{"title":"all","description":"","products":[{"product_id":"4ms-buff-mult-3","title":"Buff Mult","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Buff Mult is a buffered multiple with LED indicators to show positive and negative voltages. Using wide bandwidth opamps, it functions as a dual 1-to-3 or a single 1-to-6 mult for audio, video, or CV signals.\u003c\/span\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9578441861,"sku":"4MS-BUFF-MULT","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-buffmult-ctrl.png?v=1571272182"},{"product_id":"4ms-pingable-envelope-generator-peg-1","title":"Pingable Envelope Generator (PEG)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Pingable Envelope Generator (PEG) from 4ms is a dual envelope generator whose envelope lengths are set by incoming clocks or \"pings\".\u003cbr\u003e\u003cbr\u003eThe PEG has full CV control of envelope shape, skew, and ping (clock) division\/multiplication, as well as a plethora of triggering and cycling options (AD, AR, quantization, cycle), and a tap tempo button for each channel.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9578842565,"sku":"4MS-PEG","price":345.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4MS-Pingable-Envelope-Generator-2-front-ctrlmod_ffa546b2-953d-40a2-a286-cd8ecedb0f88.png?v=1574354509"},{"product_id":"4ms-quad-clock-distributor-qcd-2","title":"Quad Clock Distributor (QCD)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eFour channel voltage controlled Clock Divider\/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack. \u003cbr\u003e\u003cbr\u003eWith a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain \"Master\" clock module, and\/or a complex rhythmic pattern generator.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9579085253,"sku":"4MS-QCD","price":239.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-Quad-Clock-Distributor-2-front-ctrlmod.png?v=1574354707"},{"product_id":"4ms-qcd-expander-1","title":"QCD Expander","description":"\u003cmeta charset=\"utf-8\"\u003eThe QCD Expander is an expansion module for the Quad Clock Distributor (QCD). The QCD Expander adds a host of features, turning the QCD into a programmatic non-linear sequencer. Each channel gets a CV Trigger Delay (Pulse Width) jack and knob, an additional output jack with three selectable modes, and attenuverters for all CV input jacks. Self-patched evolving rhythms and swing\/shuffle patterns are easily obtained, as well as complete control over standard rhythmic patterns.","brand":"4ms","offers":[{"title":"Default Title","offer_id":9580792517,"sku":"4MS-QCD-EXPANDER","price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-qcd-expander-front-ctrlmod.png?v=1574354650"},{"product_id":"4ms-rcd-breakout-1","title":"RCD Breakout","description":"The RCD Breakout adds features to the Rotating Clock Divider module. Six switches allow you to set the maximum Divide-by amount, Gate or Trigger mode, Counting mode, Spread mode, and Auto-Reset. The RCD Breakout requires the RCD to function, and does not use any extra power.\u003cmeta charset=\"utf-8\"\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9624094597,"sku":"4MS-RCD-BO","price":95.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-rcdbreakout-ctrl_131990d7-4499-4e3b-a0a0-d242b7feabfb.png?v=1571272183"},{"product_id":"4ms-rotating-clock-divider-3","title":"Rotating Clock Divider (RCD)","description":"\u003cmeta charset=\"utf-8\"\u003eThe Rotating Clock Divider (RCD) produces eight divided clock tempos from a single input clock. The divisions range from \/1 to \/64, including all odd and non-standard divisions such as \/3 and \/17 and \/62. A Rotate CV input re-assigns the division number of each jack, allowing for creative mix-ups and experimentation. A Reset input jack helps to sync\/start with an external clock.","brand":"4ms","offers":[{"title":"Default Title","offer_id":9624283973,"sku":"4MS-RCD","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-rcd-ctrl_267016ed-1533-41f1-bfa4-b922dec1ba34.png?v=1571272183"},{"product_id":"4ms-shuffling-clock-multiplier-4","title":"Shuffling Clock Multiplier (SCM)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Shuffling Clock Multiplier (SCM) produces eight multiplied clock tempos from a single input clock, ranging from x1 to x8 (x32 by using the Breakout). Some of the outputs can be shuffled\/swung. The amount of shuffle is controlled by a CV Slip jack. A Rotate CV jack re-assigns the multiplication number of each jack. More features of the SCM can be controlled by the SCM Breakout.\u003c\/span\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9624911941,"sku":"4MS-SCM","price":179.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-scm-ctrl_466a669e-eff8-47e3-be52-f2b00d1941cc.png?v=1571272183"},{"product_id":"4ms-shifting-inverting-signal-mingler-sism","title":"Shifting Inverting Signal Mingler (SISM)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe SISM is a 4-channel voltage manipulator that can scale, invert, attenuate, shift (dc offset), mix, split, and slice your CV and audio signals.\u003cbr\u003e\u003cbr\u003eA plethora of red and blue LEDs (14) show exactly what each channel and output jack is doing: red = negative voltage, blue = positive.\u003cbr\u003e\u003cbr\u003eEach channel is independent and has an input jack, output jack, a knob for attenuating\/inverting (Scale), and a knob for applying positive or negative DC offset (Shift).\u003cbr\u003e\u003cbr\u003eFour jacks on the bottom combine the four channels in different ways. Mix is a straight mix of all four shifted inputs, Switched Mix is a mix of all channels that have nothing plugged into the OUT jack, Positive Slice is the sum of all output voltages greater than zero volts, and Negative Slice is the sum of all negative voltages.\u003cbr\u003e\u003cbr\u003eBy Shifting some channels positive and some negative, the + Slice and - Slice jacks can be used as sub-mix outputs. Also, by running a slow triangle wave into one channel, the remaining channels can be made to \"dirty pan\" between the Slice jacks: the signals are half-wave rectified as they span between both outputs.\u003cbr\u003e\u003cbr\u003eChannels 1+2 and 3+4 are normalized together on the input jacks, which is handy for splitting a signal into two or more altered forms. Jumpers on the back allow you to disable this normalization.\u003cbr\u003e\u003cbr\u003eEach channel also has a jumper to make the Scale knob unipolar (no inverting, attenuate only). This is useful for mixing audio instead of CV. A breakout header allows for padding of the signal (useful for fine-tuning a precise voltage such as 1V\/oct).\u003cbr\u003e\u003cbr\u003eInput and Output headers for connecting to QCD, QPLFO, VCA Matrix, or other manufacturer's modules such as Toppobrillo Mixiplexer or Circuit Abbey Intermix.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9625008965,"sku":"4MS-SISM","price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-sism-ctrl.png?v=1571272183"},{"product_id":"4ms-spectral-multiband-resonator-smr-1","title":"Spectral Multiband Resonator (SMR)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Spectral Multiband Resonator from 4ms Company is an innovative resonant filter which can process audio like a classic filter bank, ring like a marimba when plucked\/struck, vocode, re-mix tracks, harmonize, output spectral data, quantize audio to scales, and much more... \u003cbr\u003e\u003cbr\u003eA gorgeous ring of colored lights displays the frequency of each filter, as well as the levels and current scale selection(s).\u003cbr\u003e\u003cbr\u003eAt a glance, the SMR works like a normal six-band graphic EQ: six frequency band-pass filters are mixed together using sliders. Resonance\/Q is variable, which changes the \"ringy-ness\" or width of the bands.\u003cbr\u003e\u003cbr\u003eBut here's where comparison stops. The frequency of each channel is treated like a note in a scale, and the six bands form a chord. Spin the Rotate knob and the \"notes\" circle around the scale, rotating back to the bottom once they've reached the top. Adjust Spread and the distance (interval) between each note changes. Triggers for up\/down motion, CV inputs for sequencing and scale selection allow for flexible control with external modules. Morph, which automatically cross-fades between frequencies, together with variable Slew allows rhythmic clocks drive the SMR as a variable-speed evolving resonant filter.\u003cbr\u003e\u003cbr\u003eAt maximum Resonance\/Q, the SMR can be struck like a gong or marimba by inputting clocks or triggers. The frequency of each channel is quantized to a scale: beautiful chords, ethereal tones and eerie ambiance flows easily. With lower resonance, the SMR can pull out particular frequency bands, and sweep these across the spectrum.