD, AR, quantization, cycle), and a tap tempo button for each channel.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9578842565,"sku":"4MS-PEG","price":345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4MS-Pingable-Envelope-Generator-2-front-ctrlmod_ffa546b2-953d-40a2-a286-cd8ecedb0f88.png?v=1574354509"},{"product_id":"function","title":"Function (Black)","description":"\u003cp\u003e\u003cem\u003eNow available exclusively in black panel.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFUNCTION is part of the MATHS family of control voltage utility modules. It is a small analog computer designed for solely musical purposes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":48850135580990,"sku":"MAKE-NOISE-FUNCTION-BLACK","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/make-noise-function-black-panel-ctrl-mod.png?v=1709160697"},{"product_id":"make-noise-maths-black","title":"MATHS (Black)","description":"\u003cp\u003e\u003cem\u003eNote: the silver faceplate version is currently in stock, black and gold faceplates are preorders expected to ship in early February.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMATHS is an analog computer designed for musical purposes. \u003c\/span\u003e\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":48443822768446,"sku":"MAKE-NOISE-MATHS-BLACK-GOLD","price":290.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/make-noise-maths-black-better-quality-ctrl-mod.png?v=1709922823"},{"product_id":"ulfo","title":"uLFO","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe uLFO is an voltage-controlled analog low frequency oscillator based around a classic triangle core VCO running through a series of waveshapers, giving the user an extremely wide range of outputs and modulation options. In the low range the uLFO will take over 60 minutes to complete a cycle and will go up to 40hz. The high range goes from 4 minute cycles at the lowest up to 3.6khz at the top of its range, making this a very good low and mid range VCO as well as an outstanding LFO.\u003cbr\u003e\u003cbr\u003eThe uLFO offers 7 simultaneous outputs; saw, ramp, pulse, triangle, sine and shaped sine and the square output is available as the sync out. The pulse and shapes sine are voltage-controlled and have attenuated inputs. The pulse width modulation works like most others, from going from 0-100% with either the PWM pot or with control voltage. But the shaped sine is fairly unique in the modular world. This allows a sine wave to be swept from a positively biased non-linear triangle down to a negatively biased non-linear triangle.\u003cbr\u003e\u003cbr\u003eThe two frequency modulation inputs offer both linear and exponential modulation with attenuation pots of the incoming control voltage. In addition to the two FM inputs there is one 1v\/octave input that allows 4-5 good, solid octaves of tracking. Taken as a whole this one of the most full featured LFOs on the market today.\u003c\/p\u003e","brand":"bubblesound","offers":[{"title":"Default Title","offer_id":9993396357,"sku":"BBS-ULFO","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/bbs-ulfo-black-1-ctrl.png?v=1574355522"},{"product_id":"wogglebug","title":"Wogglebug","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \"WoggleBug\" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the \"smooth\" and \"stepped\" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 \"Source of Uncertainty,\" expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9996364229,"sku":"MAKE-NOISE-WOGGLEBUG","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-wogglebug-ctrl.png?v=1571272189"},{"product_id":"dunst","title":"Dunst","description":"The Dunst module generates Dust and Noise by two different methods. Noise is defined as white noise with a continuous spectrum and a totally non-tonal nature. Dust, however, is better thought of outside Fourier techniques, as little crackles, bursts of noise, pulses of uneven rhythm. Dunst permutes on the bounds\/bounce concepts of other Mobenthey modules, by calculating Dust with a ramp with arbitrary sample-and-hold for its bounds- based on an efficient digital technique for Dust. The Noise section uses transistor noise (quantum) as its basis, comparing it against a modular reference to achieve stochastic events, converging on the sound of Dust. In addition, this module has a fully featured bi-polar VCA with complimentary inputs, to get you quickly going sending “dust-objets” out the left and right channels. \u003cbr\u003e\u003cbr\u003eDunst is an 8HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit. Looking at the front panel of Denum, note that inputs are marked by copper fill. There are three main sections: BDUSOU, BNOICE, and the VCA. BDUSOU is the analog dust calculator, and BNOICE is the quantum sourced generator. Each of the two has exactly the same inputs, outputs and knobs. The “basis” knob sets the base rate of dust, from sparse to dense. The FM control input is tied to an attenuverter, marked by a characteristic bow-tie. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counterclockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply. \u003cbr\u003e\u003cbr\u003eBDUSOU has two outputs: a ramp, and a pulse. Ramp, marked by triangular articulations on the cartouche, is the actual waveform used to generate Dust. It looks like a sawtooth, with completely random bounds. Pulse, marked by rectilinear articulations, speaks to the zero-crossing “tooth” of Dust, with a short pulse from zero to ten volts. \u003cbr\u003e\u003cbr\u003eBNOICE has two outputs: pulse and hiss. Pulse is similar to the pulse of BDUSOU: a brief spike from zero to ten volts, with varying densities. Hiss, is the raw quantum-sourced white noise. Hiss is bussed into the left and right audio inputs of the VCA, at bottom. Either can be swapped out for external audio energies, via the “left, right signal inserts”. The “left, right VCA inputs” are for controlling the amplitude of the signals, with either a linear or exponential mapping. If the left input is greater than right, sound goes out the “left out”. If right is “Sitting at the round metal cofee table, on the deck of my beach house, I cannot tel whether it wil come inland or stay hovering over the waters; I know it is a storm cloud because of the lightning, extending to space and salt, exchanging energies.” Ieaskul F. Mobenthey --- DunstManual --- Page 2 greater than left, sound goes out the “right out”. The voltage amount of difference maps to loudness in these channels. The “linear, expo switch” chooses linear when cocked up, as marked by a caret, and exponential when cocked down, as marked by a rounded form. There is an optional mute when the switch is in the middle. \u003cbr\u003e\u003cbr\u003eBDUSOU\/BNOICE\u003cbr\u003e\u003cbr\u003eWhy are the modules called that? This module flirts with BOUNDS\/BOUNCE, so I rearranged this text, until it suggested DUST and NOISE. BDUSOU uses contingent boundaries, both negative and positive, for its sawtooth, to calculate dust with a stochastic distribution of bursts, flirts, and spaces. What is DUST, if you asked James McCartney, in his computer music program, Supercollider? It's a sort of random, but with particles, so how do you know it's vanilla-chaos or hyper-chaos? How many powers of random do you want? It could be bursts of completely harsh noise followed by minutes of silence. This module, however, does not follow the extreme path; instead it follows the middle road, set forth by McCartney, of a usable timing pulse for random, rain-like events. By modulating BOUNDS, it does not go into the hyper-chaos available with BOUNCE generators. That is left to its FM input, which strictly modulates its bounce, or slope speed. On completing the first run of Mobenthey modules, I initiated prototyping this fifth module. It is a new thrust on this platform and also in Tocante to bring forth various assets of zener noise that I have explored in my oldest instruments, such as Nabra. That synthesizer contained a Dust module, which simply generates trigger pulses at random intervals below the haptic rate. Nabra also contained a Noise module, which acted as an audio generator with VCA inputs. It also took control voltages as a modulation for crackle; its sound could change from smooth white noise to something more like a dusty record. \u003cbr\u003e\u003cbr\u003eDust and Noise operate in two compellingly different manners. Dust “computes” its randomness by sampling a stochastic waveform to mark an arbitrary voltage, then decays to zero to repeat again. Noting that this is an arbitrary bounds modulation, the bounce of the module is free for control by input voltage, thus varying the speed or concentration of dust particles. This circuit is a variation bounds-bounce regime established in the previous modules. \u003cbr\u003e\u003cbr\u003eUnlike Dust, Noise uses a zener diode or other suitably noisy silicon source, amplifying the natural noise of indecisive electrons. It modulates crackle by a comparison of that noise and an arbitrary input voltage; near zero, it is pure noise, but crossings of a farther bias voltage become more event-like, approaching the sound of Dust. \u003cbr\u003e\u003cbr\u003eSince both circuits achieve different flavors of the same basic goal, I decided to combine them into a single module. The name is simply an amalgam- Dust with Noise makes Dunst. The next step is checking a name on Google. Finding, of course, Kirsten Dunst as the primary placeholder, I also see the German definition of the word is a sort of haze or fog; a good omen. Digging deeper, I find the extended German meaning, in Jagersprache1 , is a shotgun with very fine particle size, for hunting small birds. In fact, that is exactly what the Dunst module does, generate bursts of small shots in a random distribution, to trigger the song-squeaking death of birds. \u003cbr\u003e\u003cbr\u003eSo that is the current state of Mobenthey, having completed a run, I add a new and dusty module, tied into the previous modules by the bounds-bounce concept. The new module breaks from the previous modules by focusing on stochastic dust instead of modulated waveforms. It demonstrates the paradox wave, Ieaskul's goal, not by infinite regression but by the indeterminate nature of silicon components themselves- noise.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10111953029,"sku":"","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-dunst-ctrlmod.png?v=1571272198"},{"product_id":"fourses","title":"Fourses","description":"The Fourses module consists of four bounds\/bounce oscillators, stacked on top of each other so that their bounds are mutual. Imagine four bouncy balls in a greased perspex tube only wide enough to permit them to travel along it. They bounce off of each other in the tube, and generate intricate but inter-related chaotic outputs. Each bouncy ball has the requisite basis and attenuverter knobs, and bounds inserts, control input, and \u003cbr\u003etriangular output.\u003cbr\u003e\u003cbr\u003eFourses is a 12HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit.\u003cbr\u003e\u003cbr\u003eLooking at the front panel of Fourses, note that inputs are marked by copper fill. The four operators are exactly the same in appearance. The bounds of any operator are dictated by the ones immediately above and below, except for the very top and bottom operators; the top upper bound is set to eight volts, and the bottom lower bound to negative eight volts. The bounds of any operator, however, have inserts that you can use to manually \u003cbr\u003eset a boundary to whatever voltage you wish. This may introduce Ieaskul's masthead, the paradox wave, that comes about when a lower bound is greater than an upper bound, causing the oscillator to go into hyper oscillation since it cannot rest in any stable zone.\u003cbr\u003e\u003cbr\u003eConnected to the bounds inserts area, there is a rate knob that acts in a special, Fourses-like way: knob in middle causes the up- and down- slopes to be equally fast, and the operator will bounce easily; turn the knob clockwise and it will have a very slow down-slope and a fast up-slope, counter-clockwise is the opposite. The philosophical reasons for such a knob came about when testing the original fourses; control of slope symmetry is just as important as, or perhaps more important than, control of frequency in Fourses. The control input, with associated attenuverter also controls frequency and symmetry in the same way. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counter-clockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply. The “position out” can hardly be called “triangle out” anymore, but it is the same electronically as would a triangle output- a reading of the current position of each bouncy ball. \u003cbr\u003e\u003cbr\u003eFor each operator there is a range switch. When in middle position, the operator runs at a standard audio rate. Pointing downward is a low audio rate, and pointing upwards is a definite CV, lowest rate.\u003cbr\u003e\u003cbr\u003eHistory of Fourses\u003cbr\u003e\u003cbr\u003eFourses was originally released by Ciat-Lonbarde in kit format, around the time of the Bush-years. It had two of the “greased perspex tube” formations, plus some interstitial circuitry called the “intersexon”. Ieaskul is considering putting out an expansion module to create this intersexon between two Fourses modules, but you could probably cook up a recipe that would be very similar with stock Eurorack sample-and-hold modules; \u003cbr\u003esimply trigger a sample of one Fourses by another Fourses, and make these step-like signals available again for modulation. The thing that is hard for a Eurorack system to mimic, is how the intersexon used current mirrors on the outputs; outputs thus would mix in a unique, non-ohmic melange of competing current sources.\u003cbr\u003e\u003cbr\u003eEurorack, and the modular philosophy in general, does not condone modulation by current vector, only preferring outputs to be voltage in series with a 10k resistor. Actually current mixing could be an interesting route to explore for modulator-masters, but it is a subtle region. It was only brought about because the Fourses was a touchable instrument, having about 156 brass nodes sticking up out of a wooden case, that could be patched by both wire or flesh, or even a living worm. It was part of a general exploration of mixing signals to use current as one source of output electrons. \u003cbr\u003e\u003cbr\u003eAnother inspiration was the circuit-bending movement, and the use of innards of circuits, exposed to musical touch. Thus, Fourses was an instrument designed to be bent, and it did this by bringing the interior, “soft-like” parts of each oscillator out. The two most important would be called the “capacitor tank,” and the “hysteresis node,” which correspond directly to the bounce\/bounds dialectic as well as that of the triangle\/square. You see any triangle oscillator has an accumulator of analog slope, using a capacitor to make angled segments; and a bounds tester, comparing against a fixed (or not so fixed) measure. Since the capacitor tank deals mostly in current anyway, this was a good tip-off to make current-nodes in the overall design.\u003cbr\u003e\u003cbr\u003eIn bringing back the Fourses, ten years later, all these touch-operable features were explored in numerous prototype paper-circuits, and they worked as in the original. However, the Fourses modular does not include such extended touch-features, because it is a redundancy on top of the central concept; Fourses itself is a modeling of a sort of inter-related touch web, by having each oscillator “touch” the other. It is a morphic resonance to put a “touch” oscillator inside a “touch” case, but perhaps the use of the Fourses primitive as source of chaos could be distilled down into a small form factor with complete voltage control and range switches, to interface and scramble all sorts of other modules with its manifold outputs. \u003cbr\u003e\u003cbr\u003ePerhaps in the future we could bring back the touch-Fourses, but Ieaskul is confident that fitting it into the Eurorack standard is a happy compromise to bring its unique sounds and gestures to “Europe”.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10112012421,"sku":"","price":333.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-fourses-ctrlmod.png?v=1571272198"},{"product_id":"swoop","title":"Swoop","description":"The Swoop module is essentially a bound\/bounce control voltage processor, in the lineage of such multi-purpose tools as the “Serge Dual Universal Slope Generator”. Like that module, Swoop responds to:\u003cbr\u003e\u003cbr\u003e» Input voltages that set target boundaries in voltage\u003cbr\u003e» Control voltages for angle of both the down and up segments of the waveform\u003cbr\u003e» Trigger voltages that perform a single “swoop” up or down.\u003cbr\u003e\u003cbr\u003eIt differs, however from the DUSG, in that it truly is a free-running oscillator, that will bounce between any given boundaries; bounds take a more correlative role in deciding the frequency. In fact, it is already running when given zero input, bouncing infinitesimally at a very high resultant frequency. \u003cbr\u003e\u003cbr\u003eThis oscillator was conceived as a sort of triangular answer to the operation of filters, that take an input and resonate damp. Damping, in Swoop, results in an ever higher and higher frequency, thus fulfilling the bounds\/bounce concept. Inspired by the idea of polarity, there are actually two triggers, for upward swoop and downward swoop, or \u003cbr\u003eeven both ways consecutively. \u003cbr\u003e\u003cbr\u003eSwoop is an 8HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit.\u003cbr\u003e\u003cbr\u003eLooking at the front panel of Swoop, note that inputs are marked by copper fill. The two bounds inputs each control both upper and lower boundaries. They do this by rectification. With no connections, they are set at zero, and thus as mentioned already, oscillator is squeezed into this infinitesimal space. If one connection is \u003cbr\u003emade, the oscillator will bounce up and down between zero and the voltage, whether it be positive or negative.\u003cbr\u003e\u003cbr\u003eLikewise, with two inputs, the oscillator bounces between whichever is highest and whichever is lowest. Up in the bounds zone, there is a range switch. When in middle position, Swoop runs at a standard audio rate. Pointing downward is a low audio rate, and pointing upwards is a definite CV, lowest rate.\u003cbr\u003e\u003cbr\u003eThe triangular output is the position of the wave, and square is the mechanical signal to go up or down, a good way to hear its frequency. The bounce section is a very standard sort of analog math block. There is a bounce “basis” knob for both down and up slopes, to set the base rate. Above it, there is an attenuverter, marked by a bow-tie, to process \u003cbr\u003ethe modulation inputs, at top. In addition to the downand up inputs, there is a “both” input,Sitting at the round metal cofee table, on the deck of my beach house, I cannot tel whether it wil come inland or stay hovering over the waters; I know it is a storm cloud because of the lightning, extending to space and salt, exchanging energies.” in the middle for convenience. \u003cbr\u003e\u003cbr\u003eThat input feeds into both the down and up inputs, which have separate attenuverters. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counter-clockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply.\u003cbr\u003e\u003cbr\u003eAt the very bottom of the module is the triggered swoop section. As mentioned above, there are two swoops, negative-going and positive going. The trigger responds to a positive transition, crossing one diode drop above ground (one volt). This should work with pretty much any gate signal but also analog signals larger than two volts peak to peak. The outputs here are gate signals, from zero to twelve volts, indicating that the swoop has finished its duty cycle. These can be used to trigger the other swoop to make a chain of different polarity swoops, or connected in “x” formation, generating a continuous oscillation. To make a recirculating positive swoop, you can connect its output to its input, likewise for a recirculating negative swoop. The analog swoop \u003cbr\u003evoltage is “read” at the triangular output, up top. They cause the signal to travel once to the eight (or negative eight) volt mark.