\u003cbr\u003e\u003cbr\u003eTwo 1V\/octave Frequency jacks allow for tracking even and\/or odd bands and creating floating melodies over evolving chord bases, or complex percussive membrane sounds.\u003cbr\u003e\u003cbr\u003eSave your settings into one of six storage banks, and recall on the fly. On startup, the SMR instantly jumps to the last saved settings. The color scheme of the lights can be adjusted, so if you prefer all white lights on your modular, you can have that (or all red, or rainbows, pastels, etc..)!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9625124997,"sku":"4MS-SMR","price":475.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-spectral-ctrlmod.png?v=1571272184"},{"product_id":"4ms-vca-matrix-vcam","title":"VCA Matrix (VCAM)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe VCA Matrix from 4ms is a playable 4x4 matrix of 16 VCAs. \u003cbr\u003e\u003cbr\u003eFour CV or audio inputs can be routed in any amount\/combination to four outputs, using the 16 CV control jacks, Level knobs, and Mute buttons.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":9625217093,"sku":"4MS-VCA-MATRIX","price":375.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/4ms-vcamatrixsilver-ctrl.png?v=1571272184"},{"product_id":"brains","title":"Brains","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBRAINS is a clocked sequential binary event machine. It is designed to be connected to one or two Pressure Points to form a 4 or 8-Step 3-channel analog sequencer. Classic synthesis control!\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9625594949,"sku":"MAKE-NOISE-BRAINS","price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-brains-ctrl_ada6d0f3-b47d-4bb2-9225-b9cb060a3ef7.png?v=1571272184"},{"product_id":"make-noise-dpo","title":"DPO","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA dual Voltage Controlled Oscillator designed for generating complex waveforms. Expanding on the classic arrangement of Primary and Modulator Oscillators, the DPO has both of the VCOs operable as complex signal sources. It is in essence a Dual Primary Oscillator.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9625882949,"sku":"MAKE-NOISE-DPO","price":599.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/mn-dpo-1-whiteknobs-ctrlmod.png?v=1610481912"},{"product_id":"echophon","title":"Echophon","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePitch Shifting Echo with smooth Time Modulation, Tempo Sync, saturating Feedback and a unique Pitch Shifting algorithm inspired by the Springer Tempophon and lovingly engineered by DSP Guru Tom Erbe of soundhack. \u003c\/span\u003e\u003cspan\u003e\"...the most inspiring module of the year.\" -Electronic Musician.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9625982917,"sku":"MAKE-NOISE-ECHOPHON","price":399.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/mn-echophon-1-whiteknobs-ctrlmod.png?v=1610481857"},{"product_id":"make-noise-erbe-verb","title":"Erbe-Verb Black","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Erbe-Verb is more than a collection of reverb algorithms or presets, it is a unique, modeless, continuously variable reverb algorithm with complete voltage control. Typical reverb types such as plate, room, hall, shimmer and others may be programmed by adjusting the knobs. The continuously variable algorithm allows for hybrid and unreal spaces to be found. Traveling between spaces is possible by modulating the algorithm or manually sweeping parameters. More than an end-of-chain effects unit, it's a whole new building block for modular synthesis. Like the Echophon, it's coded by Tom Erbe of soundhack.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":48443939356990,"sku":"MAKE-NOISE-ERBE-VERB-BLACK","price":489.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/make-noise-erbe-verb-black-and-gold-ctrl-mod.png?v=1705513811"},{"product_id":"function","title":"Function (Black)","description":"\u003cp\u003e\u003cem\u003eNow available exclusively in black panel.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFUNCTION is part of the MATHS family of control voltage utility modules. It is a small analog computer designed for solely musical purposes.\u003c\/span\u003e\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":48850135580990,"sku":"MAKE-NOISE-FUNCTION-BLACK","price":165.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/make-noise-function-black-panel-ctrl-mod.png?v=1709160697"},{"product_id":"lxd","title":"LxD","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe LxD, Low Strike Duo, is a dual-response, two channel, direct-coupled, Low Pass Gate, which utilizes vactrols in order to provide simultaneous control over the Amplitude and Frequency Spectrum of an INput Signal. It is, in essence, a VCFA (Voltage Controlled Filter Amplifier). Unlike the Optomix, the LxD offers two different filter responses. CH. 1 offers a 12db\/ Octave response that is mildly-resonant, while CH. 2 offers a 6bd\/ Octave that is non-resonant. The OUTput of CH. 1 is normalled to the INput of CH. 2. This normalization puts the two channels in series, which is similar to the VCF into VCA arrangement made popular by many monosynths of the 1970’s.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9626297349,"sku":"MAKE-NOISE-LXD","price":110.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-lxd-ctrl_5b2670de-bea2-4943-baa2-9d719f196bf6.png?v=1571272185"},{"product_id":"make-noise-maths-black","title":"MATHS (Black)","description":"\u003cp\u003e\u003cem\u003eNote: the silver faceplate version is currently in stock, black and gold faceplates are preorders expected to ship in early February.\u003c\/em\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMATHS is an analog computer designed for musical purposes. \u003c\/span\u003e\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":48443822768446,"sku":"MAKE-NOISE-MATHS-BLACK-GOLD","price":290.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/make-noise-maths-black-better-quality-ctrl-mod.png?v=1709922823"},{"product_id":"moddemix","title":"modDemix","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe modDemix features 2 identical direct-coupled balanced modulator circuits that may be used together or independently for Ring Modulation, VCA, Mixer, Signal Multiplication, Voltage Controlled Polarization, Attenuation and more.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Black","offer_id":48454150324542,"sku":"MAKE-NOISE-MODDEMIX","price":140.0,"currency_code":"USD","in_stock":false},{"title":"Silver","offer_id":48454150357310,"sku":"MAKE-NOISE-MODDEMIX-BLACK","price":140.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/make-noise-moddemix-black-ctrl-mod.png?v=1705599267"},{"product_id":"mult","title":"Mult","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Multiple is a simple but important module that allows for sending a signal to multiple destinations. Within the Make Noise system the Multiple may also be used for combining clock, gate and pulse signals together to create interesting timing sources (in other words, it acts as a Gate combiner aka logic OR circuit). It has 9 inter-connected sockets that may be split into different group combinations depending upon how it is patched. The jacks circled in white will make or break the interconnects between the 3 groups of three, thus allowing for three 3-way, one 5-way\/ one 3-way or one 7-way multiple. The Multiple is passive, because the Make Noise system does not require Buffered Multiples since all critical control signals are already buffered in such a way as to provide a large fan-out capability.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9627027973,"sku":"MAKE-NOISE-MULT","price":33.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-mult-ctrl.png?v=1571272185"},{"product_id":"optomix","title":"Optomix - Dual Low Pass Gate","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA two channel Low Pass Gate, providing simultaneous voltage control over amplitude and frequency content of a signal. It is in essence, a Voltage Controlled Filter Amplifier (VCFA) that has an extremely organic response to control signals. The Low Pass Gate is a classic West Coast synthesis circuit.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9627375045,"sku":"MAKE-NOISE-OPTOMIX-2","price":215.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-optomix-ctrl_787fd3a1-2150-44ab-bb6d-47e6244c03d4.png?v=1571272185"},{"product_id":"pressure-points","title":"Pressure Points","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePressure Points is a controller module, an analog sequencer that is played by hand. Touching the gold plated copper wires (aka Touch Plates), you become part of the circuit, generating a gate signal (Gate OUT), a control signal proportional to the amount of pressure applied (Press OUT) and the 3 Tuned Voltages for the activated Stage.