\u003cbr\u003e\u003cbr\u003eLineage of Swoop\u003cbr\u003e\u003cbr\u003eI guess I first worked on swoop in the Dogslit, and the associated Conrad Papers. These were all paper circuits, originally designed for controlling the light boxes of Dan Conrad. Each swoop was like a unit cell, creating this triangular event, and then triggering another swoop; montages of loops and other topographies could be constructed from multiple swoops. These then controlled a Dogvoice (to be released by Ieaskul in Eurorack \u003cbr\u003eform); the multiple overlapping events resulted in unpredictable growls and barks, like how a dog wants to think nomadically. \u003cbr\u003e\u003cbr\u003eThere were swoops and anti-swoops, meaning some went up and some went down. Physically the circuits were separate. Around this time I realized how much they paralleled the DUSG, and how Serge musicians will use that module as well to create montages of cellular units that trigger each other.\u003cbr\u003e\u003cbr\u003eFast forward about six years, at the development of the Shnth device, a digital synthesizer. It used an internal language to process, and indeed emulate analog functions. The opcode “swoop” was designed to enable granular synthesis with triangular events, but it also happened to emulate the primitive piezo flex gesture: press \u003cbr\u003edown and release result in an upward swoop immediately followed by a downward swoop. It worked this way in the default “dirac” mode, or using signed math. But it also had an “arab” mode wherein swoop operated with just one positive going triangle. It so happened that signed math generated this unique “double bubble” sound from the positive swoop to negative swoop crossing zero.\u003cbr\u003e\u003cbr\u003eThere was one more purposing of the term “swoop” in code, as a synthetic response function for enemy chubes in the game “Mikey Walker”. Chubes respond to punches by wobbling and then falling if punched in time with their resonance: that's the aim of the game. So I was seeking to provide another type of response than the standard (but totally wonderful) resonant filter. In a separate chapter I can describe how I used Anthony \u003cbr\u003eBraxton's tri-centric logics as a brainstorm for the idea of using a triangle wave as a resonant filter. Essentially it needs to have an input, not a modulation input but an input as like a filter, and it needs to damp energy down by oscillating it. Of course, when a triangle wave gets bigger and smaller its frequency changes, according to the bounds\/bounce concept; this helped enrich gameplay with a new resonant strategy for enemies.\u003cbr\u003e\u003cbr\u003eSo in Ieaskul's swoop, we have several threads of analog, emulation, and conceptual coming together in one module. There is biphasic support, swoop and anti-swoop are not separated anymore; but along with signed math also comes unsigned math. There is the emulation of gestural flex, in Newton's own “equal and opposite reactions”. And there is the possibility of a “resonant triangle” and what happens when it is damped: Ieaskul's masthead, the paradox wave.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10112245957,"sku":"","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-swoop-ctrlmod.png?v=1571272200"},{"product_id":"tiptop-audio-z4000-vc-eg","title":"Z4000 VC-EG","description":"The Z4000 NS is a snappy voltage-controlled analog envelope generator with a built-in CV processor for scaling, inverting, and voltage-controlled deviating of the envelope shape. The Z4000 generates an envelope made of the four classic segments: Attack, Decay, Sustain and Release, in which each segment can be manually set using knobs or dynamically set under voltage control.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eControl knobs for the Attack, Decay, and Release segments are scaled. The first 0-50% of the knobs rotation is dedicated to high resolution adjustment in the millisecond range.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler. A bi-color LED indicates intermediate values in both polarities and their crossfade state.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10113477509,"sku":"TIPTOP-Z4000","price":204.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-z4000-ctrl-mod.png?v=1626111844"},{"product_id":"industrial-music-electronics-king-slender","title":"King Slender","description":"\u003cmeta charset=\"utf-8\"\u003eLinear slope slew limiter with CV input and gate enable. With no signal patched to CV in, attenuverter knob allows log\/expo curve bending. Mixer features three inputs, two with mute buttons and one with attenuverter, used for either audio signals or control voltages.","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":10114623109,"sku":"IME-KING","price":145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/harvestman-kingslender-ctrlmod.png?v=1571272206"},{"product_id":"control-forge","title":"Control Forge","description":"\u003cp\u003eCONTROL FORGE’s core functionality is drawn from the E-mu Morpheus’s insanely powerful (but hard to program on a two-line display) Function Generators. But now expanded into a supremely flexible modulation source encompassing elaborate one-shot contours, evolving cyclical patterns and sequences of arbitrary length and complexity.\u003c\/p\u003e","brand":"Rossum Electro-Music","offers":[{"title":"Default Title","offer_id":10683009733,"sku":"ROSSUM-CONTROL-FORGE","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/rossum-controlforge-1-ctrl.png?v=1568790128"},{"product_id":"nano-rand-silver-faceplate","title":"Nano Rand v2","description":"Nano Rand v2 is a reissue of our classic micro random module. It features a sample and hold, noise source, and random voltage generator in 4HP. It takes inspiration from and improves upon the analog concept of a random voltage module; moving forward in leaps and bounds into the digital domain. \u003cbr\u003e\u003cbr\u003eAt its' core is an 8 bit microcontroller which allows for an extremely versatile, and more importantly, musical type of random. Containing four random voltage algorithms that include random stepped voltages, random LFO waveforms and frequencies, random frequency audio rate square waves, and a combination of all algorithms, Nano Rand creates a signal that would otherwise take a multitude of modules to produce. On top of the fluctuating random voltage output, it is also capable of producing the most musical random gate output in the Eurorack format. When externally clocked, Nano Rand generates random gate outputs that are musically related to the incoming clock signal. It chooses between eighth, sixteenth, quarter and many other rhythmic divisions, creating unique evolving rhythms.","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":11025481541,"sku":"QU-BIT-NANO-RAND-V2","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/qubit-nano-black2-ctrlmod.png?v=1584999388"},{"product_id":"satellite","title":"Satellite","description":"Satellite is a compact 12HP module that can be loaded with all (or a subset) of the presets and preset sequences from a Rossum Electro-Music Control Forge or other Satellite and then function as a completely stand-alone CV generator. Once the presets and preset sequences are transferred from the other module (via a patch cord connection), Satellite no longer requires any connection to the module.\u003cbr\u003e\u003cbr\u003eWith one or more Satellites, you can take advantage of all of your Control Forge presets and sequences in multiple cabinets or even different systems.\u003cbr\u003e\u003cbr\u003eMultiple Satellites can be programmed from the same Control Forge and synced together via their Gate inputs to create complex polyphonic sequences and modulation contours.\u003cbr\u003e\u003cbr\u003eIn addition to direct connection with a Control Forge or other Satellite, presets and preset sequences can also be loaded via audio file archives that have been saved from a Control Forge or Satellite. And since those files can be posted online and downloaded, it’s a great way to share and exchange presets.","brand":"Rossum Electro-Music","offers":[{"title":"Default Title","offer_id":11076341509,"sku":"","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/rossum-satelilite-ctrl.png?v=1574354853"},{"product_id":"expert-sleepers-disting-mk4","title":"Disting MK4","description":"\u003cp\u003eThe disting is a many-in-1 multifunction module, offering a variety of CV and audio processes, including a selection of oscillators (LFOs\/VCOs). All algorithms have two high-precision inputs and outputs, and a third control input, exposed on a front panel knob and a CV input.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThe disting is also a sample (WAV) file and MIDI file player, with a variety of options for sample triggering, playback speed etc.\u003cbr\u003e\u003cbr\u003eThe disting mk4 was introduced at the NAMM show in January 2017. The main differences compared to the disting mk3 are:\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDot matrix screen, capable of showing text and numeric values\u003c\/li\u003e\n\u003cli\u003eMicro SD card slot accessible on the front panel\u003c\/li\u003e\n\u003cli\u003eCompatibility with the Select Bus protocol\u003c\/li\u003e\n\u003cli\u003eAn internal precision clock allowing new algorithms such as a tuner, and pitch and frequency references\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Expert Sleepers","offers":[{"title":"Default Title","offer_id":31865304978,"sku":"ES-DISTING-MK4","price":229.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/expertsleepers-distingmk4-2-ctrlmod.png?v=1574352151"},{"product_id":"frap-tools-sapel","title":"Sapel - Tamed Random Source","description":"The SAPÈL is a random control voltages source for eurorack modular systems. It is composed of two main sections, one that generates audio noises, in 4 different versions, and another which includes two specular random clock, random voltages and clock sources.\u003cbr\u003e\u003cbr\u003eNoise outputs are color coded, based on the noise colors, and include:\u003cbr\u003e\u003cbr\u003eBlue (+3dB\/oct spectrum)\u003cbr\u003eWhite noise (0dB\/oct spectrum)\u003cbr\u003ePink noise (-3dB\/oct spectrum)\u003cbr\u003eRed noise, a.k.a. brown or brownian (-6dB\/oct spectrum).\u003cbr\u003e\u003cbr\u003eThe random voltage and clock section features four uncorrelated random CV generation paths, divided in:\u003cbr\u003e\u003cbr\u003eFluctuating random voltage;\u003cbr\u003eQuantized random voltage with 2n stages tuned in semitones referred to 1V\/oct scale;\u003cbr\u003eQuantized random voltage with n+1 stages tuned in octaves referred to 1V\/oct scale;\u003cbr\u003eNon-quantized sample \u0026amp; hold.\u003cbr\u003e\u003cbr\u003eIt is also possible to set a probability distribution with a potentiometer, and apply (or do not apply) the chosen distribution setting to each of the four paths independently.\u003cbr\u003e\u003cbr\u003eFurthermore, each of the two random sources section features an independent built-in clock generator, with clock output and random clock output, which can be used in “more than” or “less than” mode. It is possible to use an external clock signal as a clock source, bypassing the built-in one. In addition to that, it is also possible to hand trigger the clock via a manual sample \u0026amp; hold button, which can be also modulated by gate signals.","brand":"Frap Tools","offers":[{"title":"Default Title","offer_id":34499515282,"sku":"FRAP-TOOLS-SAPEL","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/frap-tools-sapel-new.png?v=1644345326"},{"product_id":"pan","title":"PAN","description":"\u003cp\u003ePAN is a single input panning module. The CLK pot is the rate for a built in LFO with a range of 15 seconds to 175Hz. The LFO’s triangle output is normalized to CV1. 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Yes, we can.","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":38038728402,"sku":"ERICA-PICO-RND","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica_picornd_1_ctrlmod.png?v=1574354479"},{"product_id":"141","title":"141 EG\/VCA\/LFO","description":"The 141 is a EG\/VCA\/LFO that fills in gaps and helps clear out some case clutter.\u003cbr\u003e\u003cbr\u003eThe Envelope Generator is based around the Roland SH101\/M-140 era transistor EG giving the 141 a very snappy feel.\u003cbr\u003e\u003cbr\u003eThe EG is sent to the ENV OUT and to a VCA for the velocity sensitivity section of the circuit. The VEL IN is normalized to +12V, so when there is no input the VEL OUT is the same as the ENV OUT. But when positive voltage is applied to VEL IN the output of VEL OUT will vary as the voltage varies. The 141 ships set up for a 0-5V inout for the velocity sensitive VCA. This makes is compatible with most analog sequencers and modules from companies like Expert Sleepers. There is a 0-10V jumper setting on the back to make the 141 compatible with the Beat Step Pro and other CV sources that put out 0-10V.\u003cbr\u003e\u003cbr\u003eThe INV OUT is an inverted output of the EG with a range of 0 to -10V.\u003cbr\u003e\u003cbr\u003eAn Audio VCA is included and normalized to the EG by the 2 switches near the Audio Input. The VCA has Linear and Expo responses and the CV can either be the normal EG output or the velocity sensitive EG.\u003cbr\u003e\u003cbr\u003eThe LFO has a range from about 10 second to a little over 200Hz. The Triangle and Square outputs are always active. The Square is normalized to the Gate IN and when there is nothing plugged into it the LFO loops the EG. When an external Gate is plugged in the Sync switch can sync the LFO to the external gate or allow it to run freely.","brand":"bubblesound","offers":[{"title":"Default Title","offer_id":43367355154,"sku":"BBS-141-EG-VCA-LFO","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/bbs-141-1-ctrl.png?v=1574350341"},{"product_id":"make-noise-contour","title":"Contour","description":"\u003cp\u003eCONTOUR is a 4 Stage function generator, or ADSR, derived from our 0-COAST synthesizer. It is designed to create control voltages to drive the Dynamix, modDemix and other fast VCAs, VCFs, and more. The Contour takes inspiration from the original Loudness Contour circuit of the MiniMoog, which is perhaps the most well-known example of East Coast Synthesis. The simplified control set (where Decay adjust both the decay to Sustain and the Release) makes it quick and intuitive to set-up. The Contour module adds full voltage control, a mirrored output, End of Onset and End of Contour Gate outputs which allow it to be highly integrated into any modular synthesizer regardless of coastal allegiance.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":44691582610,"sku":"MAKE-NOISE-CONTOUR","price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/make-noise-contour-front-ctrlmod-2.png?v=1574351978"},{"product_id":"contour-black","title":"Contour (Black)","description":"Never run out of envelopes again. \u003cbr\u003e\u003cbr\u003eContour is a quad envelope generator. Each channel has looping, CV over attack and decay, as well as unique chaining capabilities. This makes for the creation of complex modulation patterns with a minimum amount of trigger sources. Cycle times range from 5ms all the way to 20 minutes, providing an extremely wide range. In addition to its full feature set and four channel architecture, the ergonomic interface makes it ideal for performance scenarios.","brand":"Qu-Bit Electronix","offers":[{"title":"Default Title","offer_id":1632613105682,"sku":"QU-BIT-CONTOUR","price":296.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/qu-bit-contour-black-ctrlmod.png?v=1574351979"},{"product_id":"detect-rx","title":"DETECT-Rx","description":"\u003cp\u003eThe Detect-Rx is a versatile envelope follower, voltage controlled comparator (gate extractor) and rectifier providing many useful prescriptions to fill in your modular needs.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDETECT-R is the main input and provides an envelope output, rectified output and gate output simultaneously. If a second signal is also patched into the EXTRACT-R, it can be used separately.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe top two controls and switch alter the response of the resultant envelope. Any signal level from LINE (-10dBv) up to modular (+\/-5 to +\/-10V) may be used.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe FREQ switch selects the spectra in which the envelope will respond to dynamic changes from the input signal. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSMOOTH adds an additional ripple smoothing level control and tracks the FREQ setting\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eENV GAIN controls the level of the envelope and is capable of attenuation as well as a lot of gain for low level input signals and even guitars (some pre-gain may be required for certain guitar pickups)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTHRU provides a buffered copy of the input signal for easy patching of classic envelope follower applications and more\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn LED is provided for visual feedback of the envelope and peak level (clipping) indication.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eSome uses for the DETECT-R:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Create envelopes that follow the input amplitude and frequency spectra\u003cbr\u003e • Slew audio or control voltages\u003cbr\u003e • Create a side chain envelopes for amplitude dynamics\u003cbr\u003e \u003cbr\u003eEXTRACT-R is a voltage controlled comparator with three threshold selections; LINE level, 5V and 10V peak for various levels of control and response.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe output gate is normalized into the DETECT-R input by default - providing a second method of producing an envelope from a gate rather than dynamic content.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRANGE selects the maximum threshold level of the attenuator.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTHR CV is the input for dynamic voltage control of threshold.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTHRESHOLD works as the manual adjustment and as a CV attenuator when CV is utilized.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eAn RGB LED is provided for visual feedback of the threshold range and gate activity.\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eSome uses for the EXTRACT-R:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Convert any signal into a gate or trigger\u003cbr\u003e • Create a delayed gate or trigger from a sloped waveform \u003cbr\u003e • Create variable pulse waveforms -PWM\u003cbr\u003e • Convert audio into a series of pulses for insane distortion\u003cbr\u003e • Convert audio into pulses to modulate other parameters\u003cbr\u003e \u003c\/p\u003e\n\u003cp\u003eRECTIFIER (RECT) inverts negative voltages while leaving any positive signal unchanged.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003eSome uses for the RECTIFIER:\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e• Convert bipolar signals into uni-polar positive signals\u003cbr\u003e • Intense second harmonic distortion of audio\u003cbr\u003e • Frequency doubling of bipolar signals in general\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Steady State Fate (SSF)","offers":[{"title":"Default Title","offer_id":12897797668923,"sku":"SSF-DETECT-RX","price":179.