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9627642949,"sku":"MAKE-NOISE-PRESSURE-POINTS","price":215.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-pressurepoints-ctrl.png?v=1571272186"},{"product_id":"dual-sem20-filter","title":"Dual SeM20 Filter","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe SeM20 is a classic 2 pole state variable Eurorack filter based on the Oberheim SEM's filter with the resonance section of the MS20 grafted on for extra bite and the input section modified to overdrive the single, much like the OSCar. The Dual SeM20 manages to put 2 in a 16HP module without sacrificing any of the features or the sound of the original.\u003cbr\u003e\u003cbr\u003eThe Dual version has a 4 input mixer section. Each channel can be assigned to either filter, to both for either stereo filtering or to get the Korg MS-20 or OSCar dual filter effect. The 4 input mixer and 8 outputs make feedback loops and self oscillation patches extremely easy and almost required. When the input is at 5(noon) it's full volume. Beyond 5 the filter will begin to overdrive and distort, just like the original SeM20.\u003cbr\u003e\u003cbr\u003eIn Single Mode both filters act independently with their own Freq pots and 2 attenuated CV inputs each. They are 2 full featured SeM20 filters in one module. In Dual mode the upper Freq pot and CV 1.1\/1.2 control both filters. This is great for stereo filtering and would work especially well with the new stereo effects from Audio Damage. There is an offset pot for the second filet when it's in Dual mode and this works like the spread feature on the OSCar. You can feed the same input to both filters, offset the second one and then use the 1 CV inout or the Freq pot to sweep both.\u003cbr\u003e\u003cbr\u003eThis filter can go from a very smooth Oberheimy sound to aggressive, overdriven acid dipped screeching.\u003cbr\u003e\u003cbr\u003eIt doubles as a pretty good kick drum, too.\u003c\/p\u003e","brand":"bubblesound","offers":[{"title":"Default Title","offer_id":9993286661,"sku":"BBS-DUAL-SEM20","price":279.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/bbs-dsem20-black-ctrl.png?v=1571272188"},{"product_id":"ulfo","title":"uLFO","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe uLFO is an voltage-controlled analog low frequency oscillator based around a classic triangle core VCO running through a series of waveshapers, giving the user an extremely wide range of outputs and modulation options. In the low range the uLFO will take over 60 minutes to complete a cycle and will go up to 40hz. The high range goes from 4 minute cycles at the lowest up to 3.6khz at the top of its range, making this a very good low and mid range VCO as well as an outstanding LFO.\u003cbr\u003e\u003cbr\u003eThe uLFO offers 7 simultaneous outputs; saw, ramp, pulse, triangle, sine and shaped sine and the square output is available as the sync out. The pulse and shapes sine are voltage-controlled and have attenuated inputs. The pulse width modulation works like most others, from going from 0-100% with either the PWM pot or with control voltage. But the shaped sine is fairly unique in the modular world. This allows a sine wave to be swept from a positively biased non-linear triangle down to a negatively biased non-linear triangle.\u003cbr\u003e\u003cbr\u003eThe two frequency modulation inputs offer both linear and exponential modulation with attenuation pots of the incoming control voltage. In addition to the two FM inputs there is one 1v\/octave input that allows 4-5 good, solid octaves of tracking. Taken as a whole this one of the most full featured LFOs on the market today.\u003c\/p\u003e","brand":"bubblesound","offers":[{"title":"Default Title","offer_id":9993396357,"sku":"BBS-ULFO","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/bbs-ulfo-black-1-ctrl.png?v=1574355522"},{"product_id":"vcob","title":"VCOb","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe VCOb is an voltage-controlled analog oscillator based around a classic triangle core VCO. It is similar to the uLFO, but with some improvements. The range of the VCOb is one of the widest in the analog modular world. And like all triangle cores the real fun is in the FM. \u003cbr\u003e\u003cbr\u003eSince we're starting with a triangle core it's easy to produce a real Sine wave output. There is also a Saw and Pulse outputs. The Pulse will almost become fully positive or negative with the pot, and will go all the way open and closed with CV. \u003cbr\u003e\u003cbr\u003eThe VCOb offers FM in both the Linear And Exponential varieties. There is only one input, unlike the uLFO. and the FM set to full in Expo mode this will act as a second 1V\/Oct input for things like transposing.\u003cbr\u003e\u003cbr\u003eThe tracking is all analog and will give 4-6 octaves, depending on how picky you are. It is very stable and they do track together very well.\u003c\/p\u003e","brand":"bubblesound","offers":[{"title":"Default Title","offer_id":9993684805,"sku":"BBS-VCOB","price":225.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/bbs-vcob-1-black-ctrl.png?v=1571272188"},{"product_id":"make-noise-rosie","title":"Rosie","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRosie is an output interfacing module with the added functionalities of FX Loop, Crossfader and Auto-Cue system. It is designed to facilitate live performance on the modular synthesizer by allowing the artist to preview and modify portions of a patch using the Auto-CUE system, while the audience is listening to a different portion of the patch as selected by the crossfader. Additionally it allows for Stereo processing of all sounds via the FX Loop. The Rosie is suitable for headphone monitoring of the modular system and interfacing the modular system to a recording environment. Internal Level Matching and Limiting w\/ overload indication makes it easy to connect the modular system in the studio or on stage.\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9994227781,"sku":"MAKE-NOISE-ROSIE","price":139.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-rosie-ctrl_17b5ce7a-1571-4c27-8028-cbcb5f6b09e8.png?v=1571272188"},{"product_id":"sto","title":"STO","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eA compact Voltage Controlled Oscillator designed for generating SINE waves, Variable wave-SHAPEs, SUB-Octaves, Oscillator SYNC and Linear FM in the analog domain. The Sub-Timbral Oscillator is the more subtle and melodic friend to the DPO's complex harmonic lattice.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9995076293,"sku":"MAKE-NOISE-STO","price":199.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-sto-ctrlmod.png?v=1621261558"},{"product_id":"teleplexer","title":"Teleplexer","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe Teleplexer is a telegraph style multiplexer (signal router) that applies the fast, physically immediate techniques of telegraphy to playing the modular synthesizer. The user patches any number of control sources leaving the destination end of patch cables un-connected. Destinations are patched to the outputs of the Teleplexer. Touching the tip of any patch cable carrying a source signal to the surface of the Teleplexer creates a momentary connection. The user determines the destination(s) and polarity of signal by touching the patch cable to any one of the 14 metal plates.\u003c\/p\u003e\n\u003cp\u003eAs the building blocks of synthesis are a by-product of communications technologies, why not look to telegraphy for inspiration? The speed and agility telegraph operators displayed relaying life-altering messages across the world was staggering toward some form of future musical genius.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9995262725,"sku":"","price":115.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-teleplexer-ctrl_eaebc7cf-1543-4311-a294-559f8b7f3387.png?v=1571272189"},{"product_id":"telharmonic","title":"tELHARMONIC","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eThe tELHARMONIC is a Multi-Voice, Multi-Algorithm synthesizer module named for the music hall considered by some to be the location of the first electronic music concerts. It was coded by Tom Erbe with the goal of presenting three historically important pioneering electronic tone generation techniques less often implemented within the modular synthesizer.\u003c\/p\u003e\n\u003cp\u003eThe tELHARMONIC's roots go back further than the advent of electronic music, as it also takes a new approach to handling music theory in the modular context. TONIC, INTERVAL, DEGREE and D-GATE, allow for patch-programming of complex chord progressions, scales, melodies and playing styles. This Voltage Controlled Music Theory guides the Algorithms in a unified way, whereas CENTROID, FLUX and H-LOCK sculpt the timbre of each Algorithm uniquely, allowing for complex sounds to be created around a unified melodic structure and pattern.