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ssf-detect-1-ctrlmod.png?v=1574352078"},{"product_id":"xaoc-devices-zadar","title":"Zadar - Four Channel Envelope Modulator","description":"\u003cp\u003e\u003cb\u003e\u003c\/b\u003eZadar is a powerful, four-channel envelope, modulation, and transient generator, in a compact yet very complete, feature-rich package. It is capable of synthesizing a vast palette of envelope shapes starting from hundreds of shapes stored in the memory. \u003cbr\u003e\u003cbr\u003eThese starting shapes are not mere wavetables, but flexible vectors that can be stretched (from a fraction of a millisecond to half an hour), flipped, warped, distorted, delayed, shuffled, repeated, and amplitude modulated in real time. A set of freely assignable CV inputs allows for external control of most parameters. Each channel can work independently or combined with other channels within one of the chaining and looping algorithms. \u003cbr\u003e\u003cbr\u003eOperating Zadar is quick and immediate, thanks to its accessible interface and crisp OLED display. The main screen displays all parameters together with the currently selected shape. Entering the simple 3-page menu is needed only for advanced settings.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"XAOC Devices","offers":[{"title":"Default Title","offer_id":13034562945083,"sku":"XAOC-ZADAR","price":409.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/zadar-4-ctrlmod.png?v=1574355838"},{"product_id":"alm-busy-circuits-quaid-megaslope","title":"Quaid Megaslope","description":"\u003cp\u003eThe ‘Quaid Megaslope’ is a five stage function generator or modulator which operates in one of 3 modes; a multistage ‘CZ’ or ‘Juno’ style complex envelope, a super flexible LFO, and a step sequencer with per step programmable slew or slides. Each mode produces a varying output voltage moving from point to point across a set number of chained together stages. Each stage features a destination level, an overall rate or time to reach its destination level and a variable slope for the output path to take. As well as direct control, every stage features voltage control of both level and rate. There are both unipolar and bipolar voltage outputs together with triggers emitted for the end of each stage and the end of a full cycle. The Quaid Megaslope is designed to be fun, flexible, and intuitive to use.\u003c\/p\u003e","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":18766769750075,"sku":"ALM-QUAID","price":345.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-megaslope-1-ctrlmod.png?v=1574354720"},{"product_id":"noise-engineering-pons-ansinorum","title":"Pons Asinorum - Quad LFO\/Envelope","description":"\u003cp\u003e\u003cem\u003e\u003c\/em\u003ePons Asinorum is a compact four-channel multimode envelope generator and LFO with voltage control. PA has three different envelope shapes, CV over cycle length, and a unique single-encoder control scheme that makes adjust multiple channels mid-performance easy. Channels can be set separately to envelope mode or to cycle in LFO mode, giving PA maximal flexibility in minimal footprint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Noise Engineering","offers":[{"title":"Default Title","offer_id":19052167036982,"sku":"NOISE-ENG-PONS-ASINORUM-BLACK","price":260.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ne-ponsasinorum-black-1-ctrlmod.png?v=1605794387"},{"product_id":"frap-tools-falistri","title":"Falistri - Analog Function Generator","description":"\u003cp\u003e\u003cem\u003efalistri \/ faˈlistri\u003c\/em\u003e \/ \u003cem\u003es.f., plural [Modenese dialect, probably from latin fauilla, ‘spark’] – ‘sparks’. One cannot think about a lively bonfire without sparks crackling and dancing through the air. ‘Falistri’ is what lights up your patch and takes care of how it moves, through sparks, motions and crackles.\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eFalistri is a fully analog, multipurpose movement manager, designed to generate and edit voltages.\u003cbr\u003e\u003cbr\u003eThe module can be divided into two major subsections: the upper two thirds of the panel host two specular function generators, while the lower third comprises a dual cascading frequency divider, linear slew limiter and four quadrant multiplier.\u003cbr\u003e\u003cbr\u003eThe generators are made to quickly and intuitively achieve the function needed, providing several outputs and inputs to dynamically change their times and trigs. Times are independent from shapes. When sculpting an envelope, you can freely morph from Logarithmic to Linear to Exponential slope, without changing the time needed to complete Rise or Fall (and their Loop time when used as oscillator). In addition, shapes are exclusive per each stage. Freely combine Logarithmic Rise and Logarithmic Fall, Linear Attack and Logarithmic Fall or any other combination of the three modes, as well as any blending in between these shapes. This allows for deep sculptures of sound, both when the Falistri is used as Control Voltage as well as audio source.\u003cbr\u003e\u003cbr\u003eThe main idea behind the Falistri is live independent control over each stage of the two envelope generators and their further shaping with the dual cascading frequency divider, slew limiter and a ring modulator. Such flexibility is achieved by decoupling the time parameter from shape, which allows for live morphing between linear, logarithmic and exponential curves. Thus, each stage of the envelope can be independently assigned a different shape.\u003cbr\u003e\u003cbr\u003eConsequently, the comparator circuits alter their logic states every time a low-to-high transition is detected. When used with audio signals, they turn into sub-octave generators and with gates they serve the purpose of a clock divider. The slew limiter is used for glides and portamento, while the four quadrant multiplier, a.k.a. modulator provides an avenue for creative signal mixing, AM modulation and doubles as a Thru-zero VCA.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Frap Tools","offers":[{"title":"Default Title","offer_id":19088183459894,"sku":"FRAP-TOOLS-FALISTRI","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/frap-tools-fallistri-new.png?v=1644345255"},{"product_id":"xaoc-devices-nin-zadar-expander","title":"NIN (Zadar Expander)","description":"\u003cp\u003eAn expander for Zadar, adding one more assignable input for each Zadar channel and manual triggers.\u003c\/p\u003e","brand":"XAOC Devices","offers":[{"title":"Default Title","offer_id":19748197924918,"sku":"XAOC-NIN","price":79.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/xaoc-nin-1-ctrl.png?v=1574354271"},{"product_id":"hexar","title":"HEXa(s)r","description":"The HEXa(s)r is a 9HP module with 6 independent AR\/ASR envelope generator and 3 mixer sections for a total of 9 outputs – a considerable amount of modulation sources within a very small footprint. Being skiff friendly and light on power consumption, this beast is a super versatile addition to any eurorack jungle.\u003cbr\u003e\u003cbr\u003eEach envelope generator has a gate input and can be set to Attack\/Release or Attack\/Sustain\/Release, with corresponding LEDs for visual feedback. Incoming gates are normalized, therefore one gate signal in input 1 will trigger all 6 envelopes. You can use the output of one EG to trigger another EG – this can be utilized to make a type of gate delay for individual outputs or complex rhythm or modulation effects from the Mix output section.\u003cbr\u003e\u003cbr\u003eThe Mixer section has 3 parts, EG 1-3, 4-6 and All. By using multiple gates and triggering some EGs from other EGs the mix out section can create some unexpected modulation options or very controlled rhythmic outputs. It all depends on what you put into it.\u003cbr\u003e\u003cbr\u003eThere is a header on the back and included 6 pin ribbon cable that will allow the HEXa(s)r to connect with the upcoming HEXvca without using patch cables.","brand":"bubblesound","offers":[{"title":"Default Title","offer_id":20329799385142,"sku":"BUBBLESOUND-HEX-ASR","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/bbs-HEXar-1-ctrl.png?v=1574352867"},{"product_id":"erica-synths-pico-lfo-sh","title":"Pico LFO\/SH","description":"\u003cp\u003eErica Pico LFO\/S\u0026amp;H is full analogue modulations source – LFO and Sample and Hold – to provide some controlled randomness to your modular setup.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":20353974140982,"sku":"ERICA-PICO-LFO-SH","price":99.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-pico-lfo-sh-ctrlmod.png?v=1574354471"},{"product_id":"erica-synths-pico-vc-eg","title":"Pico VC EG","description":"\u003cp\u003eErica Pico VC EG is versatile looping AD\/ASR envelope generator with voltage control over attack and decay times. It has automatic Trigger\/Gate detection, as well as “drone mode” – at full CW setting of the Decay knob, the envelope is full open. In the LOOP mode you can retrigger envelopes for even more interesting modulations.\u003c\/p\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":20354033483830,"sku":"ERICA-PICO-VC-EG","price":109.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/erica-pico-vc-eg-ctrlmod.png?v=1574354501"},{"product_id":"quadrax","title":"Quadrax (Pre-Order)","description":"\u003cp\u003e\u003cstrong\u003eThe beating heart of your modular.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhether you are exploring the unique channel functions, CV modulation matrix or chaining options, it is quickly apparent that there are infinite possibilities to explore. This powerful and tactile modulation generator will quickly become the beating heart of your modular system.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ean AD (Attack, Decay) envelope\u003c\/li\u003e\n\u003cli\u003ean AHR (Attack, Hold, Release) envelope\u003c\/li\u003e\n\u003cli\u003ea cycling envelope (resulting in a unipolar LFO)\u003c\/li\u003e\n\u003cli\u003ea pulse burst generator (Finite repeated functions that ascend or descend in amplitude)\u003c\/li\u003e\n\u003cli\u003ea morphing, bipolar beat syncable LFO\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eThe envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.05 ms to as lengthy as 20 seconds. Adjusting the curve time will not affect your overall envelope length. Each of the main modes have an alternate—the envelopes allow you to mirror the rising curve shape on the fall stage.\u003c\/p\u003e\n\u003cp\u003eWhen set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst. When in alternate mode, the shape of the bursts changes from a square\/sine combo into a tilting saw that matches your amplitude shape.\u003c\/p\u003e\n\u003cp\u003eAD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 10V or 5V.\u003c\/p\u003e\n\u003cp\u003eLFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel’s TRIG input. When set to alternate mode, it becomes a LFV (Low Frequency Vacillator) integrating the same syncing features of the LFO into a random voltage source that rises and falls on its own whims, you control the range of it’s changes and filter\/slew its output with the panel controls.\u003c\/p\u003e\n\u003cp\u003eChannels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel’s trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function’s rise time, or at the end of its fall time.\u003c\/p\u003e\n\u003cp\u003eFour freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.\u003c\/p\u003e\n\u003cp\u003eQuadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.\u003c\/p\u003e","brand":"Intellijel","offers":[{"title":"Default Title","offer_id":31123844988982,"sku":"INTELLIJEL-QUADRAX","price":369.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/intellijel-quadrax-1-ctrlmod.png?v=1575490864"},{"product_id":"instruo-ochd","title":"Ochd","description":"\u003cp\u003eDesigned in collaboration with Ben “DivKid” Wilson, the Instruō øchd packs 8 all analogue LFO’s into a convenient 4HP package.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eEach independent core is free running with rates con gured from fastest to slowest arranged from top to bottom. Each frequency range was tuned by ear during development to give the optimum spread of control frequencies running in parallel. Being 100% analogue, the LFO’s will phase organically with the ability to ebb and ow together with their global frequency control.\u003cbr\u003e\u003cbr\u003eModulation breathes life into otherwise static patches, but CV sources can often run out quickly. Even in larger systems. øchd adds a lot of movement without hogging a lot of space. Both small lunch box cases and larger set ups can be made to drift, move and organically change over time. With either subtle use of øchd to keep things alive or wider ranging use that drives a whole patch that drifts around itself.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Instruo","offers":[{"title":"Default Title","offer_id":31433542959158,"sku":"DIVKID-OCHD","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/Ochd-1-ctrlmod.png?v=1576602710"},{"product_id":"industrial-music-electronics-kermit-mk3","title":"Kermit Mk3 — Supermodulator","description":"\u003cp\u003eKermit is a 4-channel, programmable, tempo-synchronized supermodulator with morphing wavetable generator and internal modulation matrix. Four channels operate as LFOs, audio rate oscillators (with 1v\/octave response on two channels), 1-shot envelopes, random voltage generators, or sample-and-holds, all responding to manual control, external control voltages, or synchronization to the module’s master tap tempo clock, with every parameter storable as presets. External CV inputs and an internal modulation matrix provide most synthesis control and voice functions in a self-contained, programmable package. Designed for maximum patching power in small systems, Kermit has an extremely high functionality-per-HP factor and fast, recallable operation dependable in live performance.\u003cbr\u003e\u003cbr\u003eThe module has a 16-bit DAC to accurately render subtle changes of voltage at extremely low frequencies. The audio oscillator mode is best suited for bass frequencies and has a fuzzy, aggressive character known from the previous version of Kermit. The waveform “character” processing further degenerates the quality of the signal along three axes of resolution all the way down to 8 bits\/32 samples similar to the Konami SCC sound processing chip.. The tap tempo facility features an input jack and a manual button, and sets the global tempo of the module that individual channels can multiply or divide. The tempo is shown on the OLED display in BPM. The relevant units (hertz, seconds, volts, etc) or selected waveform of each channel are contextually shown on the display as the user programs the module.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003e\u003cb\u003eLIST OF OPERATING MODES PER CHANNEL:\u003cbr\u003e\u003cbr\u003e\u003c\/b\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cul\u003e\n\u003cli\u003eLFO (1 volt\/octave)\u003c\/li\u003e\n\u003cli\u003eLFO (with reset)\u003c\/li\u003e\n\u003cli\u003eTap tempo LFO\u003c\/li\u003e\n\u003cli\u003eAudio oscillator\u003c\/li\u003e\n\u003cli\u003eAudio oscillator (unison)\u003c\/li\u003e\n\u003cli\u003eCode scan\u003c\/li\u003e\n\u003cli\u003e1-shot envelope\u003c\/li\u003e\n\u003cli\u003eGated repeat envelope\u003c\/li\u003e\n\u003cli\u003eTap tempo envelope\u003c\/li\u003e\n\u003cli\u003eSmooth random\u003c\/li\u003e\n\u003cli\u003eStepped random\u003c\/li\u003e\n\u003cli\u003eTap tempo stepped random\u003c\/li\u003e\n\u003cli\u003eSample-and-hold\u003c\/li\u003e\n\u003cli\u003eTrack-and-hold\u003c\/li\u003e\n\u003cli\u003eTap Tempo sample-and-hold\u003c\/li\u003e\n\u003cli\u003eChannel copy\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003e Three parameters on each channel can be modulated: frequency, amplitude, or waveform. Both external CV input and internal cross modulation affect these parameters by holding down buttons and turning the destination knobs. For example: assign the output of channel B to morph the waveform of Channel A by holding the Channel B button while turning the Channel A Waveform knob. All channels have manual control of frequency (coarse and fine), phase, waveform bank, waveform morph, and amplitude. Channels A and B have full controls, C and D have single knob controls with deep parameters accessible by button hold combinations. The OLED display unambiguously displays the intensity of modulation setting in progress as well as the total catalog of all currently programmed modulation assignments.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eKermit has a microSD card slot for loading custom waveforms, like its big brother Piston Honda. The SD card accepts one .WAV file in WaveEdit format (free software editor) containing 64 waveforms, also compatible with several other Eurorack modules. When loaded into Kermit, the waveforms are organized into 8 banks of 8 waveforms each. Each oscillator can select any of the 8 banks, and the 8 constituent waves can be smoothly morphed from one to another.\u003cbr\u003e\u003cbr\u003eThe Mark III morphing preset manager is in full effect on Kermit. The discrete preset mode quickly and reliably recalls all parameters in response to triggers or CV, accessing the true power of the module as detailed, carefully programmed settings are effortlessly loaded and changed. The morphing mode causes delightfully unexpected variations of the basis preset.\u003cbr\u003e\u003cbr\u003eInsert a master clock signal and you’re ready to go. Kermit is a bottomless provider of rhythmically coherent modulation voltages.\u003c\/p\u003e","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":31684061331510,"sku":"IME-KERMIT-MK3","price":475.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/IME-kermit3-1-ctrlmod.png?v=1583523311"},{"product_id":"befaco-percall","title":"Percall","description":"Percall is a percussive oriented module that  will shape four different sound sources  into percussive sounds.\u003cbr\u003e\u003cbr\u003ePercall has four VCAs with dedicated decay envelopes and a mixer, so you can prepare a percussion submix. Added strength input will provide extra dynamics to the sounds.\u003cbr\u003e\u003cbr\u003eTo round up the module, audio inputs are normaled from one to two and from three to four, spicing them up with choke control. This allow to create open and closed Hats or kind of side-chained baselines with your kick!\u003cbr\u003e","brand":"Befaco","offers":[{"title":"Default Title","offer_id":32263546110006,"sku":"BEFACO-PERCALL","price":299.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-percall-1-ctrlmod.png?v=1590418977"},{"product_id":"befaco-instrument-interface","title":"I4 Instrument Interface","description":"Instrument Interface is an eurorack pre-amp capable to bring any type of audio signal to modular levels thanks to its amplification circuit.\u003cbr\u003e\u003cbr\u003eThe module can drive regular and condenser microphones (+48V Phantom Powered) as well as Instrument and Line signals with a very low distortion ratio.\u003cbr\u003e\u003cbr\u003eGoing further from the regular re-amp operation, Instrument Interface offers some additional extra functions like a Trig\/Gate extractor and Envelope Follower circuits, allowing you to use the character of your audio signal in more creative ways.","brand":"Befaco","offers":[{"title":"Default Title","offer_id":32352000901174,"sku":"BEFACO-INSTRUMENT-INTERFACE","price":270.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-interface-1-ctrlmod.png?v=1591905349"},{"product_id":"rnd-step","title":"DivKid\/SSF RND STEP","description":"RND STEP is a high performance, 3 channel sample and hold module, comprising of 6 unique sample and hold circuits in just 4HP. \u003cbr\u003e\u003cbr\u003eEach channel features two internal analogue pink noise generators, and two sample and hold circuits split across unipolar and bipolar outputs.The unipolar output always samples its own noise source for a stepped random voltage between 0-5V. The bipolar output by default samples it’s own noise source (for -5V to +5V stepped random). However, you can override that connection with the sample input. This allows for sampling external audio or CV signals, and it can sample voltages anywhere between -10V and +10V with the sample input.