\u003c\/p\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9995485445,"sku":"MAKE-NOISE-TELHARMONIC","price":349.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-telharmonic-ctrl.png?v=1585082680"},{"product_id":"wogglebug","title":"Wogglebug","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe \"WoggleBug\" is a random voltage generator, originally designed by Grant Richter of Wiard Synthesizers. It is a continuation of the \"smooth\" and \"stepped\" fluctuating random voltage sources pioneered by Don Buchla within the Model 265 \"Source of Uncertainty,\" expanding it to include the other-worldly Woggle CVs (stepped voltages with decaying sinusoids edges). The Wogglebug is a very musical random voltage generator where it is possible to synchronize all random signal to a Master Clock. Guaranteed to unleash your synthesizer's ID MONSTER!\u003c\/span\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":9996364229,"sku":"MAKE-NOISE-WOGGLEBUG","price":249.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/makenoise-wogglebug-ctrl.png?v=1571272189"},{"product_id":"hexinverter-mutant-bassdrum-2","title":"Mutant Bassdrum","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eWhat do you get when you combine voltage controlled distortion and one of the most infamous bassdrums? We took one of the most revered bassdrum synthesis designs of all time and completely redesigned it for use in a modular analogue synthesizer!\u003c\/span\u003e\u003c\/p\u003e","brand":"Hexinverter Électronique","offers":[{"title":"Default Title","offer_id":10001553541,"sku":"HEXINVERTER-BASS","price":199.2,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/files\/hexinverter-mutant-bassdrum-black-ctrl-mod.png?v=1695318047"},{"product_id":"large-tank-or-equivalent-for-intellijel-springray-and-thonk-diy-reverb","title":"Large Tank (for Intellijel Springray and Thonk DIY Reverb)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan itemprop=\"description\"\u003e\u003cspan itemprop=\"description\"\u003eUsed with the Intellijel Springray and Thonk \u003c\/span\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstyle type=\"text\/css\"\u003e\u003c!--\ntd {border: 1px solid #ccc;}br {mso-data-placement:same-cell;}\n--\u003e\u003c\/style\u003e\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan data-sheets-value='[null,2,\"Spring Reverb Full DIY Kit\"]' data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003eSpring Reverb Full DIY Kit\u003c\/span\u003e other devices of the same impedance.\u003c\/span\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":10040676229,"sku":"","price":30.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/spring-large-ctrlmod.png?v=1571272191"},{"product_id":"medium-tank-for-intellijel-springray-and-thonk-diy-reverb","title":"Medium Tank (for Intellijel Springray and Thonk DIY Reverb)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan itemprop=\"description\"\u003e\u003cspan itemprop=\"description\"\u003eUsed with the Intellijel Springray and Thonk \u003c\/span\u003e\u003c\/span\u003e\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan data-sheets-value='[null,2,\"Spring Reverb Full DIY Kit\"]' data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003eSpring Reverb Full DIY Kit\u003c\/span\u003e other devices of the same impedance.\u003c\/span\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":10040807813,"sku":"","price":20.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/spring-medium-ctrlmod.png?v=1571272191"},{"product_id":"small-tank-for-intellijel-springray-and-thonk-diy-reverb","title":"Small Tank (for Intellijel Springray and Thonk DIY Reverb)","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan itemprop=\"description\"\u003e\u003cspan itemprop=\"description\"\u003eUsed with the Intellijel Springray and Thonk \u003c\/span\u003e\u003c\/span\u003e\u003cspan id=\"product_description\" itemprop=\"description\"\u003e\u003cspan data-sheets-value='[null,2,\"Spring Reverb Full DIY Kit\"]' data-sheets-userformat=\"[null,null,513,[null,0],null,null,null,null,null,null,null,null,0]\"\u003eSpring Reverb Full DIY Kit\u003c\/span\u003e other devices of the same impedance.\u003c\/span\u003e","brand":"Universal","offers":[{"title":"Default Title","offer_id":10040829701,"sku":"","price":10.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/spring-small-ctrlmod.png?v=1571272191"},{"product_id":"alm-busy-circuits-akemies-castle","title":"Akemie's Castle","description":"Akemie’s Castle is a dual voltage controlled oscillator with authentic 4 Operator digital FM using ‘new-old-stock’ Yamaha IC’s for audio signal generation.\u003cbr\u003e\u003cbr\u003eEach of the 4 operators feature independent waveform selection, frequency multiplier and level control via direct panel operation and voltage control. Operators can be combined in various ways across both oscillators, which together with independent feedback control on each VCO, offer an extremely wide palette of sounds.\u003cbr\u003e\u003cbr\u003eOscillator A also features a chord mode providing a range of up to 5 voice chords and voltage controlled inversion.","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":10041744197,"sku":"ALM-AKEMIES-CASTLE","price":680.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-akemie_scastle-ctrl.png?v=1571272192"},{"product_id":"alm-busy-circuits-beasts-chalkboard-2","title":"Beast's Chalkboard","description":"Beast's Chalkboard is dual channel stepped voltage source and adder for your Eurorack modular synthesizer system.\u003cbr\u003e\u003cbr\u003eIt primarily is intended as a dual octave switcher for VCO’s but has many other uses including sequence transposition, FM ratio creation, buffered CV distribution and VCO calibration.","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":10041821253,"sku":"ALM-BEASTS","price":145.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-beast_schalkboard-ctrl.png?v=1571272192"},{"product_id":"alm-busy-circuits-o-a-x2","title":"O\/A\/x2","description":"\u003cp\u003eO\/A\/x2 is a dual channel attenuverter with each channel also including a bipolar voltage offset and LED monitoring. The module is primarily intended for fine grain flexible ‘editing’ of control signals (i.e changing the phase, level and DC offset of an LFO signal) but also has uses with audio signals such as attenuation, inversion and mixing.\u003c\/p\u003e","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":10042068421,"sku":"ALM-OAX2","price":105.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-oax2-ctrl_05768172-5bb7-4591-adeb-bcbf2f95434a.png?v=1571272193"},{"product_id":"alm-busy-circuits-tangle-quartet","title":"Tangle Quartet","description":"\u003cp\u003eTangle Quartet is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined ‘mix’ output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalized to 5V thus providing manual mix control in the absence of control signals.\u003c\/p\u003e","brand":"ALM Busy Circuits","offers":[{"title":"Default Title","offer_id":10042438341,"sku":"ALM-TANGLE","price":220.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/alm-tanglequartet-ctrl.png?v=1571272195"},{"product_id":"xaoc-devices-sewastopol-v2","title":"Sewastopol II","description":"\u003cp\u003eSewastopol is a multifunction eurorack module designed for easy interfacing of external gear to your modular environment. It can export line and professional level audio, import audio from instruments and electroacoustic transducers, and analyze the incoming audio to generate voltages and triggers to control your modular system.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eThis is a second, vastly improved revision to the original 2014 Sewastopol, featuring a completely redesigned preamplifier circuit, better ergonomics and various other improvements.\u003c\/p\u003e","brand":"XAOC Devices","offers":[{"title":"Default Title","offer_id":10111031877,"sku":"XAOC-SEWAS-II","price":324.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/xaoc-sewastopol-1-ctrlmod.png?v=1574354903"},{"product_id":"denum","title":"Denum","description":"The Denum module is essentially a bounds\/bounce oscillator. It has the “triangle core” circuitry used in many oscillators, but it adds a correlated bounds modulation, according to the concept (see below). Here, bounds and bounce are each given equal treatment, with separate linear and exponential controls and inputs. In addition, this module has a fully featured bi-polar VCA with complimentary inputs, to get you quickly going sending “bb-objets” out the left and right channels.\u003cbr\u003e\u003cbr\u003eDenum is an 8HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit.\u003cbr\u003e\u003cbr\u003eLooking at the front panel of Denum, note that inputs are marked by copper fill. There are three main sections: bounce, bounds, and the VCA. Bounce is above bounds to emphasize the numerator\/denominator relationship of the two. Each of the two has exactly the same inputs and knobs. The “basis” knob sets the base rate or position for bounds. There is a linear control input, marked by a a caret. Linear modulation is an alternative input for pre-enveloped audio, since it has no attenuverter. However, the exponential control input is tied to an attenuverter, marked by a characteristic bow-tie. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counter-clockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply.\u003cbr\u003e\u003cbr\u003eBetween the bounds and bounce areas, there is a range switch. When in middle position, Denum runs at a standard audio rate. Pointing downward is a low audio rate, and pointing upwards is a definite CV, lowest rate.\u003cbr\u003e\u003cbr\u003eThe triangle output speaks the position of the waveform in voltage, and square expresses the frequency in terms of negative and positive 10 volts.\u003cbr\u003e\u003cbr\u003eThe triangle output is bussed into the left and right audio inputs of the VCA, at bottom. Either can be swapped out for external audio energies, via the “left, right signal inserts”. The “left, right VCA inputs” are for controlling the amplitude of the signals, with either a linear or exponential mapping. If the left input is greater than right, sound goes out the “left out”. If right is greater than left, sound goes out the “right out”. The voltage amount of difference maps to loudness in these channels. The “linear, expo switch” chooses linear when cocked up, as marked by a caret, and exponential when cocked down, as marked by a rounded form. There is an optional mute when the switch is in the middle.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10111863173,"sku":"","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-denum-ctrlmod.png?v=1571272198"},{"product_id":"dunst","title":"Dunst","description":"The Dunst module generates Dust and Noise by two different methods. Noise is defined as white noise with a continuous spectrum and a totally non-tonal nature. Dust, however, is better thought of outside Fourier techniques, as little crackles, bursts of noise, pulses of uneven rhythm. Dunst permutes on the bounds\/bounce concepts of other Mobenthey modules, by calculating Dust with a ramp with arbitrary sample-and-hold for its bounds- based on an efficient digital technique for Dust. The Noise section uses transistor noise (quantum) as its basis, comparing it against a modular reference to achieve stochastic events, converging on the sound of Dust. In addition, this module has a fully featured bi-polar VCA with complimentary inputs, to get you quickly going sending “dust-objets” out the left and right channels. \u003cbr\u003e\u003cbr\u003eDunst is an 8HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit. Looking at the front panel of Denum, note that inputs are marked by copper fill. There are three main sections: BDUSOU, BNOICE, and the VCA. BDUSOU is the analog dust calculator, and BNOICE is the quantum sourced generator. Each of the two has exactly the same inputs, outputs and knobs. The “basis” knob sets the base rate of dust, from sparse to dense. The FM control input is tied to an attenuverter, marked by a characteristic bow-tie. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counterclockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply. \u003cbr\u003e\u003cbr\u003eBDUSOU has two outputs: a ramp, and a pulse. Ramp, marked by triangular articulations on the cartouche, is the actual waveform used to generate Dust. It looks like a sawtooth, with completely random bounds. Pulse, marked by rectilinear articulations, speaks to the zero-crossing “tooth” of Dust, with a short pulse from zero to ten volts. \u003cbr\u003e\u003cbr\u003eBNOICE has two outputs: pulse and hiss. Pulse is similar to the pulse of BDUSOU: a brief spike from zero to ten volts, with varying densities. Hiss, is the raw quantum-sourced white noise. Hiss is bussed into the left and right audio inputs of the VCA, at bottom. Either can be swapped out for external audio energies, via the “left, right signal inserts”. The “left, right VCA inputs” are for controlling the amplitude of the signals, with either a linear or exponential mapping. If the left input is greater than right, sound goes out the “left out”. If right is “Sitting at the round metal cofee table, on the deck of my beach house, I cannot tel whether it wil come inland or stay hovering over the waters; I know it is a storm cloud because of the lightning, extending to space and salt, exchanging energies.” Ieaskul F. Mobenthey --- DunstManual --- Page 2 greater than left, sound goes out the “right out”. The voltage amount of difference maps to loudness in these channels. The “linear, expo switch” chooses linear when cocked up, as marked by a caret, and exponential when cocked down, as marked by a rounded form. There is an optional mute when the switch is in the middle. \u003cbr\u003e\u003cbr\u003eBDUSOU\/BNOICE\u003cbr\u003e\u003cbr\u003eWhy are the modules called that? This module flirts with BOUNDS\/BOUNCE, so I rearranged this text, until it suggested DUST and NOISE. BDUSOU uses contingent boundaries, both negative and positive, for its sawtooth, to calculate dust with a stochastic distribution of bursts, flirts, and spaces. What is DUST, if you asked James McCartney, in his computer music program, Supercollider? It's a sort of random, but with particles, so how do you know it's vanilla-chaos or hyper-chaos? How many powers of random do you want? It could be bursts of completely harsh noise followed by minutes of silence. This module, however, does not follow the extreme path; instead it follows the middle road, set forth by McCartney, of a usable timing pulse for random, rain-like events. By modulating BOUNDS, it does not go into the hyper-chaos available with BOUNCE generators. That is left to its FM input, which strictly modulates its bounce, or slope speed. On completing the first run of Mobenthey modules, I initiated prototyping this fifth module. It is a new thrust on this platform and also in Tocante to bring forth various assets of zener noise that I have explored in my oldest instruments, such as Nabra. That synthesizer contained a Dust module, which simply generates trigger pulses at random intervals below the haptic rate. Nabra also contained a Noise module, which acted as an audio generator with VCA inputs. It also took control voltages as a modulation for crackle; its sound could change from smooth white noise to something more like a dusty record. \u003cbr\u003e\u003cbr\u003eDust and Noise operate in two compellingly different manners. Dust “computes” its randomness by sampling a stochastic waveform to mark an arbitrary voltage, then decays to zero to repeat again. Noting that this is an arbitrary bounds modulation, the bounce of the module is free for control by input voltage, thus varying the speed or concentration of dust particles. This circuit is a variation bounds-bounce regime established in the previous modules. \u003cbr\u003e\u003cbr\u003eUnlike Dust, Noise uses a zener diode or other suitably noisy silicon source, amplifying the natural noise of indecisive electrons. It modulates crackle by a comparison of that noise and an arbitrary input voltage; near zero, it is pure noise, but crossings of a farther bias voltage become more event-like, approaching the sound of Dust. \u003cbr\u003e\u003cbr\u003eSince both circuits achieve different flavors of the same basic goal, I decided to combine them into a single module. The name is simply an amalgam- Dust with Noise makes Dunst. The next step is checking a name on Google. Finding, of course, Kirsten Dunst as the primary placeholder, I also see the German definition of the word is a sort of haze or fog; a good omen. Digging deeper, I find the extended German meaning, in Jagersprache1 , is a shotgun with very fine particle size, for hunting small birds. In fact, that is exactly what the Dunst module does, generate bursts of small shots in a random distribution, to trigger the song-squeaking death of birds. \u003cbr\u003e\u003cbr\u003eSo that is the current state of Mobenthey, having completed a run, I add a new and dusty module, tied into the previous modules by the bounds-bounce concept. The new module breaks from the previous modules by focusing on stochastic dust instead of modulated waveforms. It demonstrates the paradox wave, Ieaskul's goal, not by infinite regression but by the indeterminate nature of silicon components themselves- noise.