\u003cbr\u003e\u003cbr\u003eRND STEP will operate at slow trigger rates with highly extended hold times, ensuring it holds the voltage with minimal droop, but it will also operate up through audio rates for destructive downsampling FX for audio. When triggered at audio rates RND STEP outputs downsampled and clocked noise tones from the internal pink noise generators. These can then be used for modulation, percussion or sound FX.\u003cbr\u003e\u003cbr\u003eTrigger input 1 will normalise across all 3 channels, meaning a single trigger can give 6 unique random voltages, of which 3 are bipolar and 3 are unipolar. The combination of both ensures you have the right voltages in the correct ranges for the sources you wish to modulate.\u003cbr\u003e\u003cbr\u003eRND STEP is a collaboration between Steady State Fate and DivKid.","brand":"Steady State Fate (SSF)","offers":[{"title":"Default Title","offer_id":32356989435958,"sku":"DIVKID-RND-STEP","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/RNDSTEP-1-ctrlmod.png?v=1592098720"},{"product_id":"wmd-javelin-envelope-and-vca","title":"Javelin - Envelope and VCA","description":"Javelin is the envelope we at WMD have always needed to make.  We took the best parts from our classic Multimode Envelope and combined them with the simplicity and convenience of an ADSR with integrated VCA.  We then took the tricks we have learned from live performance and use of other awesome synthesizers and put it all together to create what we truly believe is the ultimate Eurorack envelope.\u003cbr\u003e\u003cbr\u003eJavelin starts out as a simple ADSR envelope.  We then added 3 level ranges, giving you control over the envelope's overall amplitude.  Next, 3 time ranges allow for quick switching of the feel of the envelope.  These ranges were carefully designed to work with each other, making the switch a fun and playable part of the interface.  Short and snappy, long and drawn out (max 88 minutes per stage with 5V in a stage's CV input), the Javelin will suit any style of music or playing style.\u003cbr\u003e\u003cbr\u003eExpression is key.  We wanted to make the most expressive, emotional sounding envelope we possibly could.  The addition of Accent and Choke inputs make for very interesting sequences that are just a couple gates away. \u003cbr\u003eThe Accent behavior is incredibly unique.  Multiple consecutive gates while the Accent input is high cause the envelope to climb a bit higher with each gate, causing whatever you are controlling to accent a bit harder on each next gate.  When controlling a filter, this creates a sound that can be personified with breathing, laughing, screaming, or crying, and is the key to the perfect, funky, acid style bass line. This behavior can also be disabled if you prefer a static Accent level.\u003cbr\u003e\u003cbr\u003eAs if that's not enough, the Accent input is actually a CV input which lets you use CV to effect the amount of accent with intention.  3 different accent ranges let you choose the maximum amount that the envelope will accent to.   Complete control!\u003cbr\u003e\u003cbr\u003eReset lets you stop the envelope in it's tracks with a gate signal.   This is great for using long envelope times for some steps and cutting them off for others without the need for another CV channel.  However, Attack and Release also have CV inputs can can be sequenced externally.  Release CV can even be routed to control Decay and Release simultaneously, a common control scheme in vintage style synthesizer envelopes.\u003cbr\u003e\u003cbr\u003eCombining all of these methods of control on Javelin let you pinpoint the sound you are after.  An absolute joy to work with.\u003cbr\u003e","brand":"WMD","offers":[{"title":"Default Title","offer_id":32546282733622,"sku":"WMD-JAVELIN","price":249.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/wmd-javelin-1-ctrlmod.png?v=1595257351"},{"product_id":"befaco-rampage-1","title":"Rampage - Dual Slope Generator","description":"Rampage is Befaco’s approach to an old invention: the Serge\/Buchla ramp generator.\u003cbr\u003e\u003cbr\u003eWe took the idea of a “patch programmable” function generator\/processor, put two units in the same module and expanded them with new functions and ways to combine them: Slope detectors, analogue logic functions and evolved outputs.","brand":"Befaco","offers":[{"title":"Default Title","offer_id":32589017710646,"sku":"BEFACO-RAMPAGE","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-rampage-1-ctrlmod.png?v=1596036541"},{"product_id":"endorphines-airstreamer-envelope-generator","title":"Airstreamer - Envelope Generator","description":"\u003cp\u003eAirstreamer is a fast and effective 6HP envelope generator with variable slope curves and three modes: LFO\/VCO, Attack-Sustain-Release (ASR) and Attack-Decay (AD).\u003c\/p\u003e","brand":"Endorphin.es","offers":[{"title":"Default Title","offer_id":32715942723638,"sku":"ENDOROPHINES-AIRSTREAMER","price":180.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/endorphines-airstreamer-1-ctrlmod.png?v=1599065003"},{"product_id":"befaco-vc-adsr","title":"VC ADSR","description":"\u003cp\u003eThe VC ADSR is our take on the classic ADSR: now smaller, more powerful and user friendly.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThis compact unit features voltage control for each stage with manual faders to improve usability, feel and aesthetics.\u003cbr\u003e\u003cbr\u003eA unique feature of the VC ADSR is the gate outputs for each stage of the envelope offering an extra level of control over your patch!\u003cbr\u003e\u003cbr\u003eEnvelope generation can be triggered and controlled with the use of the panel mounted push button or with the trigger\/gate input.\u003cbr\u003eControl of the response curve between each stage of the envelope (from linear to logarithmic\/exponential) is provided by a potentiometer.\u003c\/p\u003e","brand":"Befaco","offers":[{"title":"Default Title","offer_id":32726821175350,"sku":"BEFACO-VC-ADSR","price":215.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/befaco-vcadsr-1-ctrlmod.png?v=1599311443"},{"product_id":"klavis-quadigy-quad-envelope","title":"Quadigy - Quad Envelope","description":"\u003cp\u003eThe Quadigy is a complex envelope generator focused on live play. The goal is to allow the user setting up rich, interactive and dynamically evolving envelopes without the risk of breaking up a subtle and intricate patch once on stage. This is achieved by offering two main modes, one where full control is available and a Live mode where only the settings that are sensible using on stage are accessible.\u003c\/p\u003e","brand":"Klavis","offers":[{"title":"Black","offer_id":48149355921726,"sku":"KLAVIS-QUADIGY","price":334.0,"currency_code":"USD","in_stock":true},{"title":"Silver","offer_id":48149355954494,"sku":"KLAVIS-QUADIGY-2","price":324.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/klavis-quadigy-black-ctrl-mod.png?v=1702584751"},{"product_id":"alm-busy-circuits-pip-slope-mk-ii","title":"Pip Slope mk II - Compact Envelope","description":"The ‘Pip Slope’ (rev II) is a compact envelope and function generator. It supports both Attack\/Decay and Attack\/Sustain\/Decay type envelopes with both direct and voltage control of Attack and Decay times. Envelope shapes can be morphed between exponential, linear and logarithmic type slopes. Envelopes can be made to loop, repeating infinitely or decreasing with time or amplitude for echo and bouncing ball type effects. An ‘End of Cycle’ trigger output further extends the envelopes functionality for both clocking and burst or fill type effects. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe improved Pip Slope adds a number of new features and updates over the original Pip whilst keeping the same size. Improvements include increased output resolution, finer control of fast envelopes, a new morphing shape control, switchable 5v or 8v maximum envelope level, additional loop modes and an additional trigger output.","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":32764166078518,"sku":"ALM-PIP-SLOPE-V2","price":145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-pipv2-1-ctrlmod.png?v=1600701989"},{"product_id":"4ms-percussion-interface-expander","title":"Percussion Interface \u0026 Expander","description":"The Percussion Interface (PI) and PI Expander are a pair of Eurorack modules that generate gates and envelopes from acoustic drums, samplers, drum machines, and virtually any audio source.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eConverting microphone, instrument, line and modular signals into CV and clock\/gate signals, the PI and PI Expander are suited for synchronizing sequencers or other modules to the rhythm of an audio track or live percussion. The modules can simultaneously be used as a pre-amp for microphones or line-level signals, while generating inverted envelopes useful for side-chaining. The PI module contains all the core functionality and can be used without the Expander to conserve space. The Expander requires the main PI modules and adds three gain stage options, a modular-level audio output jack, a 1\/4\" (6.35mm) input jack, and envelope attenuation capabilities. The two modules are only sold together, they are not available separately.","brand":"4ms","offers":[{"title":"Default Title","offer_id":32924409659446,"sku":"4MS-PERCUSSION-INTERFACE-AND-EXPANDER","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-percussioninterface-1-ctrlmod.png?v=1603820627"},{"product_id":"acid-raintechnology-maestro-clocked-modulation-controller","title":"Maestro - Clocked Modulation Controller","description":"\u003cp\u003eMaestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.\u003c\/p\u003e","brand":"Acid Rain Technology","offers":[{"title":"Default Title","offer_id":32969360048182,"sku":"ACID-RAIN-MAESTRO","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/acidrain-maestro-1-ctrlmod.png?v=1605461631"},{"product_id":"mob-of-emus-polyfunctional-harmonic-sextet","title":"Mob Of Emus - Polyfunctional Harmonic Sextet","description":"Mob of Emus is a powerful music and sound design tool that packs an enormous amount of creative power into an amazingly compact 16HP module. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMob of Emus gives you six channels of oscillators, noise sources, cyclical and 1-shot modulators (including LFOs, envelopes, and various other shapes), sample and hold waveshapes, slow random modulators, triggers, rhythm patterns, and quantization (of both internal and external signals) in pretty much any combination (well, any combination of six channels, anyway).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn addition to being able to independently program the function of each individual channel, Mob of Emus’ Hex Mode provides a macro control layer that allows you to control all of its channels simultaneously (while maintaining the relationships of each channel’s independent programming).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhat’s more, Mob of Emus’ “harmonic” control structure makes it extremely easy to combine its oscillators into rich additive timbres, to combine its LFOs into stacked harmonic low frequency modulation waves, and to create modulation sources and triggers with intricate polyrhythmic patterns.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith an external trigger input, six CV inputs that can operate in six different control modes, six independent outputs, and an assignable mix output, Mob of Emus can operate as the heart of an almost unlimited variety of patches. And its 8 real-time controls will give you immediate hands-on access to a channel’s (or all six channels’) key parameters, inviting (and rewarding) exploration and improvisation.","brand":"Rossum Electro-Music","offers":[{"title":"Default Title","offer_id":32969530376246,"sku":"ROSSUM-ELECTRO-MUSIC-MOB-OF-EMUS","price":499.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/rossum-mob-1-ctrlmod.png?v=1605480723"},{"product_id":"joranalogue-contour-1-slew-function-generator","title":"Contour 1 - Slew \u0026 Function Generator","description":"For decades, the voltage controlled slew limiter has been a staple of modular synthesisers. With its extreme versatility, it can be used to slew control voltages (CVs), create envelopes, as a low-frequency or audio oscillator and much more.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eToday, Contour 1 brings a fresh approach to this classic circuit. It delivers much improved performance and control by incorporating modern design techniques.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt its most basic, a slew limiter slows down the rate of voltage change in a signal. On Contour 1, the rising and falling rates can be individually set using sliders and CV modulation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe gate and trigger inputs allow the module to be used as a function generator: create snappy attack-release (AR) and attack-decay (AD) envelopes, with slope times ranging from 500 µs to 30 seconds. The dedicated gate input makes it easy to generate +10 V envelopes from any signal source. Using the large tactile push button, AD envelopes can be manually triggered. A trigger will also reset the output voltage.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen set to loop mode, Contour 1 will continually re-trigger itself. In this mode, it fulfils the role of a variable-shape low-frequency oscillator (LFO) or temperature-stable voltage controlled oscillator (VCO) in the audio range.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBoth the rising and falling slopes can be individually bent, from concave through linear to convex. While doing so, the deviation in slope time, and thus oscillation frequency, is kept to a minimum. Since the bend parameters are separately voltage controllable, boundless modulation possibilities present themselves.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eExplore anything from shape-shifting envelopes to rich VCO timbres: Contour 1 will make you re-think what a slew limiter can do.","brand":"Joranalogue","offers":[{"title":"Default Title","offer_id":33064796422198,"sku":"JORANALOGUE-CONTOUR-1","price":225.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/joranalogue-contour1-1-ctrlmod.png?v=1611604368"},{"product_id":"cre8audio-chipz-dual-vco-and-lfo","title":"Chipz - Dual VCO and LFO","description":"\u003cp\u003eOld people will remember the sound of their Commodore, Atari, and NES systems. We started with the idea that Chipz would be a 3 oscillator synth that takes you to an alternate universe in which your old console isn't for playing video games but is a module in your eurorack compatible system. As we were developing the ultimate chiptune module, our manufacturer’s sourcing department convinced us to do otherwise. So instead of actually making the chiptune module, we just kept the name Chipz and made something all together different with 3 oscillators, well not really.\u003c\/p\u003e","brand":"Cre8audio","offers":[{"title":"Default Title","offer_id":33065121447990,"sku":"CRE8AUDIO-CHIPZ","price":99.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/cre8audio-chipz.png?v=1611700440"},{"product_id":"after-later-benjolin-v2","title":"Benjolin V2","description":"\u003cp\u003eRob Hordijk’s latest revision of the classic Benjolin. The core of the Benjolin continues to be two oscillators, the rungler (stepped CV generator), and a multimode filter.\u003c\/p\u003e","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":33066867589174,"sku":"AFTER-LATER-BENJOLIN-V2","price":325.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/after-later-audio-benjolin-v2.png?v=1611967968"},{"product_id":"after-later-audio-steps","title":"Steps - Random Looping Stepped CV and Burst Generator","description":"STEPS has three functional blocks:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInternal clock: Rate control and output\u003cbr data-mce-fragment=\"1\"\u003eBurst generator:\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003ePulses output which generates 8 pulses on every trigger\u003c\/li\u003e\n\u003cli\u003eGate output which is high during the burst event\u003c\/li\u003e\n\u003cli\u003eEOB output which fires at the end of a burst event\u003c\/li\u003e\n\u003c\/ul\u003e\nRandom Looping Stepped CV Generator:\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cul\u003e\n\u003cli\u003eR.gate output outputs a random gate during a burst event\u003c\/li\u003e\n\u003cli\u003eRandom stepped output or a loop of 8 steps.\u003c\/li\u003e\n\u003cli\u003eSteps output with attenuverter. The Steps output is held low while there is no burst event.\u003c\/li\u003e\n\u003c\/ul\u003e\nYou can either use this as a random stepped CV source or as a repeating 8 stepped CV source. You then can trigger the burst generator to play the 8 step loop or 8 random steps. All of this can use the internal or external clock signals. To get more complex patterns you can daisy chain STEPS modules together by tying together their clocks and sending EOB to TRIG. This way you can generate 16 step patterns (or longer).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen first turning on STEPS you will need to run the module in RAND mode for at least 8 steps to fill the shift register with data.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA caveat about STEPS:\u003cbr data-mce-fragment=\"1\"\u003eIf a trigger is received off beat from the internal clock, the first step duration will be shortened.","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":33066870145078,"sku":"AFTER-LATER-STEPS","price":129.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/afterlater-steps-1-ctrlmod.png?v=1612215694"},{"product_id":"tilt","title":"Tilt - Function Generator and ADSR Envelope Generator","description":"This is the After Later Audio take on the classic Slope Generator module first introduced by Serge back in the 1970s. The module is really a jack of all trades as it can be a slew limiter, envelope generator, oscillator (both LFO and audio rate), and function generator.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis stays true to the original design by offering both a unipolar and bipolar output while adding separate controls for exp\/log for both rise and fall and a gate\/sustain function to get full ADSR envelopes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe rise output is high during the rising portion of the cycle and fall output is high during the falling portion of the cycle.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUse the IN input to get standard slew limiter functionality.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUse the GATE input to trigger an ADSR envelope and then use the sustain control to control the level of the sustain. Rise will control the attack and fall controls both the decay and release times. You can also use the GATE input while using a cycle mode and this will adjust the 0V level to the sustain level. This gets some great effects with audio rate frequencies on the on the rise\/fall controls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere are two rate modes controllable by a jumper on the back. The module is set to AUDIO mode at the factory.\u003cbr data-mce-fragment=\"1\"\u003e• LFO mode – 10min\/cycle to 115hz\u003cbr data-mce-fragment=\"1\"\u003e• AUDIO mode – 75s\/cycle to 1.2kHz","brand":"After Later Audio","offers":[{"title":"Default Title","offer_id":33066870538294,"sku":"AFTER-LATER-TILT","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/afterlater-tilt-1-ctrlmod.png?v=1612215839"}],"url":"https:\/\/www.ctrl-mod.com\/collections\/modulation-sources.oembed?page=7","provider":"Control","version":"1.0","type":"link"}