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10111953029,"sku":"","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-dunst-ctrlmod.png?v=1571272198"},{"product_id":"fourses","title":"Fourses","description":"The Fourses module consists of four bounds\/bounce oscillators, stacked on top of each other so that their bounds are mutual. Imagine four bouncy balls in a greased perspex tube only wide enough to permit them to travel along it. They bounce off of each other in the tube, and generate intricate but inter-related chaotic outputs. Each bouncy ball has the requisite basis and attenuverter knobs, and bounds inserts, control input, and \u003cbr\u003etriangular output.\u003cbr\u003e\u003cbr\u003eFourses is a 12HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit.\u003cbr\u003e\u003cbr\u003eLooking at the front panel of Fourses, note that inputs are marked by copper fill. The four operators are exactly the same in appearance. The bounds of any operator are dictated by the ones immediately above and below, except for the very top and bottom operators; the top upper bound is set to eight volts, and the bottom lower bound to negative eight volts. The bounds of any operator, however, have inserts that you can use to manually \u003cbr\u003eset a boundary to whatever voltage you wish. This may introduce Ieaskul's masthead, the paradox wave, that comes about when a lower bound is greater than an upper bound, causing the oscillator to go into hyper oscillation since it cannot rest in any stable zone.\u003cbr\u003e\u003cbr\u003eConnected to the bounds inserts area, there is a rate knob that acts in a special, Fourses-like way: knob in middle causes the up- and down- slopes to be equally fast, and the operator will bounce easily; turn the knob clockwise and it will have a very slow down-slope and a fast up-slope, counter-clockwise is the opposite. The philosophical reasons for such a knob came about when testing the original fourses; control of slope symmetry is just as important as, or perhaps more important than, control of frequency in Fourses. The control input, with associated attenuverter also controls frequency and symmetry in the same way. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counter-clockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply. The “position out” can hardly be called “triangle out” anymore, but it is the same electronically as would a triangle output- a reading of the current position of each bouncy ball. \u003cbr\u003e\u003cbr\u003eFor each operator there is a range switch. When in middle position, the operator runs at a standard audio rate. Pointing downward is a low audio rate, and pointing upwards is a definite CV, lowest rate.\u003cbr\u003e\u003cbr\u003eHistory of Fourses\u003cbr\u003e\u003cbr\u003eFourses was originally released by Ciat-Lonbarde in kit format, around the time of the Bush-years. It had two of the “greased perspex tube” formations, plus some interstitial circuitry called the “intersexon”. Ieaskul is considering putting out an expansion module to create this intersexon between two Fourses modules, but you could probably cook up a recipe that would be very similar with stock Eurorack sample-and-hold modules; \u003cbr\u003esimply trigger a sample of one Fourses by another Fourses, and make these step-like signals available again for modulation. The thing that is hard for a Eurorack system to mimic, is how the intersexon used current mirrors on the outputs; outputs thus would mix in a unique, non-ohmic melange of competing current sources.\u003cbr\u003e\u003cbr\u003eEurorack, and the modular philosophy in general, does not condone modulation by current vector, only preferring outputs to be voltage in series with a 10k resistor. Actually current mixing could be an interesting route to explore for modulator-masters, but it is a subtle region. It was only brought about because the Fourses was a touchable instrument, having about 156 brass nodes sticking up out of a wooden case, that could be patched by both wire or flesh, or even a living worm. It was part of a general exploration of mixing signals to use current as one source of output electrons. \u003cbr\u003e\u003cbr\u003eAnother inspiration was the circuit-bending movement, and the use of innards of circuits, exposed to musical touch. Thus, Fourses was an instrument designed to be bent, and it did this by bringing the interior, “soft-like” parts of each oscillator out. The two most important would be called the “capacitor tank,” and the “hysteresis node,” which correspond directly to the bounce\/bounds dialectic as well as that of the triangle\/square. You see any triangle oscillator has an accumulator of analog slope, using a capacitor to make angled segments; and a bounds tester, comparing against a fixed (or not so fixed) measure. Since the capacitor tank deals mostly in current anyway, this was a good tip-off to make current-nodes in the overall design.\u003cbr\u003e\u003cbr\u003eIn bringing back the Fourses, ten years later, all these touch-operable features were explored in numerous prototype paper-circuits, and they worked as in the original. However, the Fourses modular does not include such extended touch-features, because it is a redundancy on top of the central concept; Fourses itself is a modeling of a sort of inter-related touch web, by having each oscillator “touch” the other. It is a morphic resonance to put a “touch” oscillator inside a “touch” case, but perhaps the use of the Fourses primitive as source of chaos could be distilled down into a small form factor with complete voltage control and range switches, to interface and scramble all sorts of other modules with its manifold outputs. \u003cbr\u003e\u003cbr\u003ePerhaps in the future we could bring back the touch-Fourses, but Ieaskul is confident that fitting it into the Eurorack standard is a happy compromise to bring its unique sounds and gestures to “Europe”.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10112012421,"sku":"","price":333.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-fourses-ctrlmod.png?v=1571272198"},{"product_id":"sprott","title":"Sprott","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Sprott module is a model of chaotic jerk system with standardized voltage control of all parameters. Thus, the chaotic attractor can be shrank down to distill the module into a resonant filter that is the dynamical sub- circuit underlying most jerk systems. It is named after J.C. Sprott who has published numerous papers, articles and books on chaos and chaotic circuits, from a rigorous physical view-point. This module is of course for musical purposes; although the voltage control feature has limited import in physics experiments, it is crucial to aesthetic purposes.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSprott is an 8HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eSprott has three integrators and one “signum” non-linearity, according to the simple differential equation, “0 = ax''' + bx'' + cSGN(x) – dx”. In re-structuring the circuit to fit voltage control guidelines, the use of transconductance amplifiers offers an experimental input to change the subtle dynamics of this system: by modulating their linearizing diodes, paradoxically adding to non-linearities available. The module is thus for experimentation, but it can always boil down to a simple resonant filter, perhaps this is its power, in going out and coming back to a basic regime. Since any differential jerk equation is highly dependent on “initial parameters,” Sprott has a dedicated VCA on the input.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eUse of this VCA can help inform use of the other three sections. Looking at the front panel of Sprott, note that inputs are marked by copper fill. For any section there is an “in” and a “diode”. The in inserts signal energy directly into that portion of the differential equation, with the VCA inserting directly into the high-pass. It should be mentioned, however, that inputting into one section will affect all; they are not separate filters but all inter-connected as per the equation. The diode is the least explainable of all inputs, but just note that a higher voltage here will in general bring the frequency down, but it should also bring it into a more linear mode of operation. As Ieaskul said, it is experimental. The VCA has a basis knob, on the left, which sets a basic amplitude for its input. It then has the VCA control input and associated attenuverter which modulate it furthermore. \u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAn attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counter-clockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFor each section, there is an output that reflects one part of the differential equation, in the natural order it is built in circuitry. So, from top-down, there are high-pass, band-pass, low- pass, and finally, chaos-pass outputs. Each section has it's own range switch. When in middle position, the section runs at a standard audio rate. Pointing downward is a low audio rate, and pointing upwards is a definite CV, lowest rate. They are separated for experimentation purposes, however standard operation is to have them set at the same range- all up, all mid, or all down.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next section is labeled, “Q,” meaning voltage control of quality, or resonance. It has a similar “in,” “diode,” “control,” and knobbage structure. The “Q” is highest when this knob is down, and that can cause saturation of the waveform allowing experiments in distorted filtering. For sweet filtering purposes, turn “Q” up later than noon.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next section down is labeled “FR” for “frequency”. Here is where the general time-dependance is modulated, also known as “cutoff” in filterland. It too has a similar knobbage\/jackage structure.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eFinally the bottom section is devoted to chaos, through control of the “third integral”. It has a similar jack structure, and it should be pointed out that the knobs control how much chaos is inserted back into the dynamic. With its basis knob all the way down, Sprott should return happily to filterland.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTo read more about Jerk Equations, please consult J.C. Sprott's massive corpus of publications at:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ehttp:\/\/sprott.physics.wisc.edu\/pubs.htm\u003c\/span\u003e","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10112158277,"sku":"","price":333.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-sprott-ctrlmod.png?v=1571272199"},{"product_id":"swoop","title":"Swoop","description":"The Swoop module is essentially a bound\/bounce control voltage processor, in the lineage of such multi-purpose tools as the “Serge Dual Universal Slope Generator”. Like that module, Swoop responds to:\u003cbr\u003e\u003cbr\u003e» Input voltages that set target boundaries in voltage\u003cbr\u003e» Control voltages for angle of both the down and up segments of the waveform\u003cbr\u003e» Trigger voltages that perform a single “swoop” up or down.\u003cbr\u003e\u003cbr\u003eIt differs, however from the DUSG, in that it truly is a free-running oscillator, that will bounce between any given boundaries; bounds take a more correlative role in deciding the frequency. In fact, it is already running when given zero input, bouncing infinitesimally at a very high resultant frequency. \u003cbr\u003e\u003cbr\u003eThis oscillator was conceived as a sort of triangular answer to the operation of filters, that take an input and resonate damp. Damping, in Swoop, results in an ever higher and higher frequency, thus fulfilling the bounds\/bounce concept. Inspired by the idea of polarity, there are actually two triggers, for upward swoop and downward swoop, or \u003cbr\u003eeven both ways consecutively. \u003cbr\u003e\u003cbr\u003eSwoop is an 8HP Eurorack module that runs on +12 and -12 volts. Attach power connector positive to “+” and negative to “-”. Failure to follow proper power polarity will result in instant destruction of unit.\u003cbr\u003e\u003cbr\u003eLooking at the front panel of Swoop, note that inputs are marked by copper fill. The two bounds inputs each control both upper and lower boundaries. They do this by rectification. With no connections, they are set at zero, and thus as mentioned already, oscillator is squeezed into this infinitesimal space. If one connection is \u003cbr\u003emade, the oscillator will bounce up and down between zero and the voltage, whether it be positive or negative.\u003cbr\u003e\u003cbr\u003eLikewise, with two inputs, the oscillator bounces between whichever is highest and whichever is lowest. Up in the bounds zone, there is a range switch. When in middle position, Swoop runs at a standard audio rate. Pointing downward is a low audio rate, and pointing upwards is a definite CV, lowest rate.\u003cbr\u003e\u003cbr\u003eThe triangular output is the position of the wave, and square is the mechanical signal to go up or down, a good way to hear its frequency. The bounce section is a very standard sort of analog math block. There is a bounce “basis” knob for both down and up slopes, to set the base rate. Above it, there is an attenuverter, marked by a bow-tie, to process \u003cbr\u003ethe modulation inputs, at top. In addition to the downand up inputs, there is a “both” input,Sitting at the round metal cofee table, on the deck of my beach house, I cannot tel whether it wil come inland or stay hovering over the waters; I know it is a storm cloud because of the lightning, extending to space and salt, exchanging energies.” in the middle for convenience. \u003cbr\u003e\u003cbr\u003eThat input feeds into both the down and up inputs, which have separate attenuverters. An attenuverter works like this: at noon the modulations are nulled out, they have no effect; clockwise from there they increase in intensity, with positive input meaning “more”; to the counter-clockwise direction, modulations increase as well, but with negative input meaning “more”. This knob is essential to controlling how much, and in which direction, your modulations apply.\u003cbr\u003e\u003cbr\u003eAt the very bottom of the module is the triggered swoop section. As mentioned above, there are two swoops, negative-going and positive going. The trigger responds to a positive transition, crossing one diode drop above ground (one volt). This should work with pretty much any gate signal but also analog signals larger than two volts peak to peak. The outputs here are gate signals, from zero to twelve volts, indicating that the swoop has finished its duty cycle. These can be used to trigger the other swoop to make a chain of different polarity swoops, or connected in “x” formation, generating a continuous oscillation. To make a recirculating positive swoop, you can connect its output to its input, likewise for a recirculating negative swoop. The analog swoop \u003cbr\u003evoltage is “read” at the triangular output, up top. They cause the signal to travel once to the eight (or negative eight) volt mark.\u003cbr\u003e\u003cbr\u003eLineage of Swoop\u003cbr\u003e\u003cbr\u003eI guess I first worked on swoop in the Dogslit, and the associated Conrad Papers. These were all paper circuits, originally designed for controlling the light boxes of Dan Conrad. Each swoop was like a unit cell, creating this triangular event, and then triggering another swoop; montages of loops and other topographies could be constructed from multiple swoops. These then controlled a Dogvoice (to be released by Ieaskul in Eurorack \u003cbr\u003eform); the multiple overlapping events resulted in unpredictable growls and barks, like how a dog wants to think nomadically. \u003cbr\u003e\u003cbr\u003eThere were swoops and anti-swoops, meaning some went up and some went down. Physically the circuits were separate. Around this time I realized how much they paralleled the DUSG, and how Serge musicians will use that module as well to create montages of cellular units that trigger each other.\u003cbr\u003e\u003cbr\u003eFast forward about six years, at the development of the Shnth device, a digital synthesizer. It used an internal language to process, and indeed emulate analog functions. The opcode “swoop” was designed to enable granular synthesis with triangular events, but it also happened to emulate the primitive piezo flex gesture: press \u003cbr\u003edown and release result in an upward swoop immediately followed by a downward swoop. It worked this way in the default “dirac” mode, or using signed math. But it also had an “arab” mode wherein swoop operated with just one positive going triangle. It so happened that signed math generated this unique “double bubble” sound from the positive swoop to negative swoop crossing zero.\u003cbr\u003e\u003cbr\u003eThere was one more purposing of the term “swoop” in code, as a synthetic response function for enemy chubes in the game “Mikey Walker”. Chubes respond to punches by wobbling and then falling if punched in time with their resonance: that's the aim of the game. So I was seeking to provide another type of response than the standard (but totally wonderful) resonant filter. In a separate chapter I can describe how I used Anthony \u003cbr\u003eBraxton's tri-centric logics as a brainstorm for the idea of using a triangle wave as a resonant filter. Essentially it needs to have an input, not a modulation input but an input as like a filter, and it needs to damp energy down by oscillating it. Of course, when a triangle wave gets bigger and smaller its frequency changes, according to the bounds\/bounce concept; this helped enrich gameplay with a new resonant strategy for enemies.\u003cbr\u003e\u003cbr\u003eSo in Ieaskul's swoop, we have several threads of analog, emulation, and conceptual coming together in one module. There is biphasic support, swoop and anti-swoop are not separated anymore; but along with signed math also comes unsigned math. There is the emulation of gestural flex, in Newton's own “equal and opposite reactions”. And there is the possibility of a “resonant triangle” and what happens when it is damped: Ieaskul's masthead, the paradox wave.","brand":"Ieaskul F. Mobenthey","offers":[{"title":"Default Title","offer_id":10112245957,"sku":"","price":222.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/ieaskul-swoop-ctrlmod.png?v=1571272200"},{"product_id":"tiptop-audio-z-dsp-mk2","title":"Z-DSP","description":"The Z-DSP is an open-source, cartridge-based, digital sound processing and generating platform for your modular synthesizer. The Z-DSP has a stereo DSP processor with 24-bit sampling, 15khz of bandwidth, smooth voltage controlled parameters, and has the ability to be programmed - all in a Eurorack format. While the Z-DSP cannot compete with the processing power found on personal computers, it does provide direct control of the DSP hardware and has a unique set of features aimed at the manipulation of digital effects. With the Z-DSP, digital audio can be bent, stretched, deformed, and distorted by interacting with your modules; something personal computers just can't do.\u003cbr\u003e\u003cbr\u003eThe Z-DSP interface includes VC digital parameters, VC Mix\/Dry, manual and sequential program switching, and a pair of VC feedback loop paths with exposed patch points that let you insert the rest of your modular into the DSP process. The Z-DSP lets you go far beyond ordinary processing, breaking the rules and allowing you to patch right into the heart of the DSP chip through the clock input, allowing for some digital madness and creative sound design.","brand":"Tiptop Audio","offers":[{"title":"Black","offer_id":44111359902014,"sku":"TIPTOP-AUDIO-Z-DSP-BLACK","price":542.0,"currency_code":"USD","in_stock":false},{"title":"White","offer_id":44111359967550,"sku":"TIPTOP-AUDIO-Z-DSP-WHITE","price":542.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptopaudiozdspblackctrl-mod.png?v=1669838038"},{"product_id":"tiptop-audio-bd909","title":"BD909","description":"The BD909 is a recreation of Roland's TR-909 analog bass drum sound generator\u003cbr\u003eadapted for modular synthesizer use. The front panel contains all of the controls found on the original TR-909 drum machine, allowing you full control over the sound’s volume levels to mix with other drums and accent levels, decay tune and the envelope attack and decay segments. In addition to those original controls we have also added new controls, further enhancing this legendary sound generator.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10112721413,"sku":"TIPTOP-BD909","price":189.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-bd909-wh-1-ctrlmod.png?v=1600707370"},{"product_id":"tiptop-audio-hats909","title":"HATS909","description":"Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.\u003cbr\u003e\u003cbr\u003eThe HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's. Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.\u003cbr\u003e\u003cbr\u003eThe original TR-909 circuit is made with a combination of low-fi 6-bit samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provide anything from crushed hats and short ticks to the original sound and anything in between. A modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.\u003cbr\u003e\u003cbr\u003eJust like other drums in the series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger\/gate signals from step sequencers, clock dividers, or any other pulse\/clock sources.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10112786757,"sku":"TIPTOP-HATS909","price":233.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-hats909-wh-1-ctrlmod.png?v=1600708399"},{"product_id":"tiptop-audio-mixz","title":"MIXZ","description":"MIXZ is a low cost analog multi-channel mixing module for mixing audio, CV and gate signals with an excellent linear response and low noise. balancing a clear visual layout and multiple mixers in a small footprint makes the MIXZ easy to use in a variety of configurations within the modular synth. Its high quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth organic merge of dynamics, and excellent separation of mixing sections and channels. MIXZ has three sections:\u003cbr\u003e\u003cbr\u003eMixer A - a low noise 4 channel mixer with independent gain control per channel\u003cbr\u003eMixer B - a low noise 4 channel mixer with master gain control\u003cbr\u003eBus mix - a multi channel mixer that mixes signals from modules utilizing the tiptop bus mix\u003cbr\u003e\u003cbr\u003eMixer A and B can be configured as either two independent 4 channel mixers or as a single 8 channel mixer. If the output of mixer a is not in use, then mixer A will be routed internally to mixer B forming the 8 channel mixer.\u003cbr\u003e\u003cbr\u003eTipTop bus mix is a new method we have developed to mix audio signals through the eurorack power bus board without patch cables, a little bit of magic ahh? Although this technique doesn't stand for a low noise mix, we found it to be useful for some applications including the mixing of our drum modules, which all have a bus-mix enabled output. the result is that all your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch, saving you the time and cables to repatch sounds again and again, while keeping the channels of MIXZ’s mixer A or B free to bring other signals into the mix. combining the bus mix with mixer a and b, the MIXZ can sum dozens of channels in only 10HP.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10112959621,"sku":"TTA-MIXZ","price":135.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-mixz-ctrl.png?v=1571272202"},{"product_id":"tiptop-audio-toms909","title":"TOMS909","description":"\u003cp\u003eThe TOMS909 is a recreation of Roland's legendary TR-909 analog Tom drums sound generator for use in modular synthesizer format. The TOMS909 includes all the original controls found on the TR-909 drum machine, as well as several new features never before available, such as extended TUNE range and independent voltage control for accent and tune\/pitch on each drum. There are three independent Tom drum sounds, starting from the left with the Low, Mid, and High, Tom; each Tom drum section gives you full control over the Toms’ volume Level, Accent, Decay, and Tune levels. On the right side of the module is a voltage control section with a voltage control input for each Tom drum and an accompanying attenuator knob for scaling the incoming voltages, as well as a MIX OUT for summing the three drum sounds.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10113066949,"sku":"TTA-TOMS909","price":422.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-toms909-ctrl-mod.png?v=1626111963"},{"product_id":"z3000-smart-vco-mk2","title":"Z3000 Smart VCO MK2","description":"\u003cp\u003eThe Z3000 MK2 is an analog voltage controlled oscillator with a built-in digital pulse counter. It displays constant pitch data at a refresh rate of one update per second in three different modes. Each mode can be accessed using the Mode Switch. This unique feature puts the Z3000 MK2 into a class of its own as a VCO, bringing new capabilities of complex sound synthesis to the analog realm. In addition, it simplifies the setup of multi-oscillator voices by allowing pitch intervals to be set by sight.\u003c\/p\u003e","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10113398213,"sku":"","price":255.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-z3000-ctrlmod.png?v=1571272204"},{"product_id":"tiptop-audio-z4000-vc-eg","title":"Z4000 VC-EG","description":"The Z4000 NS is a snappy voltage-controlled analog envelope generator with a built-in CV processor for scaling, inverting, and voltage-controlled deviating of the envelope shape. The Z4000 generates an envelope made of the four classic segments: Attack, Decay, Sustain and Release, in which each segment can be manually set using knobs or dynamically set under voltage control.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eControl knobs for the Attack, Decay, and Release segments are scaled. The first 0-50% of the knobs rotation is dedicated to high resolution adjustment in the millisecond range.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler. A bi-color LED indicates intermediate values in both polarities and their crossfade state.","brand":"Tiptop Audio","offers":[{"title":"Default Title","offer_id":10113477509,"sku":"TIPTOP-Z4000","price":204.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0997\/1246\/products\/tiptop-z4000-ctrl-mod.png?v=1626111844"}],"url":"https:\/\/www.ctrl-mod.com\/collections\/all.oembed?page=162","provider":"Control","version":"1.0","type":"link"}